18th Century Eighteenth Century English Porcelain
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Author | : Indianapolis Museum of Art |
Publisher | : Indiana University Press |
Total Pages | : 288 |
Release | : 1987 |
Genre | : Antiques & Collectibles |
ISBN | : 9780936260112 |
"This very thorough catalogue, with excellent footnotes and bibliography, firmly places the subject in its broadest context." --Apollo Covers approximately 95 pieces, representing Chelsea, Bow, Derby, Worcester, Chamberlain-Worcester, Caughley, Longton Hall, Spode, and Hilditch and Sons.
Author | : Arthur Herbert Church |
Publisher | : |
Total Pages | : 230 |
Release | : 1886 |
Genre | : Porcelain, English |
ISBN | : |
Author | : Linda Horvitz Roth |
Publisher | : |
Total Pages | : 424 |
Release | : 2000 |
Genre | : Antiques & Collectibles |
ISBN | : |
The definitive catalog of this important collection
Author | : Christina H. Nelson |
Publisher | : Lucia Marquand |
Total Pages | : 0 |
Release | : 2013 |
Genre | : Porcelain |
ISBN | : 9781555953881 |
A first time complete catalogue of a recently donated private collection - one of the most important in the world - of 18th Century German porcelain.
Author | : David Porter |
Publisher | : Cambridge University Press |
Total Pages | : 241 |
Release | : 2010-11-11 |
Genre | : Art |
ISBN | : 0521192994 |
Eighteenth-century consumers in Britain, living in an increasingly globalized world, were infatuated with exotic Chinese and Chinese-styled goods, art and decorative objects. However, they were also often troubled by the alien aesthetic sensibility these goods embodied. This ambivalence figures centrally in the period's experience of China and of contact with foreign countries and cultures more generally. David Porter analyzes the processes by which Chinese aesthetic ideas were assimilated within English culture. Through case studies of individual figures, including William Hogarth and Horace Walpole, and broader reflections on cross-cultural interaction, Porter's readings develop new interpretations of eighteenth-century ideas of luxury, consumption, gender, taste and aesthetic nationalism. Illustrated with many examples of Chinese and Chinese-inspired objects and art, this is a major contribution to eighteenth-century cultural history and to the history of contact and exchange between China and the West.
Author | : Howell G. M. Edwards |
Publisher | : Springer Nature |
Total Pages | : 344 |
Release | : 2020-07-13 |
Genre | : Technology & Engineering |
ISBN | : 3030421929 |
This book addresses the contributions made by analytical chemistry to the characterisation of 18th and early 19th Century English and Welsh porcelains commencing with the earliest reports of Sir Arthur Church and of Herbert Eccles and Bernard Rackham using chemical digestion techniques and concluding with the most recent instrumental experiments, which together span more than a hundred years of study. From the earliest experiments which required necessarily the sacrifice of significant portions of each specimen, which may already have been damaged , to the latest experiments which needed only microsampling or the non-destructive interrogation of valuable perfect specimens a comprehensive survey is undertaken of more than twenty manufactories of quality porcelains. The correlation is made between the quantitative elemental oxide determinations of the scanning electron microscopic diffraction and Xray fluorescence data and the qualitative molecular spectroscopic Raman data to demonstrate their complementarity and use in the holistic forensic assessment of the origin of the fired procelains ; this will form the groundwork for the adoption of analytical techniques for the attribution of unknown or questionable procelains to their potential source factories . The book will also examine the perception of what constitutes a porcelain and its definitions and examines the assignment of porcelains to types which currently employs the definitions of hard paste , soft paste , hybrid , magnesian and bone china from the conclusions derived from the analytical data and a consideration of the raw materials employed in their manufacturing processes. During the discussion of this analytical evidence several themes and protocols have been established for its utilisation in the potential identification of porcelains and several case studies undertaken for this purpose are cited. The book will be of interest to analytical scientists , to museum ceramics curators and to ceramics historians.
Author | : Peter Bradshaw |
Publisher | : |
Total Pages | : 334 |
Release | : 1981 |
Genre | : Porcelain |
ISBN | : |
Author | : Hilary Young |
Publisher | : Victoria & Albert Museum |
Total Pages | : 264 |
Release | : 1999 |
Genre | : Antiques & Collectibles |
ISBN | : |
The central focus of this text on 18th-century English porcelain is the design processes that were followed in the industry. These are studied and discussed in relation to manufacturing techniques and the appearance of the figures and tablewares themselves. Other explorations of 18th-century porcelain trade include: plagiarism and industrial espionage; importation and exportation; raw materials and factory siting; and terms and conditions of employment. The text also examines the sales and marketing of English porcelain and pieces together the evidence for its consumption and use, linking these to the spread of polite culture and other changes in the social fabric of 18th-century England. Appendices give brief factory histories and a chronology of events.
Author | : Carl Christian Dauterman |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 263 |
Release | : 1986 |
Genre | : Porcelain |
ISBN | : 0870992279 |
Author | : MichaelE. Yonan |
Publisher | : Routledge |
Total Pages | : 244 |
Release | : 2017-07-05 |
Genre | : Art |
ISBN | : 1351545205 |
During the eighteenth century, porcelain held significant cultural and artistic importance. This collection represents one of the first thorough scholarly attempts to explore the diversity of the medium's cultural meanings. Among the volume's purposes is to expose porcelain objects to the analytical and theoretical rigor which is routinely applied to painting, sculpture and architecture, and thereby to reposition eighteenth-century porcelain within new and more fruitful interpretative frameworks. The authors also analyze the aesthetics of porcelain and its physical characteristics, particularly the way its tactile and visual qualities reinforced and challenged the social processes within which porcelain objects were viewed, collected, and used. The essays in this volume treat objects such as figurines representing British theatrical celebrities, a boxwood and ebony figural porcelain stand, works of architecture meant to approximate porcelain visually, porcelain flowers adorning objects such as candelabra and perfume burners, and tea sets decorated with unusual designs. The geographical areas covered in the collection include China, North Africa, Spain, France, Italy, Britain, America, Japan, Austria, and Holland.