11 Los Angeles Artists
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Author | : Lisa Lyons |
Publisher | : Getty Publications |
Total Pages | : 72 |
Release | : 2000 |
Genre | : Architecture |
ISBN | : 9780892365821 |
Lisa Lyons, guest curator for Los Angeles's Getty Museum, chronicles a series of commissioned works in an array of media by eleven acclaimed artists in response to objects at the Getty. Fine bandw illustrations. Annotation copyrighted by Book News, Inc., Portland, OR
Author | : Kellie Jones |
Publisher | : Prestel Publishing |
Total Pages | : 362 |
Release | : 2011 |
Genre | : Art |
ISBN | : |
This comprehensive, lavishly illustrated catalogue offers an in-depth survey of the incredibly vital but often overlooked legacy of Los Angeles's African American artists, featuring many never-before-seen works.
Author | : Myriam Ben Salah |
Publisher | : National Geographic Books |
Total Pages | : 0 |
Release | : 2020-06-16 |
Genre | : Art |
ISBN | : 379135910X |
Made in L.A. 2020: a version brings together an intergenerational and interdisciplinary mix of artists, each of whom is contributing to L.A.'s vibrant art scene. Since its inception in 2012, the Hammer Museum's Made in L.A. biennial has brought together local artists from a wide range of discipline. Under the direction of co-curators Myriam Ben Salah and Lauren Mackler, the 2020 iteration will be no exception. The Hammer's Ikechukwu Onyewuenyi, who has previously served with Performa and The Kitchen in New York, will assist in the organization of the 2020 biennial in the role of assistant curator for performance. Drawing inspiration from historical artist magazines, this book is not documentation of the artists' work, but rather serves as an additional venue for the exhibition. It includes images of the artists' studios, art made specifically for the pages of the book, as well as essays and conversations between artists and curators that weave together the conceptual through-lines of the show. This book is published in two different covers. Published with the Hammer Museum
Author | : Martin-Gropius-Bau (Berlin, Germany) |
Publisher | : Getty Publications |
Total Pages | : 354 |
Release | : 2011 |
Genre | : Art |
ISBN | : 1606060724 |
"This volume is published for the occasion of the Getty's citywide grant initiative Pacific Standard Time: Art in Los Angeles 1945-1980 and accompanies the exhibition Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture 1950- 1970, held at the J. Paul Getty Museum, Los Angeles."
Author | : University of California, Berkeley |
Publisher | : |
Total Pages | : 1706 |
Release | : 1923 |
Genre | : |
ISBN | : |
Author | : United States. Congress. House. Committee on Un-American Activities |
Publisher | : |
Total Pages | : 1076 |
Release | : 1950 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 200 |
Release | : 1996-10 |
Genre | : |
ISBN | : |
Los Angeles magazine is a regional magazine of national stature. Our combination of award-winning feature writing, investigative reporting, service journalism, and design covers the people, lifestyle, culture, entertainment, fashion, art and architecture, and news that define Southern California. Started in the spring of 1961, Los Angeles magazine has been addressing the needs and interests of our region for 48 years. The magazine continues to be the definitive resource for an affluent population that is intensely interested in a lifestyle that is uniquely Southern Californian.
Author | : Douglas A. Cunningham |
Publisher | : Scarecrow Press |
Total Pages | : 357 |
Release | : 2011-12-15 |
Genre | : Performing Arts |
ISBN | : 0810881233 |
In Sight and Sound magazine's 2012 poll of the greatest films of all time, Vertigo placed at the top of the list, supplanting Citizen Kane. A favorite among critics, it also made the American Film Institute's 100 Years, 100 Movies where it ranked in the top 10. Often regarded as Hitchcock's most personal work, the film explores such themes as obsession, exploitation, and voyeurism. In The San Francisco of Alfred Hitchcock's Vertigo: Place, Pilgrimage, and Commemoration, Douglas A. Cunningham has assembled provocative essays that examine the uniquely integrated relationship that the 1958 film enjoys with the histories and cultural imaginations of California and, more specifically, the San Francisco Bay Area. Contributors to this collection ponder a number of topics such as the ways in which Vertigo resurrects the narratives of San Francisco's violent past; how sightseeing informs the act of watching the film; the significance that landmarks in the film hold in our collective cultural memory; and the variety of ways in which Vertigo enthusiasts commemorate the film. The essays also ask larger questions about the specificities of place and the role such specificities play in our comprehensive efforts to understand this layered and seminal film. Because of its interdisciplinary approach, The San Francisco of Alfred Hitchcock's Vertigo will have a broad appeal to scholars of film, anthropology, geography, ethnic studies, the history of California and the West, tourism, and, of course, anyone with an abiding interest in the work of Alfred Hitchcock.
Author | : |
Publisher | : |
Total Pages | : 1808 |
Release | : 1912 |
Genre | : Law reports, digests, etc |
ISBN | : |
Author | : Peggy Phelan |
Publisher | : Routledge |
Total Pages | : 258 |
Release | : 2012 |
Genre | : Art |
ISBN | : 0415684226 |
'Live Art in LA' explores the histories and legacies of performance art in Southern California in the 1970s and early 80s. Peggy Phelan documents and critically examines one of the most productive periods in the history of live art, using archival documents, historical resources and nearly 100 photographs.