100 Years of Australian Drawing
Author | : Andrew Sayers |
Publisher | : HarperCollins Publishers |
Total Pages | : 168 |
Release | : 1985 |
Genre | : Art |
ISBN | : |
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Author | : Andrew Sayers |
Publisher | : HarperCollins Publishers |
Total Pages | : 168 |
Release | : 1985 |
Genre | : Art |
ISBN | : |
Author | : Christopher Allen |
Publisher | : John Wiley & Sons |
Total Pages | : 560 |
Release | : 2021-07-06 |
Genre | : Art |
ISBN | : 1118767950 |
A Companion to Australian Art A Companion to Australian Art is a thorough introduction to the art produced in Australia from the arrival of the First Fleet in 1788 to the early 21st century. Beginning with the colonial art made by Australia’s first European settlers, this volume presents a collection of clear and accessible essays by established art historians and emerging scholars alike. Engaging, clearly-written chapters provide fresh insights into the principal Australian art movements, considered from a variety of chronological, regional and thematic perspectives. The text seeks to provide a balanced account of historical events to help readers discover the art of Australia on their own terms and draw their own conclusions. The book begins by surveying the historiography of Australian art and exploring the history of art museums in Australia. The following chapters discuss art forms such as photography, sculpture, portraiture and landscape painting, examining the practice of art in the separate colonies before Federation, and in the Commonwealth from the early 20th century to the present day. This authoritative volume covers the last 250 years of art in Australia, including the Early Colonial, High Colonial and Federation periods as well as the successive Modernist styles of the 20th century, and considers how traditional Aboriginal art has adapted and changed over the last fifty years. The Companion to Australian Art is a valuable resource for both undergraduate and graduate students of the history of Australian artforms from colonization to postmodernism, and for general readers with an interest in the nation’s colonial art history.
Author | : Natalie Wilson |
Publisher | : |
Total Pages | : 0 |
Release | : 2021 |
Genre | : Archibald Prize |
ISBN | : 9781741741582 |
A tribute to portraiture, as well as the artists and sitters, Archie 100: A Century of the Archibald Prize marks 100 years of Australia's oldest and most-loved annual portraiture award. Curator Natalie Wilson unearths fascinating stories behind more than 100 artworks representing every decade. Arranged thematically, these works reflect not just how artistic styles and approaches to portraiture have changed over time but, importantly, how the Archibald Prize reflects our society. Resulting from many years of research for lost portraits, Archie 100 includes paintings from the Art Gallery of New South Wales' collection as well as works from libraries, galleries and museums across Australia and Aotearoa New Zealand, and private Australian and international collections. Some have not been exhibited since they first were seen in the Archibald Prize. Archie 100 includes: A fascinating essay by Wilson on her quest to find Archibald portraits from the past 100 years and the difficult task of selecting 100 for the centenary exhibition Illustrations of each portrait and accompanying text A timeline of Archibald Prize landmarks Some fabulous facts and figures An index of artists and sitters
Author | : Sasha Grishin |
Publisher | : Miegunyah Press |
Total Pages | : 0 |
Release | : 2015 |
Genre | : Art, Australian |
ISBN | : 9780522869361 |
Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world.
Author | : Ian Burn |
Publisher | : Allen & Unwin |
Total Pages | : 210 |
Release | : 2000-11-01 |
Genre | : Art |
ISBN | : 1742696600 |
Ian Burn has been one of Australia's most important artists since the mid-1960s. He was involved in the development of the Conceptual Art movement and in the activities of the Art & Language group, working first in London and then New York between 1965 and 1977. His work is found in art museums and collections in the United States, Europe and Australia. Writing has always been central to his practice as an artist. From the early-1970s, much of his writing has evolved as a trenchant commentary on the institutions of art, including art history. His studies in Australian art present interpretations which both compete with orthodox accounts and critically engage the problems of art historical practise. Often, Burn's arguments are focused through analysis of particular works of art, with the social and cultural dimensions of picture-making revealed in an accessible and incisive way. His writing on avant-garde practices draws directly on his own experience and allows the reader to glimpse the conceptual dialogue between art and language. Dialogue brings together essays written between 1968 and 1990, some of them previously unavailable in Australia. These can be read as a partial but coherent account of the past 100 years of Australian art. However, reading in the order of their original production gives insight into the emerging politicisation of art during the 1970s, a way of thinking which continues to be influential in Australian art and culture. Illustrated, and with an introduction by Geoffrey Batchen, Dialogue offers readers a critical view of the history of Australian art and the concerns of recent art.
Author | : Lesley Harding |
Publisher | : The Miegunyah Press |
Total Pages | : 273 |
Release | : 2009 |
Genre | : Art |
ISBN | : 052285673X |
Cubism was a movement that changed fundamentally the course of twentieth-century art. It had far-reaching effects, both conceptual and stylistic, which are still being felt today. Described in 1912 by French poet and commentator Guillaume Apollinaire as 'not an art of imitation, but an art of conception', Cubism irreversibly altered art's relationship to visual reality. 'I paint things as I think them, not as I see them', Picasso said. Cubism and Australian Art examines for the first time the impact of this transformative art movement on the work of Australian artists, from the early 1920s to the present day. The authors argue that by its very nature, Cubism was characterised by variation and change, that the idea of a pure or original Cubism was short lived, and that its appearance in Australian art parallels its uptake and re-interpretation by artists internationally. In the words of French artist Andr Lhote, mentor to several Australians who studied at his Academy in Paris: 'There are a thousand defi nitions of Cubism, because there are a thousand painters practising it'. More than eighty international and Australian artists are showcased with over 300 works, featuring Sam Atyeo, Ralph Balson, Grace Crowley, Frank Hinder, Roger Kemp, Godfrey Miller, Stephen Bram and Daniel Crooks, as well as Pablo Picasso, Georges Braque and Fernand L ger.
Author | : |
Publisher | : Penguin |
Total Pages | : 618 |
Release | : 2010 |
Genre | : Travel |
ISBN | : 0756660823 |
Each information-packed page is splashed with enticing photographs of the people, animals, deserts, and ocean vistas that make the country Down Under famous the world over. Full-color maps and at-a-glance tables make it easy to sort through dining and accommodation choices.
Author | : Andrew Sayers |
Publisher | : |
Total Pages | : |
Release | : 2003 |
Genre | : Drawing, Australian |
ISBN | : |
Author | : Susan L. Ball |
Publisher | : Rutgers University Press |
Total Pages | : 345 |
Release | : 2011 |
Genre | : Art |
ISBN | : 0813547873 |
The Eye, the Hand, the Mind, celebrating the centennial of the College Art Association, is filled with pictorial mementos and enlivening stories and anecdotes that connects the organization's sixteen goals and tells its rich, sometimes controversial, story. Readers will discover its role in major issues in higher education, preservation of world monuments, workforce issues and market equity, intellectual property and free speech, capturing conflicts and reconciliations inherent among artists and art historians, pedagogical approaches and critical interpretations/interventions as played out in association publications, annual conferences, advocacy efforts, and governance.