Zur Dialektik Der Determinanten In Der Geschichte Der Sprachwissenschaft Ie 5 Gedanken Und Materialien Zur Geschichte Der Deutschen Sprachwissenschaft In Der Zweiten Halfte Des 19 Jahrhunderts
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| Author | : Friedrich Schiller |
| Publisher | : Palala Press |
| Total Pages | : |
| Release | : 2016-05-24 |
| Genre | : |
| ISBN | : 9781359283955 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
| Author | : J. Muller |
| Publisher | : Springer |
| Total Pages | : 263 |
| Release | : 2003-02-21 |
| Genre | : Political Science |
| ISBN | : 1403982546 |
The contributors of this volume seek to answer such questions as: 'How did the Germans overcome 'Germanic Ideology', or did they?' 'Why is there no libertarianism in Germany?' 'What do German conservatives wish to conserve?'. Emphasizing shared patterns of thought, the contributors trace the contours of political thought in a divided nation with a difficult past, and ion the shadow of the culture and political values of the United States.
| Author | : Wolfgang Müller-Funk |
| Publisher | : Walter de Gruyter |
| Total Pages | : 292 |
| Release | : 2012-12-06 |
| Genre | : Literary Criticism |
| ISBN | : 3110283050 |
These collected essays contain fundamental contributions to contemporary cultural analysis and theory as well as exemplary interpretations of film, literature and other media. Central issues of current cultural studies are addressed: cultural narratives, cultural identity, collective memory and post-colonial thinking. The oeuvre of cultural and literary critic Wolfgang Müller-Funk encompasses historic analyses such as readings of Broch, Canetti and Musil, and the heritage they passed on. Other essays move from the beginning of the 20th to the 21st century and address questions of space, time and globalization discussing, for example, Walter Benjamin and 9/11.
| Author | : Siegfried Zielinski |
| Publisher | : MIT Press |
| Total Pages | : 391 |
| Release | : 2008-02-15 |
| Genre | : Technology & Engineering |
| ISBN | : 026274032X |
A quest to find something new by excavating the "deep time" of media's development—not by simply looking at new media's historic forerunners, but by connecting models, machines, technologies, and accidents that have until now remained separated. Deep Time of the Media takes us on an archaeological quest into the hidden layers of media development—dynamic moments of intense activity in media design and construction that have been largely ignored in the historical-media archaeological record. Siegfried Zielinski argues that the history of the media does not proceed predictably from primitive tools to complex machinery; in Deep Time of the Media, he illuminates turning points of media history—fractures in the predictable—that help us see the new in the old. Drawing on original source materials, Zielinski explores the technology of devices for hearing and seeing through two thousand years of cultural and technological history. He discovers the contributions of "dreamers and modelers" of media worlds, from the ancient Greek philosopher Empedocles and natural philosophers of the Renaissance and Baroque periods to Russian avant-gardists of the early twentieth century. "Media are spaces of action for constructed attempts to connect what is separated," Zielinski writes. He describes models and machines that make this connection: including a theater of mirrors in sixteenth-century Naples, an automaton for musical composition created by the seventeenth-century Jesuit Athanasius Kircher, and the eighteenth-century electrical tele-writing machine of Joseph Mazzolari, among others. Uncovering these moments in the media-archaeological record, Zielinski says, brings us into a new relationship with present-day moments; these discoveries in the "deep time" media history shed light on today's media landscape and may help us map our expedition to the media future.
| Author | : Ernst Kapp |
| Publisher | : U of Minnesota Press |
| Total Pages | : 416 |
| Release | : 2018-11-13 |
| Genre | : Science |
| ISBN | : 1452958211 |
The first philosophy of technology, constructing humans as technological and technology as an underpinning of all culture Ernst Kapp was a foundational scholar in the fields of media theory and philosophy of technology. His 1877 Elements of a Philosophy of Technology is a visionary study of the human body and its relationship with the world that surrounds it. At the book’s core is the concept of “organ projection”: the notion that humans use technology in an effort to project their organs to the outside, to be understood as “the soul apparently stepping out of the body in the form of a sending-out of mental qualities” into the world of artifacts. Kapp applies this theory of organ projection to various areas of the material world—the axe externalizes the arm, the lens the eye, the telegraphic system the neural network. From the first tools to acoustic instruments, from architecture to the steam engine and the mechanic routes of the railway, Kapp’s analysis shifts from “simple” tools to more complex network technologies to examine the projection of relations. What emerges from Kapp’s prophetic work is nothing less than the emergence of early elements of a cybernetic paradigm.
| Author | : Siegfried Zielinski |
| Publisher | : Walther Konig Verlag |
| Total Pages | : 482 |
| Release | : 2005 |
| Genre | : Art |
| ISBN | : |
"Our endeavour is not to explain the history of the media as a consecutive retrospective, but to move from reflections about the deep time history of arts and sciences to speculations that reach into the present. The contributors to the third volume in the Variantology Series expand our ideas of the interplay between arts, technology, and science in at least three important ways: 1. Themes. Fireworks as a time-based praxis of performance, magnetised chess automata, paper-cuts, thermometers, radical interventions in the natural landscape by humans, and the com pass are revealed as areas where discoveries can be made that lead to much broader and richer concepts of what art and media are. 2. Regions. As we move with the authors from Europe to the Far East and back again it becomes absolutely clear that the history of the media cannot be written with only the former industrial metropolises of the world in our sights, beginning and ending there. 3. Time. The evolution of the Chinese culture of science and technology takes us into dimensions that add unsuspected energies and historical possibilities to the concept of deep time. Brecht's verdict from the 1920s that Chinese civilisation has already forgotten about innovations that the West proudly celebrates as innovations of the Modern Age, is given new meaning."--Publisher's description.
| Author | : Siegfried Zielinski |
| Publisher | : PostHumanities |
| Total Pages | : 416 |
| Release | : 2019 |
| Genre | : Social Science |
| ISBN | : 9781517907082 |
"Posthumanities series editor Cary Wolfe has been working with the eminent media theorist, Siegfried Zielinski, originator of the concept of 'deep time' and intellectual heir to Vilem Flusser, on a retrospective collection of essays tracing the course of his work from his exposes of the Nazi media machine to the ubiquity of media today -- so interwoven onto our lives that it has become invisible. Zielinski is a major figure in media studies but his work has been only sporadically translated thus far -- his 'big' book from MIT, Deep Time of the Media, appeared a decade ago"--
| Author | : Gene Youngblood |
| Publisher | : Fordham University Press |
| Total Pages | : 485 |
| Release | : 2020-03-03 |
| Genre | : Art |
| ISBN | : 0823287432 |
Fiftieth anniversary reissue of the founding media studies book that helped establish media art as a cultural category. First published in 1970, Gene Youngblood’s influential Expanded Cinema was the first serious treatment of video, computers, and holography as cinematic technologies. Long considered the bible for media artists, Youngblood’s insider account of 1960s counterculture and the birth of cybernetics remains a mainstay reference in today’s hypermediated digital world. This fiftieth anniversary edition includes a new Introduction by the author that offers conceptual tools for understanding the sociocultural and sociopolitical realities of our present world. A unique eyewitness account of burgeoning experimental film and the birth of video art in the late 1960s, this far- ranging study traces the evolution of cinematic language to the end of fiction, drama, and realism. Vast in scope, its prescient formulations include “the paleocybernetic age,” “intermedia,” the “artist as design scientist,” the “artist as ecologist,” “synaesthetics and kinesthetics,” and “the technosphere: man/machine symbiosis.” Outstanding works are analyzed in detail. Methods of production are meticulously described, including interviews with artists and technologists of the period, such as Nam June Paik, Jordan Belson, Andy Warhol, Stan Brakhage, Carolee Schneemann, Stan VanDerBeek, Les Levine, and Frank Gillette. An inspiring Introduction by the celebrated polymath and designer R. Buckminster Fuller—a perfectly cut gem of countercultural thinking in itself—places Youngblood’s radical observations in comprehensive perspective. Providing an unparalleled historical documentation, Expanded Cinema clarifies a chapter of countercultural history that is still not fully represented in the arthistorical record half a century later. The book will also inspire the current generation of artists working in ever-newer expansions of the cinematic environment and will prove invaluable to all who are concerned with the technologies that are reshaping the nature of human communication.
| Author | : Vilém Flusser |
| Publisher | : U of Minnesota Press |
| Total Pages | : 226 |
| Release | : 2011 |
| Genre | : Social Science |
| ISBN | : 081667020X |
An examination of the promise and peril of digital communication technologies.
| Author | : Edward Dudley |
| Publisher | : University of Pittsburgh Pre |
| Total Pages | : 346 |
| Release | : 2017-03-17 |
| Genre | : Literary Criticism |
| ISBN | : 0822975998 |
These essays trace the myth of the wild man from the Middle Ages to its disintegration into symbol in the periods following the discovery of America and encounter with real “wild men.” This is the first book to discuss the concept of wildness in the writings of the Enlightenment period in Western Europe and the first to attempt a broad, interdisciplinary approach to the subject of primitivism, not only from a strict “history of ideas” approach, but through discussions of individual works, both literary and political, and encompassing various subject matter from racism to the origins of language.Contributors: Richard Ashcraft; Ehrhard Bahr; John G. Burke; Earl Miner; Gary B. Nash; Stanley Robe; Geoffrey Symcox; Peter Thoralev; Hayden V. White, and the editors.
