Yugoslav Popular Ballads
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Author | : Dragutin Subotic |
Publisher | : Cambridge University Press |
Total Pages | : 309 |
Release | : 2014-10-09 |
Genre | : Literary Criticism |
ISBN | : 1107437768 |
Originally published in 1932, this book was created with the aim of widening interest in the popular ballads of the Yugoslav region.
Author | : Dragutin P. Subotić |
Publisher | : |
Total Pages | : 288 |
Release | : 1932 |
Genre | : Comparative literature |
ISBN | : 9780848261788 |
Author | : Danijela Š. Beard |
Publisher | : Routledge |
Total Pages | : 340 |
Release | : 2020-06-01 |
Genre | : Music |
ISBN | : 1315452316 |
Made in Yugoslavia: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of popular music in Yugoslavia and the post-Yugoslav region across the twentieth and twenty-first centuries. The book consists of chapters by leading scholars and covers the major figures, styles, and social contexts of music in the region that for most of the past century was known as Yugoslavia. Exploring the role played by music in Yugoslav art, culture, social movements, and discourses of statehood, this book offers a gateway into scholarly explanation of a key region in Eastern Europe. An introduction provides an overview and background on popular music in Yugoslavia, followed by chapters in four thematic sections: Zabavna-Pop; Rock, Punk, and New Wave; Narodna (Folk) and Neofolk Music; and the Politics of Popular Music Under Socialism.
Author | : Bela Bartok |
Publisher | : State University of New York Press |
Total Pages | : 578 |
Release | : 1979-06-30 |
Genre | : Social Science |
ISBN | : 0791495892 |
This four-volume work is the most substantial and thorough analysis of Yugoslav folk music ever to be published in the English language. In addition to the editorially corrected reprint of the seventy-five Parry Collection transcriptions, first published in 1951, are the 3,449 facsimile reproductions from Bartók's collection of published and unpublished Yugoslav folk song materials. There are, too, instrumental transcriptions from the Parry collection and other sources, hitherto unpublished, and the prodigious Tabulation of Material, amassed from the data inherent in the source melodies, which appears in Vol. II also in facsimile form. Of equal importance is the reprint in Vol. I of the author's index of Serbo-Croatian refrains, which he originally placed in the third volume (Texts) of Rumanian Folk Music for comparative purposes. The editor, Dr. Benjamin Suchoff, provides introductory narratives in which the historical aspect and the chronology of the various manuscript versions are treated. With the assistance of the foremost present-day Yugoslav ethnomusicologists, he has added detailed chapters on related materials that supplement and update Bartók's findings in Yugoslav Folk Music. Dr. Suchoff has also constructed various tabulations, in accordance with Bartókian procedure followed elsewhere, as an aid to the reader. Of special interest will be the computer-derived lexicographical index of themes in Vol. II, which he prepared by extracting the incipits from more than 8,000 melody sections of different content-structure.
Author | : James W. Wiles |
Publisher | : Hardpress Publishing |
Total Pages | : 92 |
Release | : 2012-01 |
Genre | : |
ISBN | : 9781290420549 |
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Author | : James W Wiles |
Publisher | : Legare Street Press |
Total Pages | : 90 |
Release | : 2021-09-10 |
Genre | : |
ISBN | : 9781015048843 |
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Bela Bartok |
Publisher | : Suny Press |
Total Pages | : 1981 |
Release | : 1978 |
Genre | : Music |
ISBN | : 9780873953832 |
This four-volume work is the most substantial and thorough analysis of Yugoslav folk music ever to be published in the English language. In addition to the editorially corrected reprint of the seventy-five Parry Collection transcriptions, first published in 1951, are the 3,449 facsimile reproductions from Bartók's collection of published and unpublished Yugoslav folk song materials. There are, too, instrumental transcriptions from the Parry collection and other sources, hitherto unpublished, and the prodigious Tabulation of Material, amassed from the data inherent in the source melodies, which appears in Vol. II also in facsimile form. Of equal importance is the reprint in Vol. I of the author's index of Serbo-Croatian refrains, which he originally placed in the third volume (Texts) of Rumanian Folk Music for comparative purposes. The editor, Dr. Benjamin Suchoff, provides introductory narratives in which the historical aspect and the chronology of the various manuscript versions are treated. With the assistance of the foremost present-day Yugoslav ethnomusicologists, he has added detailed chapters on related materials that supplement and update Bartók's findings in Yugoslav Folk Music. Dr. Suchoff has also constructed various tabulations, in accordance with Bartókian procedure followed elsewhere, as an aid to the reader. Of special interest will be the computer-derived lexicographical index of themes in Vol. II, which he prepared by extracting the incipits from more than 8,000 melody sections of different content-structure.
Author | : James William Wiles |
Publisher | : Palala Press |
Total Pages | : 88 |
Release | : 2016-04-22 |
Genre | : |
ISBN | : 9781354341513 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : James William Wiles |
Publisher | : |
Total Pages | : 86 |
Release | : 2015-07-12 |
Genre | : Poetry |
ISBN | : 9781331223108 |
Excerpt from Serbian Songs and Poems: Chords of the Yugoslav Harp These poems, as I understand, and the reader would suppose a priori, are traditional and national in their character, resembling in this aspect the delightful old folk-songs of England. They express the deep heart of a nation, through centuries of tempest and travail. What, I think, strikes one most of all is their amazing simplicity and directness - a directness which on occasion is pungent. There is humour too in many of these poems, and the thought, as distinct from the expression, is often of a charmingly imaginative quality. Consider, for instance, the last lines of the poem entitled "Love Before and After Death." This poem, too, presents a strange contrast in its first and second halves of a realism quite unaffected and (as some would perhaps have it) crude, with a fantasy perfectly pictorial. How distinctive the thought is at times, like nothing that is English or Latin! Here and there too a spirit of fatalism may be said to brood over a poem, Oriental, reminiscent of history. I imagine that the most competent critic would endorse the translator's decision of retaining in more than one poem the directness of speech, the irregularity of form, without an attempt to refine and embellish which might easily induce in the mind an impression of trick or of artifice. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author | : Milne Holton |
Publisher | : University of Pittsburgh Press |
Total Pages | : 329 |
Release | : 2014-06-27 |
Genre | : Literary Collections |
ISBN | : 0822980347 |
In the early nineteenth century, Vuk Karadzic, a Serb scholar and linguist, collected and eventually published transcriptions of the traditional oral poetry of the South Slavs. It was a monumental and unprecedented undertaking. Karadzic gathered and heard performances of the rich songs of Balkan peasants, outlaws, and professional singers and their rebel heroes. His four volumes constitute the classic anthology of Balkan oral poetry, treasured for nearly two centuries by readers of all literatures, and influential to such literary giants as Goethe, Merimee, Pushkin, Mickiewicz, and Sir Walter Scott.This edition of the songs offers the most complete and authoritative translations ever assembled in English. Holton and Mihailovich, leading scholars of Slavic literature, have preserved here the unique meter and rhythm at the heart of Serbian oral poetry, as well as the idiom of the original singers. Extensive notes and comments aid the reader in understanding the poems, the history they record and the oral tradition that lies beneath them, the singers and their audience.The songs contain seven cycles, identified here in sections titled: Songs Before History, Before Kosovo, the Battle of Kosovo, Marko Karadzic, Under the Turks, Songs of the Outlaws, and Songs of the Serbian Insurrection. The editors have selected the best known and most representative songs from each of the cycles. A complete biography is also provided.