Yidish Teater In Poyln
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Author | : Miriam Chorley-Schulz |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 404 |
Release | : 2024-11-12 |
Genre | : History |
ISBN | : 3110764091 |
After the khurbn (destruction) perpetrated by Nazi Germany, its allies, and collaborators, the Yiddish communities in Eastern Europe were shattered and largely decimated. For most survivors, the old homeland in the East was a lost place of longing and a place of mere transit to the centers of the reconfiguring ‘West’: in North America, the global South, and the young state of Israel. Research has for the most part ignored the cultural activities, the political engagement, and the diverse visions of those cultural activists who remained in Eastern Europe in their thousands. This volume examines their activities as well as the role of and language policy regarding Yiddish in various socialist states, as well as trans-socialist and cross-bloc dialogues during the "Yiddish Cold War." How did the actors position themselves within socialist narratives of the past, present, and future and vis-à-vis the Jewish diasporas? What were their visions for Yiddishlands in the new world of really-existing socialism and how did they attempt to implement them? In this volume, case studies on Poland, the Soviet Union, the German Democratic Republic, and Romania uncover diverse cultural reconstruction initiatives and cross-bloc entanglements with ‘Western’ countries, such as Great Britain, the United States, Argentina, and Israel.
Author | : Alyssa Quint |
Publisher | : Indiana University Press |
Total Pages | : 300 |
Release | : 2019-01-24 |
Genre | : Performing Arts |
ISBN | : 0253038626 |
Jewish Book Award Finalist: “Turns the fascinating life of Avrom Goldfaden into a multi-dimensional history of the Yiddish theater’s formative years.” —Jeffery Veidinger, author of Jewish Public Culture in the Late Russian Empire In this book, Alyssa Quint focuses on the early years of the modern Yiddish theater, from roughly 1876 to 1883, through the works of one of its best-known and most colorful figures, Avrom Goldfaden. Goldfaden (né Goldenfaden, 1840-1908) was one of the first playwrights to stage a commercially viable Yiddish-language theater, first in Romania and then in Russia. Goldfaden’s work was rapidly disseminated in print and his plays were performed frequently for Jewish audiences. Sholem Aleichem considered him as a forger of a new language that “breathed the European spirit into our old jargon.” Quint uses Goldfaden’s theatrical works as a way to understand the social life of Jewish theater in Imperial Russia. Through a study of his libretti, she looks at the experiences of Russian Jewish actors, male and female, to explore connections between culture as artistic production and culture in the sense of broader social structures. Quint explores how Jewish actors who played Goldfaden’s work on stage absorbed the theater into their everyday lives. Goldfaden’s theater gives a rich view into the conduct, ideology, religion, and politics of Jews during an important moment in the history of late Imperial Russia.
Author | : Nahma Sandrow |
Publisher | : Syracuse University Press |
Total Pages | : 460 |
Release | : 1996-01-01 |
Genre | : History |
ISBN | : 9780815603290 |
Proceedings of a May 1994 symposium held to present cutting edge multidisciplinary work on the characterization of ancient materials; the technologies of selection, production, and usage by which materials are transformed into the objects and artifacts we find today; the science underlying their deterioration, preservation, and conservation; and sociocultural interpretation derived from an empirical methodology of observation, measurement, and experimentation. Over 70 contributions discuss topics that include the visual appearance and the imitation of one material by another; stable protective coatings and materials stability; resource surveying, source characterization, and cultural implications; and process reconstruction as essential to understanding of condition and conservation. Annotation copyright by Book News, Inc., Portland, OR
Author | : Edna Nahshon |
Publisher | : BRILL |
Total Pages | : 325 |
Release | : 2009 |
Genre | : Religion |
ISBN | : 9004173358 |
While a frequently used term, Jewish Theatre has become a contested concept that defies precise definition. Is it theatre by Jews? For Jews? About Jews? Though there are no easy answers for these questions, "Jewish Theatre: A Global View," contributes greatly to the conversation by offering an impressive collection of original essays written by an international cadre of noted scholars from Europe, the United States, and Israel. The essays discuss historical and current texts and performance practices, covering a wide gamut of genres and traditions.
Author | : Elvira Grözinger |
Publisher | : Otto Harrassowitz Verlag |
Total Pages | : 274 |
Release | : 2008 |
Genre | : Foreign Language Study |
ISBN | : 9783447058087 |
The majority of European Yiddish speaking Jews was murdered by Hitler's National Socialists, their cultural realm was destroyed. After the war, the Communist regimes suppressed Jewish culture, but despite emigration of Jewish survivors, small Jewish communities continued to exist and made efforts to revive their culture in most of the Communist countries. Jewish organizations, clubs, cultural societies and theatres were founded, and a great number of Yiddish books, newspapers and periodicals were printed, despite political pressure, hostility and persecution. The cultural activity which developed "under the red banner" cannot of course be compared to the immense impact the Yiddish culture experienced before the Second World War but it was an important phenomenon in Jewish history which remained uninvestigated for a long time and has not been described in a proper way until today. This volume of seventeen essays is a collection of papers delivered by scholars from the USA, Sweden, Israel, Germany and Poland at the conference on Yiddish Culture in the Communists Countries in the Postwar Era which was organized at the Jagiellonian University Cracow in cooperation with the University of Potsdam in November 2006.
Author | : Debra Caplan |
Publisher | : University of Michigan Press |
Total Pages | : 343 |
Release | : 2018-04-02 |
Genre | : Art |
ISBN | : 0472037250 |
Relates the untold story of a traveling Yiddish theater company and traces their far- reaching influence
Author | : Magda Romanska |
Publisher | : Northwestern University Press |
Total Pages | : 486 |
Release | : 2020-04-15 |
Genre | : Performing Arts |
ISBN | : 0810140268 |
Theatermachine: Tadeusz Kantor in Context is an in-depth, multidisciplinary compendium of essays that examine Kantor’s work through the prism of postmemory and trauma theory and in relation to Polish literature, Jewish culture, and Yiddish theater as well as the Japanese, German, French, Polish, and American avant-garde. Hans-Thies Lehmann’s theory of postdramatic theater and contemporary developments in critical theory—particularly Bill Brown’s thing theory, Bruno Latour’s actor network theory, and posthumanism—provide a previously unavailable vocabulary for discussion of Kantor’s theater.
Author | : Diego Rotman |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 330 |
Release | : 2021-03-08 |
Genre | : History |
ISBN | : 3110717697 |
The Yiddish Theater Stage as a Temporary Home takes us through the fascinating life and career of the most important comic duo in Yiddish Theater, Shimen Dzigan and Isroel Shumacher. Spanning over the course of half a century – from the beginning of their work at the Ararat avant-garde Yiddish theater in Łodz, Poland to their Warsaw theatre – they produced bold, groundbreaking political satire. The book further discusses their wanderings through the Soviet Union during the Second World War and their attempt to revive Jewish culture in Poland after the Holocaust. It finally describes their time in Israel, first as guest performers and later as permanent residents. Despite the restrictions on Yiddish actors in Israel, the duo insisted on performing in their language and succeeded in translating the new Israeli reality into unique and timely satire. In the 1950s, they voiced a unique – among the Hebrew stages – political and cultural critique. Dzigan continued to perform on his own and with other Israeli artists until his death in 1980.
Author | : Polish Research and Information, New York |
Publisher | : |
Total Pages | : 320 |
Release | : 1947 |
Genre | : Jews |
ISBN | : |
Author | : Rachel Rojanski |
Publisher | : Indiana University Press |
Total Pages | : 338 |
Release | : 2020-01-07 |
Genre | : History |
ISBN | : 0253045185 |
Yiddish in Israel: A History challenges the commonly held view that Yiddish was suppressed or even banned by Israeli authorities for ideological reasons, offering instead a radical new interpretation of the interaction between Yiddish and Israeli Hebrew cultures. Author Rachel Rojanski tells the compelling and yet unknown story of how Yiddish, the most widely used Jewish language in the pre-Holocaust world, fared in Zionist Israel, the land of Hebrew. Following Yiddish in Israel from the proclamation of the State until today, Rojanski reveals that although Israeli leadership made promoting Hebrew a high priority, it did not have a definite policy on Yiddish. The language's varying fortune through the years was shaped by social and political developments, and the cultural atmosphere in Israel. Public perception of the language and its culture, the rise of identity politics, and political and financial interests all played a part. Using a wide range of archival sources, newspapers, and Yiddish literature, Rojanski follows the Israeli Yiddish scene through the history of the Yiddish press, Yiddish theater, early Israeli Yiddish literature, and high Yiddish culture. With compassion, she explores the tensions during Israel's early years between Yiddish writers and activists and Israel's leaders, most of whom were themselves Eastern European Jews balancing their love of Yiddish with their desire to promote Hebrew. Finally Rojanski follows Yiddish into the 21st century, telling the story of the revived interest in Yiddish among Israeli-born children of Holocaust survivors as they return to the language of their parents.