Xul Solar
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Xul Solar
Author | : Alejandro Xul Solar |
Publisher | : Other Distribution |
Total Pages | : 266 |
Release | : 2005 |
Genre | : Art |
ISBN | : |
Brings together approximately 150 works of art, books, documents, and manuscripts from Xul Solar's personal archive as well as from public and private collections. This book provides an in-depth study of this artist, one of the most influential in Latin American avant-garde art. It also includes an artistic and biographical chronology.
Inverted Utopias
Author | : Héctor Olea Galaviz |
Publisher | : Yale University Press |
Total Pages | : 618 |
Release | : 2004-01-01 |
Genre | : Art |
ISBN | : 0300102690 |
In the twentieth century, avant-garde artists from Mexico, Central and South America, and the Caribbean created extraordinary and highly innovative paintings, sculptures, assemblages, mixed-media works, and installations. This innovative book presents more than 250 works by some seventy of these artists (including Gego, Joaquin Torres-Garcia, Xul Solar, and Jose Clemente Orozco) and artists' groups, along with interpretive essays by leading authorities and newly translated manifestoes and other theoretical documents written by the artists. Together the images and texts showcase the astonishing artistic achievements of the Latin American avant-garde. The book focuses on two decisive periods: the return from Europe in the 1920s of Latin American avant-garde pioneers; and the expansion of avant-garde activities throughout Latin America after World War II as artists expressed their independence from developments in Europe and the United States. As the authors explain, during these periods Latin American art was fueled by the belief that artistic creations could present a form of utopia - an inversion of the original premise that drove the European avant-garde - and serve as a model for
Alejandro Xul Solar
Author | : Mario H. Gradowczyk |
Publisher | : ABRAMS |
Total Pages | : 264 |
Release | : 1996 |
Genre | : Art |
ISBN | : |
This is the first full-scale study of the life and work of Argentine artist Xul Solar (1887-1963), who was born Oscar Agustin Alejandro Schulz Solari in Buenos Aires. A gregarious eccentric, Xul Solar played a prominent role in the Argentine avant-garde of the 1920s, which included Jorge Luis Borges and such visiting luminaries as Filippo Tommaso Marinetti, the Italian Futurist leader. Xul Solar went on to create a number of interrelated verbal and visual languages that expressed his identity as an Argentine/Latin American artist as well as a utopian desire for universal brotherhood. Xul Solar left Argentina in 1911 on his way to the Far East, but he went only as far as Europe, where he remained for twelve years. There he absorbed modernist ideas - Symbolism, Expressionism, and Constructivism - and distilled them in a mixture of wit and whimsy. Xul Solar's first exhibition in Europe was held in Milan in 1910; he returned to Buenos Aires in 1924. By 1918 he had formulated a system of pictorial writing called neocriollo (Neo-Creole), designed to be understood all over Latin America. Xul Solar continued to study languages throughout his life, along with philosophy, astrology, Asian religions, and mysticism, and all of these were reflected in his art. His later works included visionary architectural projects and paintings composed mainly of messages.
The Mobility of Modernism
Author | : Harper Montgomery |
Publisher | : University of Texas Press |
Total Pages | : 342 |
Release | : 2017-07-04 |
Genre | : Art |
ISBN | : 1477312544 |
Presenting a paradigm-shifting view of early Latin American modernism, this book looks at how a transnational intellectual community of writers and critics forged an anticolonial aesthetic based in abstract artistic forms.
The Mobility of Modernism
Author | : Harper Montgomery |
Publisher | : University of Texas Press |
Total Pages | : 342 |
Release | : 2017-07-04 |
Genre | : Art |
ISBN | : 1477312560 |
Arvey Foundation Book Award, Association for Latin American Art, 2018 Many Latin American artists and critics in the 1920s drew on the values of modernism to question the cultural authority of Europe. Modernism gave them a tool for coping with the mobility of their circumstances, as well as the inspiration for works that questioned the very concepts of the artist and the artwork and opened the realm of art to untrained and self-taught artists, artisans, and women. Writing about the modernist works in newspapers and magazines, critics provided a new vocabulary with which to interpret and assign value to the expanding sets of abstracted forms produced by these artists, whose lives were shaped by mobility. The Mobility of Modernism examines modernist artworks and criticism that circulated among a network of cities, including Buenos Aires, Mexico City, Havana, and Lima. Harper Montgomery maps the dialogues and relationships among critics who published in avant-gardist magazines such as Amauta and Revista de Avance and artists such as Carlos Mérida, Xul Solar, and Emilio Pettoruti, among others, who championed esoteric forms of abstraction. She makes a convincing case that, for these artists and critics, modernism became an anticolonial stance which raised issues that are still vital today—the tensions between the local and the global, the ability of artists to speak for blighted or unincorporated people, and, above all, how advanced art and its champions can enact a politics of opposition.
The Rough Guide to Argentina
Author | : Danny Aeberhard |
Publisher | : Rough Guides |
Total Pages | : 814 |
Release | : 2000 |
Genre | : Argentina |
ISBN | : 9781858285696 |
Rough Guides har eksistert i mer enn 30 år og er kanskje verdens mest populære reisehåndbokserie. Guidene gir informasjon om stedets kultur, historie og severdigheter. De er kjent for å gi detaljerte opplysninger om overnatting, restauranter, sport og aktiviteter - også for lavere reisebudsjetter.
Latin American Artists of the Twentieth Century
Author | : Museum of Modern Art (New York, N.Y.) |
Publisher | : |
Total Pages | : 432 |
Release | : 1993 |
Genre | : Art |
ISBN | : |
Account of the rise of modernism in the art of Latin America, published to accompany the exhibition Latin American Artists of the Twentieth Century at The Museum of Modern Art, New York.
The Poetry of the Americas
Author | : Harris Feinsod |
Publisher | : Oxford University Press |
Total Pages | : 441 |
Release | : 2017 |
Genre | : Literary Criticism |
ISBN | : 0190682000 |
"This book narrates exchanges between English- and Spanish-language poets in the American hemisphere from the late 1930s through the rise of the 1960s. It doing so, it contributes to a crucial current of humanistic inquiry: the effort to write a cosmopolitan literary history adequate to the age of globalization. Building on correspondence and manuscripts from collections in Europe and the Americas, the book first traces the material contours of an evolving literary network that exceeds the conventional model of "the two Americas." These relations depend on changing contexts: an era of state-sponsored transnationalism, from the wartime intensification of Good Neighbor diplomacy, to the Cold War cultural policy programs of the Alliance for Progress in the 1960s; a prosperous market for translations of Latin American poetry in the US; and a growing alternative print sphere of bilingual vanguard journals such as El Corno Emplumado (Mexico City, 1962-1969). As the book articulates these histories of exchange, it also theorizes how poets employ the resources of language to transform popular images of the hemisphere from a locus of political conflict into a venue of supranational cultural citizenship. Feinsod describes how inter-Americanism was enacted through diplomatic structures of literary address, multilingual writing, and appeals to a shared indigenous heritage through the genre of the meditation on ruins. By tracing the coevolution of midcentury poetry with the geopolitics of the hemisphere, the book expands existing literary histories of the period through revelatory comparative readings supported by archival findings"--