Xerxes A Tragedy
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Author | : COLLEY. CIBBER |
Publisher | : Gale Ecco, Print Editions |
Total Pages | : 70 |
Release | : 2018-04-19 |
Genre | : |
ISBN | : 9781379710226 |
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T026029 Also issued as part of: 'The dramatick works of Colley Cibber', vol. 1, London, 1754. London: printed for W. Feales, 1736. 68p.; 12°
Author | : Renaud Gagné |
Publisher | : Cambridge University Press |
Total Pages | : 441 |
Release | : 2013-10-17 |
Genre | : Art |
ISBN | : 1107033284 |
This volume explores how the choruses of Ancient Greek tragedy creatively combined media and discourses to generate their own specific forms of meaning. The contributors analyse choruses as fictional, religious and civic performers; as combinations of text, song and dance; and as objects of reflection in themselves, in relation and contrast to the choruses of comedy and melic poetry. Drawing on earlier analyses of the social context of Greek drama, the non-textual dimensions of tragedy, and the relations between dramatic and melic choruses, the chapters explore the uses of various analytic tools in allowing us better to capture the specificity of the tragic chorus. Special attention is given to the physicality of choral dancing, musical interactions between choruses and actors, the trajectories of reception, and the treatment of time and space in the odes.
Author | : Aeschylus |
Publisher | : |
Total Pages | : 160 |
Release | : 1903 |
Genre | : Greek drama (Tragedy) |
ISBN | : |
Author | : Hal Brands |
Publisher | : Yale University Press |
Total Pages | : 183 |
Release | : 2019-02-26 |
Genre | : Political Science |
ISBN | : 0300244924 |
A “brilliant” examination of American complacency and how it puts the nation’s—and the world’s—security at risk (The Wall Street Journal). The ancient Greeks hard-wired a tragic sensibility into their culture. By looking disaster squarely in the face, by understanding just how badly things could spiral out of control, they sought to create a communal sense of responsibility and courage—to spur citizens and their leaders to take the difficult actions necessary to avert such a fate. Today, after more than seventy years of great-power peace and a quarter-century of unrivaled global leadership, Americans have lost their sense of tragedy. They have forgotten that the descent into violence and war has been all too common throughout human history. This amnesia has become most pronounced just as Americans and the global order they created are coming under graver threat than at any time in decades. In a forceful argument that brims with historical sensibility and policy insights, two distinguished historians argue that a tragic sensibility is necessary if America and its allies are to address the dangers that menace the international order today. Tragedy may be commonplace, Brands and Edel argue, but it is not inevitable—so long as we regain an appreciation of the world’s tragic nature before it is too late. “Literate and lucid—sure to interest to readers of Fukuyama, Huntington, and similar authors as well as students of modern realpolitik.” —Kirkus Reviews
Author | : Emma Bridges |
Publisher | : Bloomsbury Publishing |
Total Pages | : 363 |
Release | : 2014-11-20 |
Genre | : History |
ISBN | : 1472511328 |
Xerxes, the Persian king who invaded Greece in 480 BC, quickly earned a notoriety that endured throughout antiquity and beyond. The Greeks' historical encounter with this eastern king – which resulted, against overwhelming odds, in the defeat of the Persian army – has inspired a series of literary responses to Xerxes in which he is variously portrayed as the archetypal destructive and enslaving aggressor, as the epitome of arrogance and impiety, or as a figure synonymous with the exoticism and luxury of the Persian court. Imagining Xerxes is a transhistorical analysis that explores the richness and variety of Xerxes' afterlives within the ancient literary tradition. It examines the earliest representations of the king, in Aeschylus' tragic play Persians and Herodotus' historiographical account of the Persian Wars, before tracing the ways in which the image of Xerxes was revisited and adapted in later Greek and Latin texts. The author also looks beyond the Hellenocentric viewpoint to consider the construction of Xerxes' image in the Persian epigraphic record and the alternative perspectives on the king found in the Jewish written tradition. Analysing these diverse representations of Xerxes, this title explores the reception of a key figure in the ancient world and the reinvention of his image in a remarkable array of cultural and historical contexts.
Author | : Christiane Sourvinou-Inwood |
Publisher | : Lexington Books |
Total Pages | : 580 |
Release | : 2003 |
Genre | : Drama |
ISBN | : 9780739104002 |
Stemming from Harvard University's Carl Newell Jackson Lectures, Christiane Sourvinou-Inwood's Tragedy and Athenian Religion sets out a radical reexamination of the relationship between Greek tragedy and religion. Based on a reconstruction of the context in which tragedy was generated as a ritual performance during the festival of the City Dionysia, Sourvinou-Inwood shows that religious exploration had been crucial in the emergence of what developed into fifth-century Greek tragedy. A contextual analysis of the perceptions of fifth-century Athenians suggests that the ritual elements clustered in the tragedies of Euripides, Aeschylus, and Sophocles provided a framework for the exploration of religious issues, in a context perceived to be part of a polis ritual. This reassessment of Athenian tragedy is based both on a reconstruction of the Dionysia and the various stages of its development and on a deep textual analysis of fifth-century tragedians. By examining the relationship between fifth-century tragedies and performative context, Tragedy and Athenian Religion presents a groundbreaking view of tragedy as a discourse that explored (among other topics) the problematic religious issues of the time and so ultimately strengthened Athenian religion even at a time of crisis in very complex ways-- rather than, as some simpler modern readings argue, challenging and attacking religion and the gods.
Author | : Alan H. Sommerstein |
Publisher | : A&C Black |
Total Pages | : 397 |
Release | : 2013-10-16 |
Genre | : Literary Criticism |
ISBN | : 1849667950 |
Aeschylus was the dramatist who made Athenian tragedy one of the world's great art-forms. In this completely revised and updated edition of his book Alan H. Sommerstein, analysing the seven extant plays of the Aeschylean corpus (one of them probably in fact the work of another author) and utilising the knowledge we have of the seventy or more whose scripts have not survived, explores Aeschylus' poetic, dramatic, theatrical and musical techniques, his social, political and religious ideas, and the significance of his drama for our own day. Special attention is paid to the "Oresteia" trilogy, and the other surviving plays are viewed against the background of the four-play productions of which they formed part. There are chapters on Aeschylus' theatre, on his satyr-dramas, and on his dramatisations of Homer's "Iliad" and "Odyssey", and a detailed chapter-by-chapter guide to further reading. No knowledge of Greek is assumed, and all texts are quoted in translation.
Author | : Pietro Metastasio |
Publisher | : |
Total Pages | : 76 |
Release | : 1785 |
Genre | : |
ISBN | : |
Author | : Aeschylus |
Publisher | : Penguin UK |
Total Pages | : 249 |
Release | : 2009-11-26 |
Genre | : Drama |
ISBN | : 0141955899 |
Aeschylus (525-456 BC) brought a new grandeur and epic sweep to the drama of classical Athens, raising it to the status of high art. The Persians, the only Greek tragedy to deal with events from recent Athenian history, depicts the final defeat of Persia in the battle of Salamis, through the eyes of the Persian court of King Xerxes, becoming a tragic lesson in tyranny. In Prometheus Bound, the defiant Titan Prometheus is brutally punished by Zeus for daring to improve the state of wretchedness and servitude in which mankind is kept. Seven Against Thebes shows the inexorable downfall of the last members of the cursed family of Oedipus, while The Suppliants relates the pursuit of the fifty daughters of Danaus by the fifty sons of Aegyptus, and their final rescue by a heroic king.
Author | : Claude Calame |
Publisher | : Cambridge University Press |
Total Pages | : 245 |
Release | : 2024-05-02 |
Genre | : History |
ISBN | : 1009033883 |
Ever since Aristotle opened the discussion on the role of the chorus in Greek tragedy, theories of the chorus have continued to proliferate and provoke debate to this day. The tragic chorus had its own story to tell; it was a collective identity, speaking within and to a collective citizen body, acting as an instrument through which stories of other times and places were dramatized into resonant heroic narratives for contemporary Athens. By including detailed case studies of three different tragedies (one each by Aeschylus, Euripides and Sophocles), Claude Calame's seminal study not only re-examines the role of the chorus in Greek tragedy, but pushes beyond this to argue for the 'polyphony' of choral performance. Here, he explores the fundamentally choral nature of the genre, and its deep connection to the cultic and ritual contexts in which tragedy was performed.