Writings on the General Theory of Signs
Author | : Charles William Morris |
Publisher | : Walter de Gruyter |
Total Pages | : 496 |
Release | : 1971 |
Genre | : Business & Economics |
ISBN | : |
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Author | : Charles William Morris |
Publisher | : Walter de Gruyter |
Total Pages | : 496 |
Release | : 1971 |
Genre | : Business & Economics |
ISBN | : |
Author | : James Hoopes |
Publisher | : UNC Press Books |
Total Pages | : 295 |
Release | : 2014-02-01 |
Genre | : Philosophy |
ISBN | : 1469616815 |
Charles Sanders Peirce (1839-1914) is rapidly becoming recognized as the greatest American philosopher. At the center of his philosophy was a revolutionary model of the way human beings think. Peirce, a logician, challenged traditional models by describing thoughts not as "ideas" but as "signs," external to the self and without meaning unless interpreted by a subsequent thought. His general theory of signs -- or semiotic -- is especially pertinent to methodologies currently being debated in many disciplines. This anthology, the first one-volume work devoted to Peirce's writings on semiotic, provides a much-needed, basic introduction to a complex aspect of his work. James Hoopes has selected the most authoritative texts and supplemented them with informative headnotes. His introduction explains the place of Peirce's semiotic in the history of philosophy and compares Peirce's theory of signs to theories developed in literature and linguistics.
Author | : Charles W. Morris |
Publisher | : Walter de Gruyter |
Total Pages | : 488 |
Release | : 2014-01-02 |
Genre | : Language Arts & Disciplines |
ISBN | : 311081059X |
Author | : Victorino Tejera |
Publisher | : John Benjamins Publishing |
Total Pages | : 184 |
Release | : 1995 |
Genre | : Literary Criticism |
ISBN | : 9781556193415 |
Following Peirce in his non-reductive understanding of the theory of signs as a branch of aesthetics, this book reconceptualizes the processes of literary creation, appreciation and reading in semiotic terms. Here is a carefully developed theory of what sort of criteria serve to distinguish apposite from inapposite readings of literary works-of-art. Given Peirce's triadic account of signification, it enlarges Aristotle's view of mimesis as expressive making into an understanding of literary works as deliberatively designed sign-systems belonging to Peirce's eighth class of signs. In parallel with Bakhtin's account of the dialogical nature of literary work (and its success in exposing misreadings of Dostoyevsky), this work categorizes in precise theoretical terms what is wrong with the non-dialogical readings which treat Plato's dialogues as doctrinal tractates. As a study in literary theory finally, and on the basis of apt distinctions between exhibitive, active, and assertive judgments, this book re-demarcates and distinguishes the discipline of literary criticism from that of literary theory, and both of these from the work of literary creation itself.
Author | : T. L. Short |
Publisher | : Cambridge University Press |
Total Pages | : 13 |
Release | : 2007-02-12 |
Genre | : Philosophy |
ISBN | : 1139461915 |
In this book, T. L. Short corrects widespread misconceptions of Peirce's theory of signs and demonstrates its relevance to contemporary analytic philosophy of language, mind and science. Peirce's theory of mind, naturalistic but nonreductive, bears on debates of Fodor and Millikan, among others. His theory of inquiry avoids foundationalism and subjectivism, while his account of reference anticipated views of Kripke and Putnam. Peirce's realism falls between 'internal' and 'metaphysical' realism and is more satisfactory than either. His pragmatism is not verificationism; rather, it identifies meaning with potential growth of knowledge. Short distinguishes Peirce's mature theory of signs from his better-known but paradoxical early theory. He develops the mature theory systematically on the basis of Peirce's phenomenological categories and concept of final causation. The latter is distinguished from recent and similar views, such as Brandon's, and is shown to be grounded in forms of explanation adopted in modern science.
Author | : Winfried Noth |
Publisher | : Indiana University Press |
Total Pages | : 600 |
Release | : 1990-09-22 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780253209597 |
History and Classics of Modern Semiotics -- Sign and Meaning -- Semiotics, Code, and the Semiotic Field -- Language and Language-Based Codes -- From Structuralism to Text Semiotics: Schools and Major Figures -- Text Semiotics: The Field -- Nonverbal Communication -- Aesthetics and Visual Communication.
Author | : Francesco Bellucci |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 333 |
Release | : 2020-06-22 |
Genre | : Language Arts & Disciplines |
ISBN | : 3110607395 |
Charles S. Peirce (1839–1914) is widely recognized as America’s greatest philosopher, the originator of pragmatism, and one of the founders of modern mathematical logic. He was also a pioneer in the field of "semiotics," the general theory of signs, and many have regarded him as the father of the contemporary form of the discipline. The volume is a specialized selection of unpublished writings spanning almost twenty years (1894–1913) that are essential to understand Peirce’s views about signs, their classification, and the relations between semiotics and logical inquiry. It comprises twenty-two selections, a historico-critical introduction, and an apparatus of editorial annotations. The selections are prepared following the methods of scholarly editing of philosophical texts. The book will be of interest to graduate students and researchers working in areas such as Peirce studies, the history of American philosophy and pragmatism, logic and history of logic, the history of analytic philosophy, philosophy of language, semiotics, and language sciences.
Author | : Roland Barthes |
Publisher | : Macmillan |
Total Pages | : 116 |
Release | : 1968 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780374521462 |
"In his Course in General Linguistics, first published in 1916, Saussure postulated the existence of a general science of signs, or Semiology, of which linguistics would form only one part. Semiology, therefore aims to take in any system of signs, whatever their substance and limits; images, gestures, musical sounds, objects, and the complex associations of all these, which form the content of ritual, convention or public entertainment: these constitute, if not languages, at least systems of signification . . . The Elements here presented have as their sole aim the extraction from linguistics of analytical concepts which we think a priori to be sufficiently general to start semiological research on its way. In assembling them, it is not presupposed that they will remain intact during the course of research; nor that semiology will always be forced to follow the linguistic model closely. We are merely suggesting and elucidating a terminology in the hope that it may enable an initial (albeit provisional) order to be introduced into the heterogeneous mass of significant facts. In fact what we purport to do is furnish a principle of classification of the questions. These elements of semiology will therefore be grouped under four main headings borrowed from structural linguistics: I. Language and Speech; II. Signified and Signifier; III. Syntagm and System; IV. Denotation and Connotation."--Roland Barthes, from his Introduction
Author | : Thomas Albert Sebeok |
Publisher | : University of Toronto Press |
Total Pages | : 220 |
Release | : 2001-01-01 |
Genre | : Literary Criticism |
ISBN | : 9780802084729 |
In this regard, semiotics is of relevance to a wide spectrum of scholars and professionals, including social scientists, psychologists, artists, graphic designers, and students of literature.".
Author | : Thomas Lewis |
Publisher | : Vintage |
Total Pages | : 290 |
Release | : 2007-12-18 |
Genre | : Psychology |
ISBN | : 0307424340 |
This original and lucid account of the complexities of love and its essential role in human well-being draws on the latest scientific research. Three eminent psychiatrists tackle the difficult task of reconciling what artists and thinkers have known for thousands of years about the human heart with what has only recently been learned about the primitive functions of the human brain. A General Theory of Love demonstrates that our nervous systems are not self-contained: from earliest childhood, our brains actually link with those of the people close to us, in a silent rhythm that alters the very structure of our brains, establishes life-long emotional patterns, and makes us, in large part, who we are. Explaining how relationships function, how parents shape their child’s developing self, how psychotherapy really works, and how our society dangerously flouts essential emotional laws, this is a work of rare passion and eloquence that will forever change the way you think about human intimacy.