Writing Outside The Nation
Download Writing Outside The Nation full books in PDF, epub, and Kindle. Read online free Writing Outside The Nation ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Azade Seyhan |
| Publisher | : Princeton University Press |
| Total Pages | : 200 |
| Release | : 2012-01-06 |
| Genre | : Literary Criticism |
| ISBN | : 1400823994 |
Some of the most innovative writers of contemporary literature are writing in diaspora in their second or third language. Here Azade Seyhan describes the domain of transnational poetics they inhabit. She begins by examining the works of selected bilingual and bicultural writers of the United States (including Oscar Hijuelos, Maxine Hong Kingston, and Eva Hoffman) and Germany (Libuse Moníková, Rafik Schami, and E. S. Özdamar, among others), developing a new framework for understanding the relationship between displacement, memory, and language. Considering themes of loss, witness, translation, identity, and exclusion, Seyhan interprets diasporic literatures as condensed archives of cultural and linguistic memory that give integrity and coherence to pasts ruptured by migration. The book next compares works by contemporary Chicana and Turkish-German women writers as innovative and sovereign literary voices within the larger national cultures of the United States and Germany. Seyhan identifies in American multiculturalism critical clues for analyzing new cultural formations in Europe and maintains that Germany's cultural transformation suggests new ways of reading the American literary mosaic. Her approach, however, extends well beyond these two literatures. She creates a critical map of a "third geography," where a transnational, multilingual literary movement is gathering momentum. Writing Outside the Nation both contributes to and departs from postcolonial studies in that it focuses specifically on transnational writers working outside of their "mother tongue" and compares American and German diasporic literatures within a sophisticated conceptual framework. It illustrates how literature's symbolic economy can reclaim lost personal and national histories, as well as connect disparate and distant cultural traditions.
| Author | : Stefan Berger |
| Publisher | : Springer |
| Total Pages | : 254 |
| Release | : 2007-07-12 |
| Genre | : History |
| ISBN | : 0230223052 |
This book brings together experts on national history writing from all five continents to discuss the role of history in the making of national identities in a transnational and comparative way. The institutionalization and professionalisation of history writing is analysed in the context of history's increasing nationalization.
| Author | : Ross Guberman |
| Publisher | : Oxford University Press |
| Total Pages | : 426 |
| Release | : 2014-04 |
| Genre | : Law |
| ISBN | : 0199943850 |
In Point Made, Ross Guberman uses the work of great advocates as the basis of a valuable, step-by-step brief-writing and motion-writing strategy for practitioners. The author takes an empirical approach, drawing heavily on the writings of the nation's 50 most influential lawyers.
| Author | : Matthew Salesses |
| Publisher | : Catapult |
| Total Pages | : 139 |
| Release | : 2021-01-19 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1948226812 |
This national bestseller is "a significant contribution to discussions of the art of fiction and a necessary challenge to received views about whose stories are told, how they are told and for whom they are intended" (Laila Lalami, The New York Times Book Review). The traditional writing workshop was established with white male writers in mind; what we call craft is informed by their cultural values. In this bold and original examination of elements of writing—including plot, character, conflict, structure, and believability—and aspects of workshop—including the silenced writer and the imagined reader—Matthew Salesses asks questions to invigorate these familiar concepts. He upends Western notions of how a story must progress. How can we rethink craft, and the teaching of it, to better reach writers with diverse backgrounds? How can we invite diverse storytelling traditions into literary spaces? Drawing from examples including One Thousand and One Nights, Curious George, Ursula K. Le Guin's A Wizard of Earthsea, and the Asian American classic No-No Boy, Salesses asks us to reimagine craft and the workshop. In the pages of exercises included here, teachers will find suggestions for building syllabi, grading, and introducing new methods to the classroom; students will find revision and editing guidance, as well as a new lens for reading their work. Salesses shows that we need to interrogate the lack of diversity at the core of published fiction: how we teach and write it. After all, as he reminds us, "When we write fiction, we write the world."
| Author | : Amy Berke |
| Publisher | : Good Press |
| Total Pages | : 743 |
| Release | : 2023-12-01 |
| Genre | : Literary Criticism |
| ISBN | : |
In 'Writing the Nation: A Concise Introduction to American Literature 1865 to Present,' editors Amy Berke, Robert Bleil, Jordan Cofer, and Doug Davis curate a comprehensive exploration of American literary evolution from the aftermath of the Civil War to contemporary times. This anthology expertly weaves a tapestry of diverse literary styles and themes, encapsulating the dynamic shifts in American culture and identity. Through carefully selected works, the collection illustrates the rich dialogue between historical contexts and literary expression, showcasing seminal pieces that have shaped American literatures landscape. The diversity of periods and perspectives offers readers a panoramic view of the countrys literary heritage, making it a significant compilation for scholars and enthusiasts alike. The contributing authors and editors, each with robust backgrounds in American literature, bring to the table a depth of scholarly expertise and a passion for the subject matter. Their collective work reflects a broad spectrum of American life and thought, aligning with major historical and cultural movements from Realism and Modernism to Postmodernism. This anthology not only marks the evolution of American literary forms and themes but also mirrors the nations complex history and diverse narratives. 'Writing the Nation' is an essential volume for those who wish to delve into the heart of American literature. It offers readers a unique opportunity to experience the multitude of voices, styles, and themes that have shaped the countrys literary tradition. This collection represents an invaluable resource for students, scholars, and anyone interested in the development of American literature and the cultural forces that have influenced it. The anthology invites readers to engage with the vibrant dialogue among its pages, fostering a deeper understanding and appreciation of the United States' literary and cultural heritage.
| Author | : Francis Lam |
| Publisher | : University of Georgia Press |
| Total Pages | : 284 |
| Release | : 2014 |
| Genre | : Cooking |
| ISBN | : 0820346667 |
The latest collection of the best in Southern foodways writing, on what food means to outsiders, insiders, and everyone in between. Edited by Francis Lam, it brings together the best Southern food writing from recent years, including well-known food writers such as Sara Roahen and Brett Anderson.
| Author | : Newt Gingrich |
| Publisher | : Simon and Schuster |
| Total Pages | : 274 |
| Release | : 2011-06-14 |
| Genre | : Political Science |
| ISBN | : 1596982721 |
It’s become fashionable among the liberal elite to downplay, deride, even deny America’s greatness. The political correctness police insist that America is “hated” around the world for being too big, too powerful, too rich, too successful, too loud, too intrusive. And besides, it’s not nice to brag. They are completely missing the point. America’s greatness, America’s exceptional greatness, is not based on that fact that we are the most powerful, most prosperous—and most generous—nation on earth. Rather, those things are the result of American Exceptionalism. To understand American Exceptionalism, as Newt Gingrich passionately argues in A Nation Like No Other, one must understand our unique birth as a nation. American Exceptionalism is found in the simple yet utterly remarkable principles expressed in the Declaration of Independence, “that all men are created equal, that we are endowed by our Creator with certain unalienable rights, that among these are life, liberty, the pursuit of happiness.” Our nation is exceptional, continues Newt, because we—unlike any nation before or since—are united by the belief and the promise that no king, no government, no ruling class has the power to infringe upon the rights of the individual. And when such a government attempts to do so, we will vigorously reject them. Sadly, many politicians and leaders today have forgotten our sacred commitment to these ideals. Our government has strayed alarmingly far from the scope of limited powers framed by our Founders. Meanwhile, the liberal media seek out, and sometimes create, stories intended to portray America as a bully and a thief. Even our own president seems clueless, assuring us that yes, yes, he believes in American exceptionalism, just like the Greeks believe in Greek exceptionalism and the British in British exceptionalism. But American Exceptionalism is not about cheerleading for the home team. It’s about recognizing and honoring the history-making, world-changing ideals our Founding Fathers enshrined to make this a nation of the people, by the people, for the people. And, as Lincoln warned, we must rededicate ourselves to those principles, lest our truly exceptional nation perish from this earth.
| Author | : Sandra Vlasta |
| Publisher | : BRILL |
| Total Pages | : 306 |
| Release | : 2015-10-14 |
| Genre | : Literary Criticism |
| ISBN | : 9004306005 |
Up until now, ‘migration literature’ has primarily been defined as ‘texts written by migrant authors’, a definition that has been discussed, criticised, and even rejected by critics and authors alike. Very rarely has ‘migration literature’ been understood as ‘literature on the topic of migration’, which is an approach this book adopts by presenting a comparative analysis of contemporary texts on experiences of migration. By focusing on specific themes and motifs in selected texts, this study suggests that migration literature is a sub-genre that exists in both various bodies of literature as well as various languages. This book analyses English and German texts by authors such as Monica Ali, Dimitré Dinev, Anna Kim, Timothy Mo, Preethi Nair, Caryl Phillips, Hamid Sadr, and Vladimir Vertlib, among others.
| Author | : Andrew Wachtel |
| Publisher | : Stanford University Press |
| Total Pages | : 324 |
| Release | : 1998 |
| Genre | : History |
| ISBN | : 9780804731812 |
This book focuses on the cultural processes by which the idea of a Yugoslav nation was developed and on the reasons that this idea ultimately failed to bind the South Slavs into a viable nation and state. The author argues that the collapse of multinational Yugoslavia and the establishment of separate uninational states did not result from the breakdown of the political or economic fabric of the Yugoslav state; rather, that breakdown itself sprang from the destruction of the concept of a Yugoslav nation. Had such a concept been retained, a collapse of political authority would have been followed by the eventual reconstitution of a Yugoslav state, as happened after World War II, rather than the creation of separate nation-states. Because the author emphasizes nation building rather than state building, the causes and evidence he cites for Yugoslavia’s collapse differ markedly from those that have previously been put forward. He concentrates on culture and cultural politics in the South Slavic lands from the mid-nineteenth century to the present in order to delineate those ideological mechanisms that helped lay the foundation for the formation of a Yugoslav nation in the first place, sustained the nation during its approximately seventy-year existence, and led to its dissolution. The book describes the evolution of the idea of Yugoslav national unity in four major areas: linguistic policies geared to creating a shared national language, the promulgation of a Yugoslav literary and artistic canon, an educational policy that emphasized the teaching of literature and history in schools, and the production of new literary and artistic works incorporating a Yugoslav view. In the book’s conclusion, the author discusses the relevance of the Yugoslav case for other parts of the world, considering whether the triumph of particularist nationalism is inevitable in multinational states.
| Author | : Lopamudra Basu |
| Publisher | : Lexington Books |
| Total Pages | : 209 |
| Release | : 2018-12-06 |
| Genre | : Literary Criticism |
| ISBN | : 1498558259 |
Ayad Akhtar, the American Nation, and Its Others After 9/11: Homeland Insecurity examines playwright and novelist Ayad Akhtar’s contributions to multiple genres including film and theatre. This book situates Akhtar’s oeuvre within the social and political context of post-9/11 American culture, marked by the creation of the Homeland Security State and the racialization of Muslims, Arabs, and South Asians. It departs from many traditional studies of 9/11 literature by challenging the binary of victim and perpetrator and examining the continuing impact of the event on questions of American nationalism and belonging. Tracing a literary genealogy for Akhtar, it explores a broad range of issues represented in Akhtar’s works such as globalization, the decline of American industry, terrorism, torture, generational conflicts, interracial love, gender and violence, the conflict between secular and religious values—all issues which affect American nationalism both within and outside the nation’s borders, and shape the lives of South Asian American Muslims. Employing the lenses of trauma studies, transnational feminism, postcolonial theory, and performance studies, this book is attentive to the controversial reception of Akhtar’s works and the paucity of authentic representation of Muslim Americans. It combines literary interpretations of Akhtar’s works with sociological analysis of post-9/11 racial formation, a personal interview with Akhtar, and observations of plays and post-play discussions.
