Writing and Inscription in Golden Age Drama

Writing and Inscription in Golden Age Drama
Author: Charles Oriel
Publisher: Purdue University Press
Total Pages: 208
Release: 1992
Genre: History
ISBN:

Vega; La estrella de Sevilla, of disputed authorship; El ejemplo mayor de la desdicha, by Mira de Amescua; Cautela contra cautela, by Tirso de Molina; and La cisma de Inglaterra, by Calderon de la Barca.

Echoes and Inscriptions

Echoes and Inscriptions
Author: Barbara Simerka
Publisher: Bucknell University Press
Total Pages: 292
Release: 2000
Genre: Literary Criticism
ISBN: 9780838754306

Essays compare early modern Spanish writers to their contemporaries in other countries and to modern Spanish and Latin American literature

Spanish Dramatists of the Golden Age

Spanish Dramatists of the Golden Age
Author: Mary Parker
Publisher: Bloomsbury Publishing USA
Total Pages: 297
Release: 1998-09-17
Genre: Literary Criticism
ISBN: 0313370516

The Golden Age of Spanish drama extends from the close of the 15th century to the death of Calderón in 1681. During that time, the humanists, as dramatists, followed Italy's artistic awakening direction, and imitated Classical drama. With originality and dreams of greatness, they subverted the nature of tragedy; modified the approach of Comedy and invented the New Play, the Comedia Nueva. In it the poet-dramatists introduced important modificaitons of realism, included imagined reality, Christian symbolism and theatricality, as artistic truth. They elaborate all kinds of syntheses. For this reason, the Spanish Golden Age theater can be viewed as part of a tradition that includes the Greco-Roman comedy and tragedy, Christian tragedy, and the authentic national literary and dramatic tendencies. The entries in this reference book explore the fascinating history of the Golden Age of Spanish drama. The volume begins with an introductory overview of the literary, cultural, and historical contexts that shaped dramatic writing of the period. The book then presents alphabetically arranged essays for nineteen significant Spanish dramatists of the Golden Age. Each essay is written by an expert contributor and includes biographical information, an analysis and evaluation of major works, a discussion of critical response to the plays, and an extensive bibliography of primary and secondary sources. The volume closes with a selected general bibliography of central critical studies of Golden Age Spanish drama.

Theatre of the Book, 1480-1880

Theatre of the Book, 1480-1880
Author: Julie Stone Peters
Publisher: Oxford University Press, USA
Total Pages: 516
Release: 2003
Genre: Literary Criticism
ISBN: 9780199262168

This volume explores the impact of printing on the European theatre in the period 1480-1880 and shows that the printing press played a major part in the birth of modern theatre.

El Arte Nuevo de Estudiar Comedias

El Arte Nuevo de Estudiar Comedias
Author: Barbara Simerka
Publisher: Bucknell University Press
Total Pages: 270
Release: 1996
Genre: Literary Criticism
ISBN: 9780838753200

"This anthology of "new" approches to literary study takes its name from Lope de Vega's Arte nuevo de hacer comedias. Like Lope's poem on poetics, this volume also operates as a defense, in the sense that many of the articles include a defense of the usefulness of literary theory in general, and of their chosen approach in particular, for enriching the study of the comedia." "In these essays, it is the not quite new art of "estudiar" rather than "hacer" drama that is the central concern, the contributors defending theoretical innovations approximately twenty years after James Parr, in the pages of Hispania, issued his challenge to Hispanists to update their approach. This volume, which combines innovative scholarship with the "metacriticism" that many critics advocate in all literary study, is directed both the students of literature and to scholars who wish to expand their knowledge of the many different areas of theoretical inquiry that comediantes are currently exploring."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Kinship and Polity in the Poema de Mío Cid

Kinship and Polity in the Poema de Mío Cid
Author: Michael Harney
Publisher: Purdue University Press
Total Pages: 304
Release: 1993
Genre: Literary Criticism
ISBN: 9781557530394

This study of the social content of the only Spanish epic surviving in more or less complete form provides a means of assessing the motives and intentions of the protagonist and of other characters. Chapters are devoted to such themes as the significance of kinship and lineage; amity as a system of fictive kinship, personal honor, and public organization; the importance of women and the meaning and function of marriage, dowry, and related practices; the emergence of polity as the result of a rivalry of social, legal, and economic systems; and the implications, within an essentially kin-ordered world, of the poem's notions of shame, honor, status, and social inequality.

Rewriting Theatre

Rewriting Theatre
Author: Charles Ganelin
Publisher: Bucknell University Press
Total Pages: 298
Release: 1994
Genre: Literary Criticism
ISBN: 9780838752593

The Reception Theory orientation discusses how the recast was received in its time; performance reviews contemporary with the new versions of old plays indicate the controversy elicited between those who believed, on the one hand, that the "classics" should be preserved as they have been handed down, and on the other, that a work of art is never "finished" and is always open to new stagings and interpretations. Lope de Vega, Tirso de Molina, Pedro Calderon de la Barca, and others have been and continue to be reinterpreted in the light of new literary, social, and political orientations.

Cervantes, Raphael and the Classics

Cervantes, Raphael and the Classics
Author: Frederick A. de Armas
Publisher: Cambridge University Press
Total Pages: 268
Release: 1998-06-13
Genre: Art
ISBN: 9780521593021

A study of classical influences on Cervantes, with particular attention to Raphael.

Radical Theatricality

Radical Theatricality
Author: Bruce R. Burningham
Publisher: Purdue University Press
Total Pages: 276
Release: 2007
Genre: Literary Criticism
ISBN: 9781557534415

Radical Theatricality argues that our narrow search for extant medieval play scripts depends entirely on a definition of theater far more literary than performative. This literary definition pushes aside some of our best evidence of Spain's medieval performance traditions precisely because this evidence is considered either intangible or "un-dramatic" (that is, monologic). By focusing on the dialogic relationship that inherently exists between performer and spectator in performance--rather than on the kind of literary dialogue between characters traditionally associated with drama--Radical Theatricality diachronically examines the performative poetics of the jongleuresque tradition (broadly defined to encompass such disparate performers as ancient Greek rhapsodes and contemporary Nobel Laureate Dario Fo) and synchronically traces its performative impact on the Spanish theater of the sixteenth and seventeenth centuries.

Playing the King

Playing the King
Author: Melveena McKendrick
Publisher: Boydell & Brewer Ltd
Total Pages: 242
Release: 2000
Genre: Literary Criticism
ISBN: 1855660695

A reappraisal of Lope's literary career, bringing out the complexities of his dramatic texts. This book offers a radical re-evaluation of Lope's theatre, which will affect the way in which the comedia in general is read. It spans Lope's literary career, discussing (pseudo-)historical, tragic and peasant plays in order to show Lope's texts as complex negotiations between author and public, between conservatism and subversion, between representations of the ideal of kingship and its political reality, in a period of social and political change. Drawing on contemporary Spanish political philosophy, McKendrick shows that far from glorifying monarchy and advocating absolutism (the orthodox view in the Hispanic world), Lope's political plays constitute an informed critiqueof kingship; she also challenges the received wisdom that the comedia was an instrument of stage and that its playwrights were the conscious propagandists of an aristocratic elite. With the help of insights and models provided by the speech act theory, the stratagems and techniques utilised by Lope to follow the path of prudence between the acceptable and the unacceptable in political commentary in the commercial theatre are scrutinised, illustrating how richly nuanced texts produce not an ideologically monolithic and complacent drama but one which is at once politically anxious and probing. MELVEENA MCKENDRICK is Professor of Spanish Literature, Culture and Societyat the University of Cambridge.