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| Author | : Amy Elizabeth Bogansky |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 366 |
| Release | : 2013 |
| Genre | : Art |
| ISBN | : 1588394964 |
Published in conjunction with an exhibition held at The Metropolitan Museum of Art, New York, Sept. 16, 2013-Jan. 5, 2014.
| Author | : Giorgio Riello |
| Publisher | : BRILL |
| Total Pages | : 524 |
| Release | : 2009 |
| Genre | : History |
| ISBN | : 9004176535 |
Cloth has always been the most global of all traded commodities. It is an illuminating example of the circulation of goods, skills, knowledge and capital across wide geographic spaces. South Asia has been central to the making of these global exchanges over time. This volume presents innovative research that explores the dynamic ways in which diverse textile production and trade regions generated the first globalization . A series of experts connect this global commodity with the dramatic political and economic transformations that characterised the Indian Ocean in the seventeenth and eighteenth centuries. Collectively, the essays transform our understanding of the contribution of South Asian cloth to the making of the modern world economy.
| Author | : Jennifer Harris |
| Publisher | : John Wiley & Sons |
| Total Pages | : 528 |
| Release | : 2020-08-17 |
| Genre | : Design |
| ISBN | : 1118768604 |
A lively and innovative collection of new and recent writings on the cultural contexts of textiles The study of textile culture is a dynamic field of scholarship which spans disciplines and crosses traditional academic boundaries. A Companion to Textile Culture is an expertly curated compendium of new scholarship on both the historical and contemporary cultural dimensions of textiles, bringing together the work of an interdisciplinary team of recognized experts in the field. The Companion provides an expansive examination of textiles within the broader area of visual and material culture, and addresses key issues central to the contemporary study of the subject. A wide range of methodological and theoretical approaches to the subject are explored—technological, anthropological, philosophical, and psychoanalytical, amongst others—and developments that have influenced academic writing about textiles over the past decade are discussed in detail. Uniquely, the text embraces archaeological textiles from the first millennium AD as well as contemporary art and performance work that is still ongoing. This authoritative volume: Offers a balanced presentation of writings from academics, artists, and curators Presents writings from disciplines including histories of art and design, world history, anthropology, archaeology, and literary studies Covers an exceptionally broad chronological and geographical range Provides diverse global, transnational, and narrative perspectives Included numerous images throughout the text to illustrate key concepts A Companion to Textile Culture is an essential resource for undergraduate and postgraduate students, instructors, and researchers of textile history, contemporary textiles, art and design, visual and material culture, textile crafts, and museology.
| Author | : Geoffrey C. Gunn |
| Publisher | : Hong Kong University Press |
| Total Pages | : 446 |
| Release | : 2011-08-01 |
| Genre | : History |
| ISBN | : 9888083341 |
Astride the historical maritime silk routes linking India to China, premodern East and Southeast Asia can be viewed as a global region in the making over a long period. Intense Asian commerce in spices, silks, and ceramics placed the region in the forefront of global economic history prior to the age of imperialism. Alongside the correlated silver trade among Japanese, Europeans, Muslims, and others, China's age-old tributary trade networks provided the essential stability and continuity enabling a brilliant age of commerce. Though national perspectives stubbornly dominate the writing of Asian history, even powerful state-centric narratives have to be re-examined with respect to shifting identities and contested boundaries. This book situates itself in a new genre of writing on borderland zones between nations, especially prior to the emergence of the modern nation-state. It highlights the role of civilization that developed along with global trade in rare and everyday Asian commodities, raising a range of questions regarding unequal development, intraregional knowledge advances, the origins of globalization, and the emergence of new Asian hybridities beyond and within the conventional boundaries of the nation-state. Chapters range over the intra-Asian trade in silver and ceramics, the Chinese junk trade, the rise of European trading companies as well as diasporic communities including the historic Japan-towns of Southeast Asia, and many types of technology exchanges. While some readers will be drawn to thematic elements, this book can be read as the narrative history of the making of a coherent East-Southeast Asian world long before the modem period.
| Author | : Edward S. Cooke |
| Publisher | : Princeton University Press |
| Total Pages | : 336 |
| Release | : 2022-09-13 |
| Genre | : Art |
| ISBN | : 0691184739 |
A bold reorientation of art history that bridges the divide between fine art and material culture through an examination of objects and their uses Art history is often viewed through cultural or national lenses that define some works as fine art while relegating others to the category of craft. Global Objects points the way to an interconnected history of art, examining a broad array of functional aesthetic objects that transcend geographic and temporal boundaries and challenging preconceived ideas about what is and is not art. Avoiding traditional binaries such as East versus West and fine art versus decorative art, Edward Cooke looks at the production, consumption, and circulation of objects made from clay, fiber, wood, and nonferrous base metals. Carefully considering the materials and process of making, and connecting process to product and people, he demonstrates how objects act on those who look at, use, and acquire them. He reveals how objects retain aspects of their local fabrication while absorbing additional meanings in subtle and unexpected ways as they move through space and time. In emphasizing multiple centers of art production amid constantly changing contexts, Cooke moves beyond regional histories driven by geography, nation-state, time period, or medium. Beautifully illustrated, Global Objects traces the social lives of objects from creation to purchase, and from use to experienced meaning, charting exciting new directions in art history.
| Author | : Christopher Breward |
| Publisher | : Cambridge History of Fashion |
| Total Pages | : 759 |
| Release | : 2023-08-17 |
| Genre | : History |
| ISBN | : 1108495567 |
Explores how the long history of fashion from antiquity to c. 1800 created global networks and animated world communities.
| Author | : Michael C. Howard |
| Publisher | : McFarland |
| Total Pages | : 314 |
| Release | : 2014-01-10 |
| Genre | : History |
| ISBN | : 0786490330 |
While scholars have long documented the migration of people in ancient and medieval times, they have paid less attention to those who traveled across borders with some regularity. This study of early transnational relations explores the routine interaction of people across the boundaries of empires, tribal confederacies, kingdoms, and city-states, paying particular attention to the role of long-distance trade along the Silk Road and maritime trade routes. It examines the obstacles voyagers faced, including limited travel and communication capabilities, relatively poor geographical knowledge, and the dangers of a fragmented and shifting political landscape, and offers profiles of better-known transnational elites such as the Hellenic scholar Herodotus and the Venetian merchant Marco Polo, as well lesser known servants, merchants, and sailors. By revealing the important political, economic, and cultural role cross-border trade and travel played in ancient society, this work demonstrates that transnationalism is not unique to modern times. Instructors considering this book for use in a course may request an examination copy here.
| Author | : Michael Hann |
| Publisher | : A&C Black |
| Total Pages | : 585 |
| Release | : 2013-11-21 |
| Genre | : Architecture |
| ISBN | : 0857854909 |
Symbol, Pattern and Symmetry: The Cultural Significance of Structure investigates how pattern and symbol has functioned in visual arts, exploring how connections and comparisons in geometrical pattern can be made across different cultures and how the significance of these designs has influenced craft throughout history. The book features illustrative examples of symbol and pattern from a wide range of historical and cultural contexts, from Byzantine, Persian and Assyrian design, to case studies of Japanese and Chinese patterns. Looking at each culture's specific craft style, Hann shows how the visual arts are underpinned with a strict geometric structure, and argues that understanding these underlying structures enables us to classify and compare data from across cultures and historical periods. Richly illustrated with both colour and black and white images, and with clear, original commentary, the book enables students, practitioners, teachers and researchers to explore the historical and cultural significance of symbol and pattern in craft and design, ultimately displaying how a geometrical dialogue in design can be established through history and culture.
| Author | : Beverly Lemire |
| Publisher | : Cambridge University Press |
| Total Pages | : 399 |
| Release | : 2018-01-11 |
| Genre | : Business & Economics |
| ISBN | : 0521192560 |
Charts the rise of consumerism and the new cosmopolitan material cultures that took shape across the globe from 1500 to 1820.
| Author | : D.J. Huppatz |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 281 |
| Release | : 2018-02-22 |
| Genre | : Design |
| ISBN | : 1474296866 |
Modern Asian Design provides a comprehensive introduction to the development of Asian design in the modern period, both tracing historical threads and offering a theoretical framework within which to chart the history of design in Asia. Rather than a singular “Asian history”, this book presents a series of studies centred on trade routes, colonial relationships, regional networks and cross-cultural exchanges. Modern Asian Design builds on existing resources beyond design history in an effort to map the field, focusing particularly on relations between Asia and the West and also across Asian design cultures. Opening with a brief overview of trade and exchange networks in the 17th and 18th centuries, the bulk of this study comprises analysis of the development of modern design in Asia during the later 19th and early 20th centuries, a period of rapid modernisation. The book's final two chapters bring these central ideas into a contemporary and highly relevant context.
