World War I And Southern Modernism
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| Author | : David A. Davis |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 247 |
| Release | : 2017-11-27 |
| Genre | : Literary Criticism |
| ISBN | : 1496815440 |
Winner of the 2018 Eudora Welty Prize When the United States entered World War I, parts of the country had developed industries, urban cultures, and democratic political systems, but the South lagged behind, remaining an impoverished, agriculture region. Despite New South boosterism, the culture of the early twentieth-century South was comparatively artistically arid. Yet, southern writers dominated the literary marketplace by the 1920s and 1930s. World War I brought southerners into contact with modernity before the South fully modernized. This shortfall created an inherent tension between the region's existing agricultural social structure and the processes of modernization, leading to distal modernism, a form of writing that combines elements of modernism to depict non-modern social structures. Critics have struggled to formulate explanations for the eruption of modern southern literature, sometimes called the Southern Renaissance. Pinpointing World War I as the catalyst, David A. Davis argues southern modernism was not a self-generating outburst of writing, but a response to the disruptions modernity generated in the region. In World War I and Southern Modernism, Davis examines dozens of works of literature by writers, including William Faulkner, Ellen Glasgow, and Claude McKay, that depict the South during the war. Topics explored in the book include contact between the North and the South, southerners who served in combat, and the developing southern economy. Davis also provides a new lens for this argument, taking a closer look at African Americans in the military and changing gender roles.
| Author | : David A. Davis |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 248 |
| Release | : 2017-11-27 |
| Genre | : Literary Criticism |
| ISBN | : 1496815424 |
Winner of the 2018 Eudora Welty Prize When the United States entered World War I, parts of the country had developed industries, urban cultures, and democratic political systems, but the South lagged behind, remaining an impoverished, agriculture region. Despite New South boosterism, the culture of the early twentieth-century South was comparatively artistically arid. Yet, southern writers dominated the literary marketplace by the 1920s and 1930s. World War I brought southerners into contact with modernity before the South fully modernized. This shortfall created an inherent tension between the region's existing agricultural social structure and the processes of modernization, leading to distal modernism, a form of writing that combines elements of modernism to depict non-modern social structures. Critics have struggled to formulate explanations for the eruption of modern southern literature, sometimes called the Southern Renaissance. Pinpointing World War I as the catalyst, David A. Davis argues southern modernism was not a self-generating outburst of writing, but a response to the disruptions modernity generated in the region. In World War I and Southern Modernism, Davis examines dozens of works of literature by writers, including William Faulkner, Ellen Glasgow, and Claude McKay, that depict the South during the war. Topics explored in the book include contact between the North and the South, southerners who served in combat, and the developing southern economy. Davis also provides a new lens for this argument, taking a closer look at African Americans in the military and changing gender roles.
| Author | : David Alexander Davis |
| Publisher | : |
| Total Pages | : 337 |
| Release | : 2006 |
| Genre | : American fiction |
| ISBN | : |
This dissertation analyzes the relationship between social history and the geographic spread of modernism. Many critics have noted the irony that writers from the South-the nation's poorest and most illiterate region in the first half of the twentieth century-cultivated an unexpected literary flowering between World War I and World War II. I argue that World War I acted as a pivotal catalytic event, ending the post- Reconstruction South's self-imposed intellectual isolation and allowing for the diffusion of modern American and European social, cultural, and economic practices into the region, thus shifting the region's economic base from agriculture to industry and moving the region's intellectual superstructure from regionalism to modernism. In five chapters I examine the representation of World War I in modernist texts by southern and non-southern writers. The first two chapters analyze changes in the demographic and economic foundation of southern culture, connecting the war as a vehicle for interregional cultural exchange to William Faulkner's Soldiers' Pay and short stories by F. Scott Fitzgerald and tracing the emergence of mechanization and industrialization in Ellen Glasgow's Barren Ground and Faulkner's Flags in the Dust. The three subsequent chapters examine the effects of infrastructural change on major elements of southern society, exploring the effects of war-time patriotism on sectional ideology in William Alexander Percy's Lanterns on the Levee and Donald Davidson's The Tall Men, analyzing the war's impact on the struggle for civil rights in Walter White's The Fire in the Flint and Claude McKay's Home to Harlem, and discussing the representation of southern womanhood in post-World War I southern women's fiction.
| Author | : Sarah Cole |
| Publisher | : Cambridge University Press |
| Total Pages | : 307 |
| Release | : 2003-08-28 |
| Genre | : Literary Criticism |
| ISBN | : 1139436600 |
Sarah Cole examines the rich literary and cultural history of masculine intimacy in the twentieth century. Cole approaches this complex and neglected topic from many perspectives - as a reflection of the exceptional social power wielded by the institutions that housed and structured male bonds; as a matter of closeted and thwarted homoerotics; as part of the story of the First World War. Cole shows that the terrain of masculine fellowship provides an important context for understanding key literary features of the modernist period. She foregrounds such crucial themes as the over-determined relations between imperial wanderers in Conrad's tales, the broken friendships that permeate Forster's fictions, Lawrence's desperate urge to make culture out of blood brotherhood and the intense bereavement of the war poet. Cole argues that these dramas of compelling and often tortured male friendship have helped to define a particular spirit and voice within the literary canon.
| Author | : Daniel Joseph Singal |
| Publisher | : UNC Press Books |
| Total Pages | : 472 |
| Release | : 2014-02-01 |
| Genre | : History |
| ISBN | : 1469616270 |
The years after World War I saw a different sort of war in the American South, as Modernism began to contest the "New South Creed" for the allegiance of Southern intellectuals. In The War Within, Daniel Joseph Singal examines the struggle between the characteristic culture of twentieth-century America and the South's tenacious blend of Victorianism and the Cavalier myth. He explores the lives and works of historians Ulrich B. Phillips and Broadus Mitchell; novelists Ellen Glasgow, William Faulkner, and Robert Penn Warren; publisher William T. Couch; sociologists Howard Odum, Rupert Vance, Guy Johnson, and Arthur Raper; and Agrarian poets John Crowe Ransom, Donald Davidson, and Allen Tate. The drama Singal unfolds is as much national as regional in its implications. His sophisticated and original analysis of the complex relationship between these southern writers and their heritage enables him to trace the transition to Modernism with unusual clarity and to address questions of major importance in American intellectual history: How did Modernism come into being? Does it display a fundamental, underlying pattern? What are its essential values, beliefs, and assumptions? Singal marshals archival and published sources and combines them with oral history interviews to trace this process of change on the levels of both formal thought and individual experience. He uses the interwar South as the locale for a pioneering examination of the momentous change that has affected all of Western culture.
| Author | : Nanette Norris |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 257 |
| Release | : 2015-12-16 |
| Genre | : History |
| ISBN | : 1611478049 |
New Modernist Studies, while reviving and revitalizing modernist studies through lively, scholarly debate about historicity, aesthetics, politics, and genres, is struggling with important questions concerning the delineation that makes discussion fruitful and possible. This volume aims to explore and clarify the position of the so-called ‘core’ of literary modernism in its seminal engagement with the Great War. In studying the years of the Great War, we find ourselves once more studying ‘the giants,’ about whom there is so much more to say, as well as adding hitherto marginalized writers – and a few visual artists – to the canon. The contention here is that these war years were seminal to the development of a distinguishable literary practice which is called ‘modernism,’ but perhaps could be further delineated as ‘Great War modernism,’ a practice whose aesthetic merits can be addressed through formal analysis. This collection of essays offers new insight into canonical British/American/European modernism of the Great War period using the critical tools of contemporary, expansionist modernist studies. By focusing on war, and on the experience of the soldier and of those dealing with issues of war and survival, these studies link the unique forms of expression found in modernism with the fragmented, violent, and traumatic experience of the time.
| Author | : Louis Mazzari |
| Publisher | : LSU Press |
| Total Pages | : 417 |
| Release | : 2006-12-01 |
| Genre | : History |
| ISBN | : 080713189X |
Louis Mazzari brings to the fore one of the most important figures of the southern regionalist movement in the New Deal era. His is the first biography of Arthur Raper, a progressive sociologist, writer, and public intellectual who advocated racial and social justice in the South when such views were not only unpopular but dangerous, effectively laying a foundation for the civil rights movement of the 1950s and 1960s.Raper was one of the first white southern scholars to speak out against lynching, sharecropping, and tenant farming in his pioneering and highly influential books The Tragedy of Lynching(1933), Preface to Peasantry (1936), Sharecroppers All (1941), and Tenants of the Almighty (1943). He also contributed significantly to Gunnar Myrdal's important study of U.S. race relations, An American Dilemma (1944). Mazzari carefully dissects Raper's works, casting them in a larger historical context and examining both the acclaim and anger they elicited in the South. He portrays Raper as a political and social radical fighting against southern racial and economic problems during the country's transition from an agrarian culture to a modern one, in an effort to keep the region from falling even further behind in an increasingly sophisticated world. Hostility toward his beliefs eventually led Raper to leave the South. He worked on the reconstruction of Japan after World War II and in Asia, Africa, and the Middle East at the height of the Cold War, promoting the same mix of federal planning and local control he had practiced in the New Deal South.In the life of Arthur Raper, Mazzari locates a larger story of liberalism in the white South. Raised on a North Carolina tobacco farm and educated at Chapel Hill under Howard Odum, Raper was remarkable for taking up issues of race and class to advocate modern views in a part of the world where adherence to the past was almost pathological -- and then going on to advance a liberal modernist version of Jeffersonian democracy throughout the Third World. He looked critically at the causes of racial violence and successfully conveyed scientific sociology into broad circulation through mass culture.
| Author | : Jordan J. Dominy |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 166 |
| Release | : 2020-01-27 |
| Genre | : Literary Criticism |
| ISBN | : 1496826426 |
During the Cold War, national discourse strove for unity through patriotism and political moderation to face a common enemy. Some authors and intellectuals supported that narrative by casting America’s complicated history with race and poverty as moral rather than merely political problems. Southern Literature, Cold War Culture, and the Making of Modern America examines southern literature and the culture within the United States from the period just before the Cold War through the civil rights movement to show how this literature won a significant place in Cold War culture and shaped the nation through the time of Hillbilly Elegy. Tackling cultural issues in the country through subtext and metaphor, the works of authors like William Faulkner, Lillian Smith, Robert Penn Warren, Eudora Welty, Ralph Ellison, Alice Walker, and Walker Percy redefined “South” as much more than a geographical identity within an empire. The “South” has become a racially coded sociopolitical and cultural identity associated with white populist conservatism that breaks geographical boundaries and, as it has in the past, continues to have a disproportionate influence on the nation’s future and values.
| Author | : Barbara Ladd |
| Publisher | : LSU Press |
| Total Pages | : 185 |
| Release | : 2012-01-02 |
| Genre | : Literary Criticism |
| ISBN | : 0807143693 |
In a major reinterpretation, Resisting History reveals that women, as subjects of writing and as writing subjects themselves, played a far more important role in shaping the landscape of modernism than has been previously acknowledged. Here Barbara Ladd offers powerful new readings of three southern writers who reimagined authorship between World War I and the mid-1950s. Ladd argues that the idea of a "new woman" -- released from some of the traditional constraints of family and community, more mobile, and participating in new contractual forms of relationality -- precipitated a highly productive authorial crisis of gender in William Faulkner. As "new women" themselves, Zora Neale Hurston and Eudora Welty explored the territory of the authorial sublime and claimed, for themselves and other women, new forms of cultural agency. Together, these writers expose a territory of female suffering and aspiration that has been largely ignored in literary histories. In opposition to the belief that women's lives, and dreams, are bound up in ideas of community and pre-contractual forms of relationality, Ladd demonstrates that all three writers -- Faulkner in As I Lay Dying, Welty in selected short stories and in The Golden Apples, and Hurston in Tell My Horse -- place women in territories where community is threatened or nonexistent and new opportunities for self-definition can be seized. And in A Fable, Faulkner undertakes a related project in his exploration of gender and history in an era of world war, focusing on men, mourning, and resistance and on the insurgences of the "masses" -- the feminized "others" of history -- in order to rethink authorship and resistance for a totalitarian age. Filled with insights and written with obvious passion for the subject, Resisting History challenges received ideas about history as a coherent narrative and about the development of U.S. modernism and points the way to new histories of literary and cultural modernisms in which the work of women shares center stage with the work of men.
| Author | : Greg Barnhisel |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2024-02-27 |
| Genre | : |
| ISBN | : 9780231216593 |
Cold War Modernists documents how the CIA, the State Department, and private cultural diplomats transformed modernist art and literature into pro-Western propaganda during the first decade of the Cold War.
