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| Author | : |
| Publisher | : Oxford University Press |
| Total Pages | : 308 |
| Release | : 2023-05-19 |
| Genre | : Repetition in literature |
| ISBN | : 0192870483 |
This book explores those moments of repetition, placing them in the early nineteenth century context from which they emerged, and teasing out through extended close attention to the poetry itself the complexities of repetition and recapitulation.
| Author | : Krystyna Mazur |
| Publisher | : Routledge |
| Total Pages | : 175 |
| Release | : 2006-06-02 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1135877750 |
The work of Walt Whitman, Wallace Stevens and John Ashbery is analysed in order to discern the patterns which may operate across a broad range of examples, as well as to consider the variety of ways repetition can structure a poetic text.
| Author | : Brian R Bates |
| Publisher | : Routledge |
| Total Pages | : 256 |
| Release | : 2015-10-06 |
| Genre | : Literary Criticism |
| ISBN | : 1317322266 |
Wordsworth’s process of revision, his organization of poetic volumes and his supplementary writings are often seen as distinct from his poetic composition. Bates asserts that an analysis of these supplementary writings and paratexts are necessary to a full understanding of Wordsworth’s poetry.
| Author | : Peter McDonald |
| Publisher | : Oxford University Press |
| Total Pages | : 367 |
| Release | : 2012-11-22 |
| Genre | : History |
| ISBN | : 0199661197 |
The rhymes in poems are important to understanding how poets write; and in the nineteenth century, rhyme conditioned the ways in which poets heard both themselves and each other writing. Sound Intentions studies the significance of rhyme in the work of Wordsworth, Keats, Tennyson, Christina Rossetti, Hopkins and other poets, including Coleridge, Byron, Elizabeth Barrett Browning, Swinburne, and Hardy. The book's stylistic reading of nineteenth-century poetry argues for Wordsworth's centrality to issues of intention and chance in poets' work, and offers a reading of the formal choices made in poetry as profoundly revealing points of intertextual relation. Sound Intentions includes detailed consideration of the critical meaning of both rhyme and repetition, bringing to bear an emphasis on form as poetry's crucial proving-ground. In a series of detailed readings of important poems, the book shows how close formal attention goes beyond critical formalism, and can become a way of illuminating poets' deepest preoccupations, doubts, and beliefs. Wordsworth's sounding of his own poetic voice, in blank verse as well as rhyme, is here taken as a model for the ways in which later nineteenth-century poets attend to the most perplexing and important voicings of their own poetic originality.
| Author | : William Wordsworth |
| Publisher | : |
| Total Pages | : 414 |
| Release | : 1859 |
| Genre | : English poetry |
| ISBN | : |
| Author | : Tom Jones |
| Publisher | : Edinburgh University Press |
| Total Pages | : 240 |
| Release | : 2012-07-04 |
| Genre | : Literary Criticism |
| ISBN | : 0748656200 |
In a series of 12 chapters, exemplary poems - by Walter Ralegh, John Milton,William Cowper, William Wordsworth, Gerard Manley Hopkins, Wallace Stevens, Ezra Pound, Frank O'Hara, Robert Creeley, W. S. Graham, Tom Raworth, Denise Riley and Thomas A. Clark -
| Author | : Robert Rehder |
| Publisher | : Routledge |
| Total Pages | : 230 |
| Release | : 2016-06-17 |
| Genre | : Literary Criticism |
| ISBN | : 1317208749 |
First published in 1981, this study sees Wordsworth’s work as part of the continuous European struggle to come to terms with consciousness. The author pays particular attention to Wordsworth’s style and investigates the unstated and unconscious assumptions of that style. He discusses the conflicting feelings that shaped Wordsworth’s changing conception of The Recluse, offers a new interpretation of his classification of his poems and examines the meaning of one of his favourite images — the panoramic view of a valley filled with mist. While the emphasis is on Wordsworth’s greatness as a poet, the book stresses the importance of significance of his relation to European literature and poetry.
| Author | : Marjorie Latta Barstow Greenbie |
| Publisher | : |
| Total Pages | : 220 |
| Release | : 1917 |
| Genre | : |
| ISBN | : |
| Author | : David Womersley |
| Publisher | : Associated University Presse |
| Total Pages | : 384 |
| Release | : 2008 |
| Genre | : Literary Collections |
| ISBN | : 9780874139907 |
"The essays range from Shakespeare and early modern literature to Wordsworth. They evince scrupulous care over the handling of evidence, an interdisciplinary impulse yoked always to a prizing of the literary (particularly the poetic), a willingness to embrace an ambitious argument where it can be supported, a humaneness of temper, particularly in polemic. Latent within them all is a wrestling with the central problem of text and context."--BOOK JACKET.
| Author | : William Wordsworth |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 504 |
| Release | : 2016-04-04 |
| Genre | : Poetry |
| ISBN | : 0393616924 |
The most accessible edition of Wordsworth’s poetry and prose, prepared to meet the needs of both students and scholars. This Norton Critical Edition presents a generous selection of William Wordworth’s poetry (including the thirteen-book Prelude of 1805) and prose works along with supporting materials for in-depth study. Together, the Norton Critical Editions of Wordsworth’s Poetry and Prose and The Prelude: 1799, 1805, 1850 are the essential texts for studying this author. Wordsworth’s Poetry and Prose includes a large selection of texts chronologically arranged, thereby allowing readers to trace the author’s evolving interests and ideas. An insightful general introduction and textual introduction precede the texts, each of which is fully annotated. Illustrative materials include maps, manuscript pages, and title pages. “Criticism” collects thirty responses to Wordsworth’s poetry and prose spanning three centuries by British and American authors. Contributors include Samuel Taylor Coleridge, Percy Bysshe Shelley, Felicia Hemans, Ralph Waldo Emerson, Lucy Newlyn, Stephen Gill, Neil Fraistat, Mary Jacobus, Nicholas Roe, M. H. Abrams, Karen Swann, Michael O’Neill, and Geoffrey Hartman, among others. The volume also includes a Chronology, a Biographical Register, a Selected Bibliography, and an Index of Titles and First Lines of Poems.
