Words Space And The Audience
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Author | : M. Bennett |
Publisher | : Springer |
Total Pages | : 217 |
Release | : 2012-07-16 |
Genre | : Performing Arts |
ISBN | : 1137052597 |
In this unique study, Michael Y. Bennett re-reads four influential modern plays alongside their contemporary debates between rationalism and empiricism to show how these monumental achievements were thoroughly a product of their time, but also universal in their epistemological quest to understand the world through a rational and/or empirical model. Bennett contends that these plays directly engage in their contemporary epistemological debates rather than through the lens of a specific philosophy. Besides producing new, insightful readings of heavily-studied plays, the interdisciplinary (historical, philosophical, dramatic, theatrical, and literary) frame Bennett constructs allows him to investigate one of the most fundamental questions of the theatre - how does meaning get made? Bennett suggests that the key to unlocking theatrical meaning is exploring the tension between empirical and rational modes of understanding. The book concludes with an interview with performance artist Coco Fusco.
Author | : Peter Brook |
Publisher | : Simon and Schuster |
Total Pages | : 144 |
Release | : 1996 |
Genre | : Literary Criticism |
ISBN | : 0684829576 |
Discusses four types of theatrical landscapes; the deadly theatre, the holy theatre, the rough theatre, and the immediate theatre.
Author | : Great Britain. Parliament. House of Commons |
Publisher | : |
Total Pages | : 1204 |
Release | : 1916 |
Genre | : Great Britain |
ISBN | : |
Author | : United States. Public Health Service |
Publisher | : |
Total Pages | : 808 |
Release | : 1915 |
Genre | : Public health |
ISBN | : |
Author | : Jennifer Miller Hoyer |
Publisher | : Boydell & Brewer |
Total Pages | : 213 |
Release | : 2014 |
Genre | : History |
ISBN | : 1571135510 |
Nelly Sachs (1891-1970) has long been regarded as one of the most significant Holocaust poets. Her conception of language and words as a landscape has been understood by scholars and critics as an exilic ersatz Heimat for the lost German homeland of a displaced poet. This reading, however, is based entirely on her postwar poems. Such an isolated approach to her complex body of work is increasingly historically problematic; it is also at odds with Sachs's generally cyclical poetic process. In "The Space of Words," Jennifer Hoyer offers the first sustained critical analysis of Sachs's largely unanalyzed prewar poetry and prose, as well as the first analysis that examines structural and thematic ties between the prewar works and the Nobel Prize-winning postwar poetry. Through close readings of both Sachs's prewar and postwar works, Hoyer reveals a diasporic rather than exilic conception of the landscape of language, a position of constant wandering rather than static longing for return. This diasporic poetics promotes the intellectual and linguistic power of the wanderer and opens new insights into Sachs's essential significance as a Holocaust poet and a twentieth-century German-Jewish writer wary of the link of literary language to geopolitics and the narrative of nations. Jennifer M. Hoyer is Assistant Professor of German at the University of Arkansas.
Author | : Richard Wittman |
Publisher | : Routledge |
Total Pages | : 320 |
Release | : 2007 |
Genre | : Architecture |
ISBN | : 0429565917 |
This book focuses on the complex ways in which architectural practice, theory, patronage, and experience became modern with the rise of a mass public and a reconfigured public sphere between the end of the seventeenth century and the French Revolution. Presenting a fresh theoretical orientation and a large body of new primary research, this book offers a new cultural history of virtually all the major monuments of eighteenth-century Parisian architecture, with detailed analyses of the public debates that erupted around such Parisian monuments as the east facade of the Louvre, the Place Louis XV [the Place de la Concorde], and the church of Sainte-Genevieve [the Pantheon]. Depicting the passage of architecture into a mediatized public culture as a turning point, and interrogating it as a symptom of the distinctly modern configuration of individual, society, and space that emerged during this period, this study will interest readers well beyond the discipline of architectural history.
Author | : Andrew Smith |
Publisher | : Routledge |
Total Pages | : 221 |
Release | : 2015-11-19 |
Genre | : Business & Economics |
ISBN | : 1317656350 |
Cities are staging more events than ever. Within this macro-trend, there is another less acknowledged trend: more events are being staged in public spaces. Some events have always been staged in parks, streets and squares, but in recent years events have been taken out of traditional venues and staged in prominent urban spaces. This is favoured by organisers seeking more memorable and more spectacular events, but also by authorities who want to animate urban space and make it more visible. This book explains these trends and outlines the implications for public spaces. Events play a positive role in our cities, but turning public spaces into venues is often controversial. Events can denigrate as well as animate city space; they are part of the commercialisation, privatisation and securitisation of public space noted by commentators in recent years. The book focuses on examples from London in particular, but it also covers a range of other cities from the developed world. Events at different scales are addressed and, there is dedicated coverage of sports events and cultural events. This topical and timely volume provides valuable material for higher level students, researchers and academics from events studies, urban studies and development studies.
Author | : |
Publisher | : |
Total Pages | : 1266 |
Release | : 1920 |
Genre | : Advertising |
ISBN | : |
Author | : Peter B. Howarth |
Publisher | : Oxford University Press |
Total Pages | : 385 |
Release | : 2024-09-19 |
Genre | : Literary Criticism |
ISBN | : 0192650920 |
Live performance has changed poetry more than anything else in the last hundred years: it has given poets new audiences and a new economy, and it has generated new styles, from Imagism, to confessional, to contemporary Spoken Word. But the creative impact that public reading had right through the twentieth century has not been well understood. Mixing close listening to archive performances with intimate histories of modernist venues and promotors, The Poetry Circuit tells the story of how poets met their audience again, and how the feedback loops between their voices, the venues, and the occasions turned poems into running dramas between poet and listener. A nervous T. S. Eliot reveals himself to be anything but impersonal, while Marianne Moore's accident-prone readings become subtle ways of keeping her poems in constant re-draft. Robert Frost used his poems to spar with his fans and rivals, while Langston Hughes wrote Ask Your Mama to expose the prejudice circulating in the room as he spoke it. The Poetry Circuit also shows how the post-war reading boom made new kinds of poetry involving their audience and setting in the performance, such as John Ashbery's anti-charismatic Poets' Theatre, Amiri Baraka's documentary soundtracks of the streets, or the confessional readings of Allen Ginsberg, which shame the listeners more than the poet. Covering the first seventy years of the poetry reading, The Poetry Circuit demonstrates that there never were 'page' and 'stage' poets: the reading simply changed what every modern poet could do.
Author | : Kevin Hetherington |
Publisher | : Psychology Press |
Total Pages | : 182 |
Release | : 1997 |
Genre | : Architecture |
ISBN | : 9780415114691 |
The Badlands of Modernity offers a wide ranging and original interpretation of modernity as it emerged during the eighteenth century through an analysis of some of the most important social spaces. Drawing on Foucault's analysis of heterotopia, or spaces of alternate ordering, the book argues that modernity originates through an interplay between ideas of utopia and heterotopia and heterotopic spatial practice. The Palais Royal during the French Revolution, the masonic lodge and in its relationship to civil society and the public sphere and the early factories of the Industrial Revolution are all seen as heterotopia in which modern social ordering is developed. Rather than seeing modernity as being defined by a social order, the book argues that we need to take account of the processes and the ambiguous spaces in which they emerge, if we are to understand the character of modern societies. The book uses these historical examples to analyse contemporary questions about modernity and postmodernity, the character of social order and the significance of marginal space in relation to issues of order, transgression and resistance. It will be important reading for sociologists, geographers and social historians as well as anyone who has an interest in modern societies.