Wooing Wedding And Power
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Author | : Virginia Mason Vaughan |
Publisher | : Cambridge University Press |
Total Pages | : 262 |
Release | : 1996-12-05 |
Genre | : Drama |
ISBN | : 9780521587082 |
Shakespeare's Othello has exercised a powerful fascination over audiences for centuries with its portrayal of destructive jealousy. This study is a major exercise in the historicisation of Othello in which the author examines contemporary writings and demonstrates how they were embedded in the text of Othello: discourse about conflict between Turk and Venetian treatises on the professionalisation of England's military forces, representations of Africans and blackamoors, and narratives depicting jealous husbands. The second section traces Othello's history in England and the United States from the Restoration to the late 1980s, using illustrations where appropriate. Each chapter highlights a specific historical period, actor or production to demonstrate how and why elements from Shakespeare's text were emphasised or repressed. Othello is revealed as a significant shaper of cultural meaning.
Author | : Irene G. Dash |
Publisher | : New York : Columbia University Press |
Total Pages | : 295 |
Release | : 1981-01-01 |
Genre | : Feminism and literature |
ISBN | : 9780231052382 |
Author | : David M. Bergeron |
Publisher | : |
Total Pages | : 256 |
Release | : 1995 |
Genre | : Reference |
ISBN | : |
Confronted with the formidable and at times daunting mass of materials on Shakespeare, where does the beginning student - or even a seasoned one - turn for guidance? Answering that question remains the central aim of this guide.
Author | : Michael J. Collins |
Publisher | : University of Delaware Press |
Total Pages | : 268 |
Release | : 1997 |
Genre | : Drama |
ISBN | : 9780874135824 |
"This collection of essays on Shakespeare's early comedies has been designed to suggest how five four-hundred-year-old plays have been and might continue to be, in the words of Jonathan Miller, "assimilated to the interests of the present" to the men and women who encounter them, as texts or performances, in the last years of the twentieth century."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author | : Ann Jennalie Cook |
Publisher | : Princeton University Press |
Total Pages | : 283 |
Release | : 2014-07-14 |
Genre | : Literary Criticism |
ISBN | : 1400861756 |
Making a Match examines the various options posed at every stage of English wooing, together with the presentation of these protocols in the plays of Shakespeare. Across the canon, wooing may command either a casual reference or a central position in the action, but no play escapes a connection of some kind. Instead of taking a fixed position on an institution intended to stabilize the commonwealth, Shakespeare constantly shifts position, in a kaleidoscope of caricature, criticism, acceptance, subversion, or indifference. For general readers and specialists alike, this work supplies a rich understanding of the codes so familiar to the playwright and his audience--an understanding essential for an appreciation of the subtleties of his art. Delving into primary sources, social history, demography, and literary criticism, the author offers the widest possible range of both Renaissance and modern views on the most crucial experience of Elizabethan culture. Besides correcting or illuminating the interpretations of Shakespeareans, this book offers valuable material for any area of research on the English Renaissance that touches on courtship. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author | : William Shakespeare |
Publisher | : Broadview Press |
Total Pages | : 362 |
Release | : 2017-10-04 |
Genre | : Drama |
ISBN | : 1554813263 |
Although other Shakespeare plays offer higher body counts, more gore, and more plentiful scenes of heartbreak, Othello packs an unusually powerful affective punch, stunning us with its depiction of the swiftness and thoroughness with which love can be converted to hatred, and forcing us to confront our complicity with social and political institutions that can put all of us—but especially the most vulnerable among us—at risk. This edition features a variety of interleaved materials—from maps and manuscripts to illustrations and extended discussions of myth and politics—that provide a context for the social and cultural allusions in the play. Appendices offer excerpts from Shakespeare’s key sources and historical materials on marriage, jealousy, and the treatment of people of African descent in Renaissance England. A collaboration between Broadview Press and the Internet Shakespeare Editions project at the University of Victoria, the editions developed for this series have been comprehensively annotated and draw on the authoritative texts newly edited for the ISE. This innovative series allows readers to access extensive and reliable online resources linked to the print edition.
Author | : David C. Greetham |
Publisher | : University of Michigan Press |
Total Pages | : 392 |
Release | : 1997 |
Genre | : History |
ISBN | : 9780472106677 |
These essays challenge the positivist, patriarchal assumptions of earlier approaches to textual criticism.
Author | : Valerie Traub |
Publisher | : Routledge |
Total Pages | : 195 |
Release | : 2015-08-11 |
Genre | : Literary Criticism |
ISBN | : 1317619749 |
In both feminist theory and Shakespearean criticism, questions of sexuality have consistently been conflated with questions of gender. First published in 1992, this book details the intersections and contradictions between sexuality and gender in the early modern period. Valerie Traub argues that desire and anxiety together constitute the erotic in Shakespearean drama – circulating throughout the dramatic texts, traversing ‘masculine’ and ‘feminine’ sites, eliciting and expressing heterosexual and homoerotic fantasies, embodiments, and fears. This is the first book to present a non-normalizing account of the unconscious and the institutional prerogatives that comprise the erotics of Shakespearean drama. Employing feminist, psychoanalytic, and new historical methods, and using each to interrogate the other, the book synthesises the psychic and the social, the individual and the institutional.
Author | : Felicia Hardison Londré |
Publisher | : Psychology Press |
Total Pages | : 498 |
Release | : 1997 |
Genre | : Drama |
ISBN | : 9780815309840 |
This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.
Author | : Theresa D. Kemp |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 429 |
Release | : 2009-12-14 |
Genre | : Literary Criticism |
ISBN | : |
This book offers a look at the lives of Elizabethan era women in the context of the great female characters in the works of William Shakespeare. Like the other entries in this fascinating series, Women in the Age of Shakespeare shows the influence of the world William Shakespeare lived in on the worlds he created for the stage, this time by focusing on women in the Elizabethan and Jacobean eras in general and in Shakespeare's works in particular. Women in the Age of Shakespeare explores the ancient and medieval ideas that Shakespeare drew upon in creating his great comedic and tragic heroines. It then looks at how these ideas intersected with the lived experiences of women of Shakespeare's time, followed by a close look at the major female characters in Shakespeare's plays and poems. Later chapters consider how these characters have been enacted on stage and in film, interpreted by critics and scholars, and re-imagined by writers in our own time.