Woodwind Anthology
Download Woodwind Anthology full books in PDF, epub, and Kindle. Read online free Woodwind Anthology ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Kelly Mollnow Wilson |
Publisher | : |
Total Pages | : 189 |
Release | : 2014-09-13 |
Genre | : Woodwind instruments |
ISBN | : 9781935510710 |
Teaching Woodwinds: A Guide for Students and Teachers is a comprehensive resource perfectly suited for university woodwind technique classes, band directors needing woodwind details, or anyone looking for in-depth information on how to play flute, oboe, clarinet, bassoon, or saxophone. Teaching Woodwinds is the only resource of its kind: a book and a website. The book contains playing exercises for each instrument, group exercises in score form, and fingering and trill charts. The website contains information about how to play each instrument including sub-chapters on getting started, technique, intonation, tone and much more, and offers over 300 full color images, 130 videos, audio files, PDF downloads, PowerPoint/Keynote quizzes, and hundreds of links. Designed to be a lifelong resource, the platform of a book and website has provided the authors with a rich palette with which to deliver the content with clarity and precision. This format serves as an effective woodwind methods curriculum, and will continue to be a valuable resource for music educators long after graduation.
Author | : Harold Gene Griswold |
Publisher | : Routledge |
Total Pages | : 436 |
Release | : 2015-07-14 |
Genre | : Music |
ISBN | : 1317343697 |
For one semester/quarter courses in woodwind methods. Teaching Woodwinds has draws on the authors thirty-five years of experience teaching woodwinds to students. Organized by specific teach topics from the fundamentals of hand and finger position to articulation and intonation. Drawing on a classic set of teacher/student duets, the included twenty-five class lessons enable students to learn by doing and by listening as they play duets with the instructor.
Author | : Susan J. Maclagan |
Publisher | : Rowman & Littlefield |
Total Pages | : 435 |
Release | : 2019-05-15 |
Genre | : Music |
ISBN | : 1538106663 |
The second edition of Susan J. Maclagan’s A Dictionary for the Modern Flutist presents clear and concise definitions of more than 1,600 common flute-related terms that a player of the Boehm-system or Baroque flute may encounter. Fully illustrated with more than 150 images, the entries describe flute types, flute parts; playing techniques; acoustics; articulations; intonation; common ornaments; flute-making and repairs; flute history; flute music books, and many more topics. Unique to the second edition are entries on beatbox techniques and muscles of the face and throat. Entries now also feature bibliographic cross-references for further research. Carefully labeled illustrations for many flute types, parts, mechanisms, and accessories help make definitions easier to visualize. Appendixes provide further information on such subjects as flute classifications, types of flutes and their parts, key and tone hole names, head joint options, orchestra and opera audition excerpts, and biographies of people mentioned in the definitions. Contributed articles include “An Easy Guide to Checking Your Flute Tuning and Scale” by Trevor Wye; “Flute Clutches” by David Shorey; "Early Music on Modern Flute” by Barthold Kuijken; and “Crowns and Stoppers” and “Boehm Flute Scales from 1847 to the Present:The Short Story” by Gary Lewis. Maclagan’s A Dictionary for the Modern Flutist, second edition is an essential reference volume for flutists of all levels and for libraries supporting student, professional, and amateur musicians.
Author | : Carol June Bradley |
Publisher | : Routledge |
Total Pages | : 442 |
Release | : 2013-09-13 |
Genre | : Music |
ISBN | : 1135476470 |
The literature of American music librarianship has been around since the 19th century when public libraries began to keep records of player-piano concerts, significant donations of books and music, and suggestions for housing music. As the 20th century began, American periodicals printed more and more articles on increasingly specialized topics within music studies. Eventually books were developed to aid the music librarian; their publication has continued over the course of nearly a century. This book reflects the great diversity of the literature of music librarianship. The main resources included are items of historical interest, descriptions of individual collections, catalogues of collections, articles describing specific library functions, record-related subjects, bibliographies designed for music library use, literature from Canada and Britain when relevant to U.S. library practices, key discographies, and information on specialized music research. The material is ordered by topic and indexed by author, subject, and library name.
Author | : Murray Steib |
Publisher | : Routledge |
Total Pages | : 2624 |
Release | : 2013-12-02 |
Genre | : Music |
ISBN | : 1135942692 |
The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).
Author | : Carleton Sprague Smith |
Publisher | : Pendragon Press |
Total Pages | : 484 |
Release | : |
Genre | : |
ISBN | : 9780945193135 |
Author | : Friedrich K. Pfatschbacher |
Publisher | : tredition |
Total Pages | : 128 |
Release | : 2017-12-05 |
Genre | : Science |
ISBN | : 3743974142 |
I am very pleased to present a new edition of this book first published in 2005. I have taken the opportunity to include various suggestions and developments in the last ten years. Many new clarinet choirs have been established around the world during this time both in the cultural sector and as training ensembles. This last fact should not however detract from the fact that the clarinet choir as a medium is generally becoming more popular and is emerging as a permanent feature of the concert life in many countries. In the course of giving concerts at home and abroad with my own ensemble, the Austrian Clarinet Choir, I have had the opportunity of getting to know many new arrangements and original works, gaining new inspiration and learning to appreciate the rich possibilities the Clarinet Choir offers. These days, its tonal palette is not only evident to us connoisseurs. In recent times, the public has started to appreciate the scoring of this unique ensemble ranging from the now well-known E flat clarinet down to the Contrabass Clarinet. While I have seen increased interest in the genre in the course of delivering lectures on the subject in Europe, the USA, Latin- and South America, South Africa... it has become apparent that there is hardly any literature on the subject, so it was obviously important to me to have the book translated into English and Spanish and to include as much new information and additional research as I could.
Author | : |
Publisher | : |
Total Pages | : 394 |
Release | : 2005 |
Genre | : Flute |
ISBN | : |
Author | : Richard J. Colwell |
Publisher | : Taylor & Francis |
Total Pages | : 880 |
Release | : 2024-11-14 |
Genre | : Education |
ISBN | : 1040153534 |
The Teaching of Instrumental Music, Sixth Edition, introduces music education majors to basic instrumental pedagogy for the instruments and ensembles commonly found in the elementary and secondary curricula. It focuses on the core competencies required for teacher certification in instrumental music, with the pervasive philosophy to assist teachers as they develop an instrumental music program based on understanding and respecting all types of music. Parts I and II focus on essential issues for a successful instrumental program, presenting first the history and foundations, followed by effective strategies in administrative tasks and classroom teaching. Parts III, IV, and V are devoted to the skills and techniques of woodwind, brass and percussion, and string instruments. In all, The Teaching of Instrumental Music is the complete reference for the beginning instrumental teacher, commonly retained in a student’s professional library for its unique and comprehensive coverage. This Sixth Edition includes: Streamlined language and improved layout throughout, making this edition more concise and accessible to students. Updated content throughout, including insights from current research for curriculum development, coverage of current law and policy changes that impact the classroom, contemporary motivational strategies, and more information on the history of African-American and all-female music ensembles. Updated references, photos, lists of artists, and online resources.
Author | : NINGHUI XIONG |
Publisher | : Fundación Internacional artecittà |
Total Pages | : 386 |
Release | : 2023-04-10 |
Genre | : Design |
ISBN | : 8494866583 |
This is a collection of paintings compiled by Ninghui Xiong himself, chronicling his creation of painting music project for over two decades. It includes his paintings, research papers, creative tools, process records, and applications. The book consists of three chapters, “Driven by Music”, “Dialogue with Music”, and “Painting, Music and Poetry”. They illustrate the artist’s understanding of music, his ways of expression in a visual art process and the role of synaesthesia in art creation. This collection is also a reflection of the artist’s colorful inner world. For readers, it can be viewed from different perspectives: art appreciation, education, or research study. Ninghui XIONG, artist of painting and installation, board member of China Society for Music Iconology,visiting lecturer of Politecnico Milano School of Design. He is currently the Fundación InternacionalArtecittà China delegate, Journey Through The Senses (JTTS) Chinese co-liaison,a collaborator of the Group HUM1014 SYNCREART in Universidad de Granada, and a tutor of “Art Synaesthesia Course” in Hangzhou Normal University