Womens Writing In The British Atlantic World
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| Author | : Kate Chedgzoy |
| Publisher | : Cambridge University Press |
| Total Pages | : 280 |
| Release | : 2007-10-11 |
| Genre | : Literary Criticism |
| ISBN | : 9780521880985 |
In this 2007 book, Kate Chedgzoy explores the ways in which women writers of the early modern British Atlantic world imagined, visited, created and haunted textual sites of memory. Asking how women's writing from all parts of the British Isles and Britain's Atlantic colonies employed the resources of memory to make sense of the changes that were refashioning that world, the book suggests that memory is itself the textual site where the domestic echoes of national crisis can most insistently be heard. Offering readings of the work of poets who contributed to the oral traditions of Wales, Scotland and Ireland, and analysing poetry, fiction and life-writings by well-known and less familiar writers such as Hester Pulter, Lucy Hutchinson and Aphra Behn, this book explores how women's writing of memory gave expression to the everyday, intimate consequences of the major geopolitical changes that took place in the British Atlantic world in the seventeenth century.
| Author | : Kate Chedgzoy |
| Publisher | : Cambridge University Press |
| Total Pages | : 0 |
| Release | : 2012-07-26 |
| Genre | : Literary Criticism |
| ISBN | : 9781107405912 |
In this 2007 book, Kate Chedgzoy explores the ways in which women writers of the early modern British Atlantic world imagined, visited, created and haunted textual sites of memory. Asking how women's writing from all parts of the British Isles and Britain's Atlantic colonies employed the resources of memory to make sense of the changes that were refashioning that world, the book suggests that memory is itself the textual site where the domestic echoes of national crisis can most insistently be heard. Offering readings of the work of poets who contributed to the oral traditions of Wales, Scotland and Ireland, and analysing poetry, fiction and life-writings by well-known and less familiar writers such as Hester Pulter, Lucy Hutchinson and Aphra Behn, this book explores how women's writing of memory gave expression to the everyday, intimate consequences of the major geopolitical changes that took place in the British Atlantic world in the seventeenth century.
| Author | : Elizabeth Bouldin |
| Publisher | : Cambridge University Press |
| Total Pages | : 221 |
| Release | : 2015-11-12 |
| Genre | : Religion |
| ISBN | : 1316432327 |
This book examines the stories of radical Protestant women who prophesied between the British Civil Wars and the Great Awakening. It explores how women prophets shaped religious and civic communities in the British Atlantic world by invoking claims of chosenness. Elizabeth Bouldin interweaves detailed individual studies with analysis that summarizes trends and patterns among women prophets from a variety of backgrounds throughout the British Isles, colonial North America, and continental Europe. Highlighting the ecumenical goals of many early modern dissenters, Women Prophets and Radical Protestantism in the British Atlantic World, 1640–1730 places female prophecy in the context of major political, cultural, and religious transformations of the period. These include transatlantic migration, debates over toleration, the formation of Atlantic religious networks, and the rise of the public sphere. This wide-ranging volume will appeal to all those interested in European and British Atlantic history and the history of women and religion.
| Author | : M. Suzuki |
| Publisher | : Springer |
| Total Pages | : 356 |
| Release | : 2011-01-19 |
| Genre | : Literary Criticism |
| ISBN | : 0230305504 |
During the seventeenth century, in response to political and social upheavals such as the English Civil Wars, women produced writings in both manuscript and print. This volume represents recent scholarship that has uncovered new texts as well as introduced new paradigms to further our understanding of women's literary history during this period.
| Author | : Mariana P. Candido |
| Publisher | : Western Africa |
| Total Pages | : 290 |
| Release | : 2019 |
| Genre | : History |
| ISBN | : 9781847012159 |
FOR SALE IN AFRICA ONLY An innovative and valuable resource for understanding women's roles in changing societies, this book brings together the history of Africa, the Atlantic and gender before the 20th century. It explores trade, slavery and migration in the context of the Euro-African encounter.
| Author | : Zara Anishanslin |
| Publisher | : Yale University Press |
| Total Pages | : 432 |
| Release | : 2016-09-20 |
| Genre | : History |
| ISBN | : 0300220553 |
Through the story of a portrait of a woman in a silk dress, historian Zara Anishanslin embarks on a fascinating journey, exploring and refining debates about the cultural history of the eighteenth-century British Atlantic world. While most scholarship on commodities focuses either on labor and production or on consumption and use, Anishanslin unifies both, examining the worlds of four identifiable people who produced, wore, and represented this object: a London weaver, one of early modern Britain’s few women silk designers, a Philadelphia merchant’s wife, and a New England painter. Blending macro and micro history with nuanced gender analysis, Anishanslin shows how making, buying, and using goods in the British Atlantic created an object-based community that tied its inhabitants together, while also allowing for different views of the Empire. Investigating a range of subjects including self-fashioning, identity, natural history, politics, and trade, Anishanslin makes major contributions both to the study of material culture and to our ongoing conversation about how to write history.
| Author | : Elizabeth Scott-Baumann |
| Publisher | : Oxford University Press |
| Total Pages | : 897 |
| Release | : 2023-01-14 |
| Genre | : History |
| ISBN | : 0198860633 |
The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 brings together new work by scholars across the globe, from some of the founding figures in early modern women's writing to those early in their careers and defining the field now. It investigates how and where women gained access to education, how they developed their literary voice through varied genres including poetry, drama, and letters, and how women cultivated domestic and technical forms of knowledge from recipes and needlework to medicines and secret codes. Chapters investigate the ways in which women's writing was an integral part of the intellectual culture of the period, engaging with male writers and traditions, while also revealing the ways in which women's lives and writings were often distinctly different, from women prophetesses to queens, widows, and servants. It explores the intersections of women writing in English with those writing in French, Spanish, Latin, and Greek, in Europe and in New England, and argues for an archipelagic understanding of women's writing in Scotland, Wales, Ireland, and England. Finally, it reflects on--and challenges--the methodologies which have developed in, and with, the field: book and manuscript history, editing, digital analysis, premodern critical race studies, network theory, queer theory, and feminist theory. The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 captures the most innovative work on early modern women's writing in English at present.
| Author | : Katharine Gillespie |
| Publisher | : Cambridge University Press |
| Total Pages | : 367 |
| Release | : 2017-04-07 |
| Genre | : Literary Criticism |
| ISBN | : 1107149126 |
The first book-length study of the contributions that women writers made to the social, cultural and philosophical milieux of seventeenth-century English republicanism. Drawing on the works of six women writers of the period, the book examines their writings and explores the key themes and concepts that they build upon.
| Author | : Jennie Batchelor |
| Publisher | : Springer |
| Total Pages | : 271 |
| Release | : 2016-12-19 |
| Genre | : Social Science |
| ISBN | : 1137543825 |
This book is about mapping the future of eighteenth-century women’s writing and feminist literary history, in an academic culture that is not shy of declaring their obsolescence. It asks: what can or should unite us as scholars devoted to the recovery and study of women’s literary history in an era of big data, on the one hand, and ever more narrowly defined specialization, on the other? Leading scholars from the UK and US answer this question in thought-provoking, cross-disciplinary and often polemical essays. Contributors attend to the achievements of eighteenth-century women writers and the scholars who have devoted their lives to them, and map new directions for the advancement of research in the area. They collectively argue that eighteenth-century women’s literary history has a future, and that feminism was, and always should be, at its heart. Featuring a Preface by Isobel Grundy, and a Postscript by Cora Kaplan.
| Author | : Karen Schneider |
| Publisher | : University Press of Kentucky |
| Total Pages | : 244 |
| Release | : 1997-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 9780813170688 |
Loving Arms examines the war-related writings of five British women whose words explore the connections among gender, war, and story-telling. While not the first study to relate the subjects of gender and war, it is the first within a growing body of criticism to focus specifically on British culture during and after World War II. How a story is narrated and by whom are matters of no small importance. As widely defined and accepted, war stories are men's stories. If we are to hear another story of war, then we must listen to the stories women tell. Many of the war stories written by women insist that war is not the condition of men but rather the condition of humanity, beginning with relations between the sexes. For the five women whose work is examined in Loving Arms - Stevie Smith, Katharine Burdekin, Virginia Woolf, Elizabeth Bowen, and Doris Lessing - this last point was particularly relevant. Their positions as women within a patriarchal, militarist culture that was externally threatened by an overtly fascist one led to an acute ambivalence, says Schneider. Though all five women perceived the war from substantially different perspectives, each in her own way exposed and critiqued the seductive power of war and war stories, with their densely interwoven tropes of masculinity and nationalism. Yet these writers' conflicting impulses of loyalty to England and resistance to the war betray their ambivalence.
