Womens Theatre Writing In Victorian Britain
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Author | : K. Newey |
Publisher | : Springer |
Total Pages | : 280 |
Release | : 2005-11-01 |
Genre | : Performing Arts |
ISBN | : 0230554903 |
Women's Theatre Writing in Victorian Britain is the first book to make a comprehensive study of women playwrights in the British theatre from 1820 to 1918. It looks at how women playwrights negotiated their personal and professional identities as writers, and examines the female tradition of playwriting which dramatises the central experience of women's lives around the themes of home, the nation, and the position of women in marriage and the family. The book also includes an extensive Appendix of authors and plays, which will be a useful reference tool for students and scholars in nineteenth-century studies and theatre historians.
Author | : Linda H. Peterson |
Publisher | : Cambridge University Press |
Total Pages | : 323 |
Release | : 2015-10-15 |
Genre | : Language Arts & Disciplines |
ISBN | : 1107064848 |
Innovative and comprehensive coverage of women writers' careers and literary achievements spanning many literary genres during the Victorian period.
Author | : Lucy Hartley |
Publisher | : Springer |
Total Pages | : 371 |
Release | : 2018-09-22 |
Genre | : Literary Criticism |
ISBN | : 1137584653 |
This volume charts the rise of professional women writers across diverse fields of intellectual enquiry and through different modes of writing in the period immediately before and during the reign of Queen Victoria. It demonstrates how, between 1830 and 1880, the woman writer became an agent of cultural formation and contestation, appealing to and enabling the growth of female readership while issuing a challenge to the authority of male writers and critics. Of especial importance were changing definitions of marriage, family and nation, of class, and of morality as well as new conceptions of sexuality and gender, and of sympathy and sensation. The result is a richly textured account of a radical and complex process of feminization whereby formal innovations in the different modes of writing by women became central to the aesthetic, social, and political formation of British culture and society in the nineteenth century.
Author | : Lesa Scholl |
Publisher | : Springer Nature |
Total Pages | : 1753 |
Release | : 2022-12-15 |
Genre | : Literary Criticism |
ISBN | : 3030783189 |
Since the late twentieth century, there has been a strategic campaign to recover the impact of Victorian women writers in the field of English literature. However, with the increased understanding of the importance of interdisciplinarity in the twenty-first century, there is a need to extend this campaign beyond literary studies in order to recognise the role of women writers across the nineteenth century, a time that was intrinsically interdisciplinary in approach to scholarly writing and public intellectual engagement.
Author | : Kerry Powell |
Publisher | : Cambridge University Press |
Total Pages | : 218 |
Release | : 1997-12-11 |
Genre | : Biography & Autobiography |
ISBN | : 0521471672 |
This important book chronicles the growing role of women playwrights, managers and actresses in the Victorian theatre.
Author | : Anna Farkas |
Publisher | : Routledge |
Total Pages | : 136 |
Release | : 2019-05-13 |
Genre | : Drama |
ISBN | : 1315405121 |
The influence of the women’s movement has long been a scholarly priority in the study of British women’s drama of the late nineteenth and early twentieth centuries, but previous scholarship has largely clustered around two events: the New Woman in the 1890s and the suffrage campaign in the years before the First World War. Women’s Playwriting and the Women’s Movement, 1890–1918 is the first designated study of British women’s drama from a period of exceptional productivity and innovation for female playwrights. Both the British theatre and women’s position within British society underwent fundamental changes in this period, and this book shows how female dramatists carefully negotiated their position in the heated debates about women’s rights that occurred at this time, while staking out a place for themselves in an evolving theatrical landscape. Farkas also identifies the women’s movement as a key influence on the development of female-authored drama between 1890 and 1918, but argues that scholarly prioritizing of the "radicalism" of work associated with the New Woman and the suffrage campaign has had a distorting effect in the past. Ideal for scholars of British and Victorian theatre, Women’s Playwriting and the Women’s Movement, 1890–1918 offers a new perspective which emphasizes the complexity of women playwrights’ engagement with first-wave feminism and links it to the diversification of the British theatre in this period.
Author | : Tracy C. Davis |
Publisher | : Cambridge University Press |
Total Pages | : 324 |
Release | : 1999-05-27 |
Genre | : Drama |
ISBN | : 9780521659826 |
This collection of essays recovers the names and careers of nineteenth-century women playwrights.
Author | : R. Pearson |
Publisher | : Springer |
Total Pages | : 235 |
Release | : 2015-06-23 |
Genre | : Fiction |
ISBN | : 1137504684 |
This book examines the dramatic work of Dickens, Browning, Collins, and Tennyson, their interaction with the theatrical world, and their attempts to develop their reputations as playwrights. These major Victorian writers each authored several professional plays, but why has their achievement been overlooked?
Author | : Beth Palmer |
Publisher | : OUP Oxford |
Total Pages | : 224 |
Release | : 2011-02-17 |
Genre | : Literary Criticism |
ISBN | : 0191616648 |
This book considers the ways in which women writers used the powerful positions of author and editor to perform conventions of gender and genre in the Victorian period. It examines Mary Elizabeth Braddon, Ellen Wood, and Florence Marryat's magazines (Belgravia, Argosy, and London Society respectively) alongside their sensation fiction to explore the mutually influential strategies of authorship and editorship. The relationship between sensation's success as a popular fiction genre and its serialisation in the periodical press was not just reciprocal but also self-conscious and performative. Publishing sensation in Victorian magazines offered women writers a set of discursive strategies that they could transfer onto other cultural discourses and performances. With these strategies they could explore, enact, and re-work contemporary notions of female agency and autonomy, as well as negotiate contemporary criticism. Combining authorship and editorship gave these middle-class women exceptional control over the shaping of fiction, its production, and its dissemination. By paying attention to the ways in which the sensation genre is rooted in the press network this book offers a new, broader context for the phenomenal success of works like Mary Elizabeth Braddon's Lady Audley's Secret and Ellen Wood's East Lynne. The book reaches back to the mid-nineteenth century to explore the press conditions initiated by figures like Charles Dickens and Mrs Beeton that facilitated the later success of these sensation writers. By looking forwards to the New Woman writers of the 1890s the book draws conclusions regarding the legacies of sensational author-editorship in the Victorian press and beyond.
Author | : Paul Fryer |
Publisher | : McFarland |
Total Pages | : 220 |
Release | : 2023-11-15 |
Genre | : Performing Arts |
ISBN | : 1476649421 |
This edited collection of essays details a wide-ranging selection of some of the most sensationally successful theatre productions of the long Victorian era, the real "blockbusters" of the age. Ranging from the world of operetta and music hall to spectacular drama and sensational melodrama, the productions included provide the reader with definitive proof that the phenomenon of the "smash hit" show is not restricted to modern Broadway. This is a world that encompassed the ground-breaking stage technology of Ben Hur, the wide political impact of Uncle Tom's Cabin and the sheer creative originality of L'Enfant Prodigue. Supporting the "star" system, productions featured some of the greatest names of the period - Sir Henry Irving, Sir Johnston Forbes Robertson, James O'Neill and Dion Boucicault. This was the very dawning of a new media age, which saw many of the productions transfer to the new world of silent cinema for the very first time