Women's Poetry and Popular Culture

Women's Poetry and Popular Culture
Author: Marsha Bryant
Publisher: Springer
Total Pages: 246
Release: 2016-04-30
Genre: Literary Criticism
ISBN: 0230339638

Bridging feminist and cultural studies, the book shows how British and American women poets often operate as cultural insiders. Individual chapters reassess major figures (H.D., Gwendolyn Brooks, Sylvia Plath), alternative modernist poets (Edith Sitwell, Stevie Smith), and contemporary poets (Ai, Carol Ann Duffy).

Abandoned Women and Poetic Tradition

Abandoned Women and Poetic Tradition
Author: Lawrence Lipking
Publisher: University of Chicago Press
Total Pages: 329
Release: 1988-09-15
Genre: Literary Criticism
ISBN: 0226484548

At the heart of poetic tradition is a figure of abandonment, a woman forsaken and out of control. She appears in writings ancient and modern, in the East and the West, in high art and popular culture produced by women and by men. What accounts for her perennial fascination? What is her function—in poems and for writers? Lawrence Lipking suggests many possibilities. In this figure he finds a partial record of women's experience, an instrument for the expression of religious love and yearning, a voice for psychological fears, and, finally, a model for the poet. Abandoned women inspire new ways of reading poems and poetic tradition.

A History of Twentieth-Century American Women's Poetry

A History of Twentieth-Century American Women's Poetry
Author: Linda A. Kinnahan
Publisher: Cambridge University Press
Total Pages: 731
Release: 2016-06-20
Genre: Literary Criticism
ISBN: 1316495558

A History of Twentieth-Century American Women's Poetry explores the genealogy of modern American verse by women from the early twentieth century to the millennium. Beginning with an extensive introduction that charts important theoretical contributions to the field, this History includes wide-ranging essays that illuminate the legacy of American women poets. Organized thematically, these essays survey the multilayered verse of such diverse poets as Edna St Vincent Millay, Marianne Moore, Anne Sexton, Adrienne Rich, and Audre Lorde. Written by a host of leading scholars, this History also devotes special attention to the lasting significance of feminist literary criticism. This book is of pivotal importance to the development of women's poetry in America and will serve as an invaluable reference for specialists and students alike.

Warrior Poet

Warrior Poet
Author: Alexis De Veaux
Publisher: W. W. Norton & Company
Total Pages: 478
Release: 2004
Genre: Biography & Autobiography
ISBN: 9780393019544

The long-awaited first biography of the author of "The Cancer Journals," an American icon of womanhood, poetry, African American arts, and survival.

Poets in the Public Sphere

Poets in the Public Sphere
Author: Paula Bennett
Publisher: Princeton University Press
Total Pages: 286
Release: 2003-04-06
Genre: Literary Criticism
ISBN: 9780691026442

Based entirely on archival research, Poets in the Public Sphere traces the emergence of the "New Woman" by examining poetry published by American women in newspapers and magazines between 1800 and 1900. Using sources like the Kentucky Reporter, the Cherokee Phoenix, the Cincinnati Israelite, and the Atlantic Monthly, Bennett is able to track how U.S. women from every race, class, caste, region, and religion exploited the freedom offered by the nation's periodical press, especially the poetry columns, to engage in heated debate with each other and with men over matters of mutual concern. Far from restricting their poems to the domestic and personal, these women addressed a significant array of political issues--abolition, Indian removals, economic and racial injustice, the Civil War, and, not least, their own changing status as civil subjects. Overflowing with a wealth of heretofore untapped information, their poems demonstrate conclusively that "ordinary" nineteenth-century women were far more influenced by the women's rights movement than historians have allowed. In showing how these women turned the sentimental and ideologically saturated conventions of the period's verse to their own ends, Bennett argues passionately and persuasively for poetry's power as cultural and political discourse. As much women's history as literary history, this book invites readers to rethink not only the role that nineteenth-century women played in their own emancipation but the role that poetry plays in cultural life.

How We Show Up

How We Show Up
Author: Mia Birdsong
Publisher: Hachette Go
Total Pages: 194
Release: 2020-06-02
Genre: Political Science
ISBN: 158005806X

An Invitation to Community and Models for Connection After almost every presentation activist and writer Mia Birdsong gives to executives, think tanks, and policy makers, one of those leaders quietly confesses how much they long for the profound community she describes. They have family, friends, and colleagues, yet they still feel like they're standing alone. They're "winning" at the American Dream, but they're lonely, disconnected, and unsatisfied. It seems counterintuitive that living the "good life"--the well-paying job, the nuclear family, the upward mobility--can make us feel isolated and unhappy. But in a divided America, where only a quarter of us know our neighbors and everyone is either a winner or a loser, we've forgotten the key element that helped us make progress in the first place: community. In this provocative, groundbreaking work, Mia Birdsong shows that what separates us isn't only the ever-present injustices built around race, class, gender, values, and beliefs, but also our denial of our interdependence and need for belonging. In response to the fear and discomfort we feel, we've built walls, and instead of leaning on each other, we find ourselves leaning on concrete. Through research, interviews, and stories of lived experience, How We Show Up returns us to our inherent connectedness where we find strength, safety, and support in vulnerability and generosity, in asking for help, and in being accountable. Showing up--literally and figuratively--points us toward the promise of our collective vitality and leads us to the liberated well-being we all want.

Girls

Girls
Author: Catherine Driscoll
Publisher: Columbia University Press
Total Pages: 396
Release: 2002-08-21
Genre: Social Science
ISBN: 9780231504720

The Spice Girls, Tank Girl comicbooks, Sailor Moon, Courtney Love, Grrl Power: do such things really constitute a unique "girl culture?" Catherine Driscoll begins by identifying a genealogy of "girlhood" or "feminine adolescence," and then argues that both "girls" and "culture" as ideas are too problematic to fulfill any useful role in theorizing about the emergence of feminine adolescence in popular culture. She relates the increasing public visibility of girls in western and westernized cultures to the evolution and expansion of theories about feminine adolescence in fields such as psychoanalysis, sociology, anthropology, history, and politics. Presenting her argument as a Foucauldian genealogy, Driscoll discusses the ways in which young women have been involved in the production and consumption of theories and representations of girls, feminine adolescence, and the "girl market."

Women Poets in the Victorian Era

Women Poets in the Victorian Era
Author: Dr Fabienne Moine
Publisher: Ashgate Publishing, Ltd.
Total Pages: 315
Release: 2015-11-28
Genre: Literary Criticism
ISBN: 147246477X

Exploring the place of nature in Victorian women's poetry, Fabienne Moine examines the work of canonical poets such as Elizabeth Barrett Browning and Christina Rossetti, that of lesser-known writers such as Mary Howitt and Eliza Cook, and the verse of non-professional poets who have received little critical attention. Moine shows that these women reconstructed the natural world in poems that raise questions about the validity and the scope of cultural representations of nature, questioning the social practices that mould and fossilise cultural identities.

Eighteenth-Century Women Poets and Their Poetry

Eighteenth-Century Women Poets and Their Poetry
Author: Paula R. Backscheider
Publisher: JHU Press
Total Pages: 556
Release: 2005-12-31
Genre: Biography & Autobiography
ISBN: 9780801881695

Co-Winner, James Russell Lowell Prize, Modern Language Association This major study offers a broad view of the writing and careers of eighteenth-century women poets, casting new light on the ways in which poetry was read and enjoyed, on changing poetic tastes in British culture, and on the development of many major poetic genres and traditions. Rather than presenting a chronological survey, Paula R. Backscheider explores the forms in which women wrote and the uses to which they put those forms. Considering more than forty women in relation to canonical male writers of the same era, she concludes that women wrote in all of the genres that men did but often adapted, revised, and even created new poetic kinds from traditional forms. Backscheider demonstrates that knowledge of these women's poetry is necessary for an accurate and nuanced literary history. Within chapters on important canonical and popular verse forms, she gives particular attention to such topics as women's use of religious poetry to express candid ideas about patriarchy and rape; the continuing evolution and important role of the supposedly antiquarian genre of the friendship poetry; same-sex desire in elegy by women as well as by men; and the status of Charlotte Smith as a key figure of the long eighteenth century, not only as a Romantic-era poet.

Women's Poetry and Religion in Victorian England

Women's Poetry and Religion in Victorian England
Author: Cynthia Scheinberg
Publisher: Cambridge University Press
Total Pages: 292
Release: 2002-05-30
Genre: Literary Criticism
ISBN: 1139434225

Victorian women poets lived in a time when religion was a vital aspect of their identities. Cynthia Scheinberg examines Anglo-Jewish (Grace Aguilar and Amy Levy) and Christian (Elizabeth Barrett Browning and Christina Rossetti) women poets, and argues that there are important connections between the discourses of nineteenth-century poetry, gender and religious identity. Further, Scheinberg argues that Jewish and Christian women poets had a special interest in Jewish discourse; calling on images from Judaism and the Hebrew Scriptures, their poetry created complex arguments about the relationships between Jewish and female artistic identity. She suggests that Jewish and Christian women used poetry as a site for creative and original theological interpretation, and that they entered into dialogue through their poetry about their own and each other's religious and artistic identities. This book's interdisciplinary methodology calls on poetics, religious studies, feminist literary criticism, and little read Anglo-Jewish primary sources.