Womens Lives In Contemporary French And Francophone Literature
Download Womens Lives In Contemporary French And Francophone Literature full books in PDF, epub, and Kindle. Read online free Womens Lives In Contemporary French And Francophone Literature ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Florence Ramond Jurney |
| Publisher | : Springer |
| Total Pages | : 186 |
| Release | : 2016-10-13 |
| Genre | : Literary Criticism |
| ISBN | : 331940850X |
The essays in this volume provide an overview and critical account of prevalent trends and theoretical arguments informing current investigations into literary treatments of motherhood and aging. They explore how two key stages in women’s lives—maternity and old age—are narrated and defined in fictions and autobiographical writings by contemporary French and francophone women. Through close readings of Maryse Condé, Hélène Cixous, Zahia Rahmani, Linda Lê, Pierrette Fleutieux, and Michèle Sarde, among others, these essays examine related topics such as dispossession, female friendship, and women’s relationships with their mothers. By adopting a broad, synthetic approach to these two distinct and defining stages in women’s lives, this volume elucidates how these significant transitional moments set the stage for women’s evolving definitions (and interrogations) of their identities and roles.
| Author | : Natalie Edwards |
| Publisher | : Routledge |
| Total Pages | : 188 |
| Release | : 2019-10-17 |
| Genre | : Biography & Autobiography |
| ISBN | : 0429619898 |
This volume examines the ways in which multilingual women authors incorporate several languages into their life writing. It compares the work of six contemporary authors who write predominantly in French. It analyses the narrative strategies they develop to incorporate more than one language into their life writing: French and English, French and Creole, or French and German, for example. The book demonstrates how women writers transform languages to invent new linguistic formations and how they create new formulations of subjectivity within their self-narrative. It intervenes in current debates over global literature, national literatures and translingual and transnational writing, which constitute major areas of research in literary and cultural studies. It also contributes to debates in linguistics through its theoretical framework of translanguaging. It argues that multilingual authors create new paradigms for life writing and that they question our understanding of categories such as "French literature."
| Author | : Cybelle McFadden Wilkens |
| Publisher | : Peter Lang |
| Total Pages | : 166 |
| Release | : 2010 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9781433108037 |
"Francophone Women: Between Visibility and Invisibility underscores the writing of authors who foreground the female body and who write across geographical borders, as part of a global literary movement that has the French language as its common denominator. This edited collection exposes how female authors portray the tensions that exist between visibility and invisibility, public and private, presence and absence, and excess and restraint when it is linked to femininity and the female body." --Book Jacket.
| Author | : E. Nicole Meyer |
| Publisher | : |
| Total Pages | : 166 |
| Release | : 2018-12-14 |
| Genre | : French language |
| ISBN | : 9781138369931 |
This volume investigates how teaching practices can address the changing status of literature in the French classroom. Focusing on how women writing in French are changing the face of French Studies, opening the canon to not only new approaches to gender but to genre, expanding interdisciplinary studies and aiding scholars to rethink the teaching of literature, each chapter provides concrete strategies useful to a wide variety of classrooms and institutional contexts. Essays address how to bring French Studies and women's and gender studies into the twenty-first century through intersections of autobiography, gender issues and technology; ways to introduce beginning and intermediate students to the rich diversity of women writing in French; strategies for teaching postcolonial writing and literary theory; and interdisciplinary approaches to expand our student audiences in the United States, Canada, or abroad. In short, revisiting how we teach, why we teach, and what we teach through the prism of women's texts and lives while raising issues that affect cisgender women of the Hexagon, queer and other-gendered women, immigrants and residents of the postcolony attracts more openly diverse students. Whether new to the profession or seasoned educators, faculty will find new ideas to invigorate and diversify their pedagogical approaches.
| Author | : Siobhán McIlvanney |
| Publisher | : University of Wales Press |
| Total Pages | : 349 |
| Release | : 2019-05-15 |
| Genre | : Literary Criticism |
| ISBN | : 1786834340 |
Interdisciplinarity: this book covers a range of media and genres from cinema to journalism to novels and a range of disciplines from feminism, film studies, Francophone studies, history, etc., which allows readers to access a particularly extensive range of disciplines within one volume and to make informed comparisons. Transhistoricism: the chronological range of essays included in this journal from the medieval period through the nineteenth and twentieth centuries to the present demonstrates that women have always managed to access their own territory within the masculinised urban environment and this encourages readers to rethink previous gendered assumptions about women and the city. Feminism: the essays here form part of the wider movement in academic research to redress the gendered imbalance of perspectives on a range of subjects: here allowing us to look anew at French and Francophone culture and history as part of this feminist rewriting.
| Author | : Maria Kathryn Tomlinson |
| Publisher | : Liverpool University Press |
| Total Pages | : 232 |
| Release | : 2021-05-15 |
| Genre | : Literary Criticism |
| ISBN | : 1800345534 |
This book examines the representation of the female fertility cycle in contemporary Algerian, Mauritian, and French women’s writing. It focuses on menstruation, childbirth, and the menopause whilst also incorporating experiences such as miscarriage and abortion. This study frames its analysis of contemporary women’s writing by looking back to the pioneering work of the second-wave feminists. Second-wave feminist texts were the first to break the silence on key aspects of female experience which had thus far been largely overlooked or considered taboo. Second-wave feminist works have been criticised for applying their ‘universal’ theories to all women, regardless of their ethnicity, socio-economic status, or sexuality. This book argues that contemporary women’s writing has continued the challenge against normative perceptions of the body that was originally launched by the second-wave feminists, whilst also taking a more nuanced, contextual and intersectional approach to corporeal experience. The cross-cultural and interdisciplinary approach of this book is informed not only by critics of the second-wave feminist movement but also by sociological studies which consider how women’s bodily experiences are shaped by socio-cultural context.
| Author | : Julia Frengs |
| Publisher | : Lexington Books |
| Total Pages | : 223 |
| Release | : 2017-12-27 |
| Genre | : Literary Criticism |
| ISBN | : 1498542301 |
Corporeal Archipelagos: Writing the Body in Francophone Oceanian Women’s Literature offers an examination of contemporary literature from the French-speaking Oceanian region through a focus on four of its most prolific women writers and the ways in which these writers negotiate identity construction through one of the most powerful identity markers in the region: the body. The question of the body – how one is to make meaning through corporeality, how one represents the body, and what role the body plays in identity construction – is not only a question with which feminists and postcolonial theorists have been grappling for nearly a half-century. The body is of integral significance to autochthonous Oceanian societies, whose views of corporeality are not built upon a dualistic mind-body binary that has influenced Western thought since the era of Descartes, but rather on a cosmological, epistemological axis that comprehends the body as intertwined with symbolic, social, and ideological understandings of identity. Beginning with an analysis of the ways in which the Oceanian body has been portrayed and consumed as an exotic object of fascination throughout three centuries of European literature, the book examines the myriad methods by which women writers break away from exotic myths and reappropriate the body as a powerful tool that enables them to confront the question of self-definition in French-speaking Oceania. The authors examined in this book employ culturally, racially, and sexually specific bodies in the creation of an original, confrontational literature that transgresses historically and culturally imposed boundaries, audaciously inserting their voices, the voices of Oceania, into the postcolonial francophone literary scene.
| Author | : Kenneth Reeds |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 231 |
| Release | : 2013-10-03 |
| Genre | : Biography & Autobiography |
| ISBN | : 1443853291 |
Women Taking Risks in Contemporary Autobiographical Narratives explores the nature and effects of risk in self-narrative representations of life events, and is an early step towards confronting the dearth of analysis on this subject. The collection focuses on risk-taking as one of women’s articulations of authorial agency displayed in literary, testimonial, photographic, travel and film documentary forms of autobiographical expression in French. Among many themes, the book fosters discussion on matters of courage, strength, resilience, freedom, self-fulfillment, political engagement, compassion, faith, and the envisioning of unconventional alliances that follow a woman’s stepping out of her comfort zone. The fourteen essays included in this collection discuss works of women authors from North Africa, Sub-Saharan Africa, France and the Caribbean. They exemplify a variety of self-narratives that blur unified conceptualizations of both identity and national belonging. They address questions about women writers’ attitudes towards risk and their willingness to change the status quo. They also explore the many personal and public forms in which agency manifests through risk-taking engagements; the ways in which women challenge the conventional wisdom about feminine reserve and aversion to danger; the multiplicity of seen and unforeseen consequences of risk taking; the all-too-frequent lack of recognition of female courage; the overcoming of obstacles by taking risks; and, frequently, the amelioration of women’s lives. Addressing both the broader context of the study of risk and the more specific areas of female expression and autobiography in Francophone cultures, this collection is attractive to a diverse audience with the potential to cross disciplines and inform a wide body of research. A number of the essays deal with issues born in postcolonial circumstances. This examination of the elucidation of marginalized voices should prove enlightening to an array of scholars researching specific ethnic, sexual, gender, and general subjects related to identity. In making inroads towards expanding the well-developed area of risk studies into the humanities, this collection makes an important contribution that has the potential to promote a variety of cross-disciplinary research including examinations of the psychology and sociology behind chauvinism, personal expression, and formative experiences.
| Author | : Loïc Bourdeau |
| Publisher | : U of Nebraska Press |
| Total Pages | : 225 |
| Release | : 2019-12-01 |
| Genre | : Literary Criticism |
| ISBN | : 0803293984 |
For too long the main narratives of motherhood have been oppressive and exclusionary, frequently ignoring issues of female identity—especially regarding those not conforming to traditional female stereotypes. Horrible Mothers offers a variety of perspectives for analyzing representations of the mother in francophone literature and film at the turn of the twenty-first century in North America, including Québec, Ontario, New England, and California. Contributors reexamine the “horrible mother” paradigm within a broad range of sociocultural contexts from different locations to broaden the understanding of mothering beyond traditional ideology. The selections draw from long-established scholarship in women’s studies as well as from new developments in queer studies to make sense of and articulate strategies of representation; to show how contemporary family models are constantly evolving, reshaping, and moving away from heteronormative expectations; and to reposition mothers as subjects occupying the center of their own narrative, rather than as objects. The contributors engage narratives of mothering from myriad perspectives, referencing the works of writers or filmmakers such as Marguerite Andersen, Nelly Arcan, Grégoire Chabot, Xavier Dolan, Nancy Huston, and Lucie Joubert.
| Author | : Elizabeth Berglund Hall |
| Publisher | : BRILL |
| Total Pages | : 230 |
| Release | : 2017-11-27 |
| Genre | : Literary Criticism |
| ISBN | : 9004354409 |
The essays in Cixous after/depuis 2000, edited by Hall, Chevillot, Hoft-March, and Peñalver Vicea, center on the events from 2000 to 2015 that mark Hélène Cixous’s life and writing: the donation of her archives to the Bibliothèque Nationale de France, her return to Algeria, the death of her friend Jacques Derrida, the 40th anniversary of her essay “Le Rire de la Méduse,” and finally, of greatest import in her work of the 21st-century, the last years and death of her mother Eve. The essays explore an important movement in Hélène Cixous’s oeuvre as it shifts its focus not away from questions of the body, language, difference, and sexuality, but to include a broader engagement with mourning, suffering, aging, and death. Les essais dans Cixous after/depuis 2000, réunis sous la direction de Hall, Chevillot, Hoft-March et Peñalver Vicea, portent sur les événements des années 2000 à 2015 qui ont marqué la vie et l’écriture d’Hélène Cixous : le don de ses archives à la Bibliothèque Nationale de France, son retour en Algérie, la mort de son ami Jacques Derrida, le 40e anniversaire de la publication du « Rire de la Méduse » et enfin, les dernières années et la mort de sa mère Ève. Les essais explorent un mouvement important de l’œuvre d’Hélène Cixous qui comprend une interrogation incessante sur le corps, le langage, la différence et la sexualité mais qui se tourne également vers le deuil, la souffrance, la vieillesse et la mort.
