Womens Film List
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Author | : Maya Montañez Smukler |
Publisher | : Rutgers University Press |
Total Pages | : 364 |
Release | : 2018-12-14 |
Genre | : Performing Arts |
ISBN | : 0813587492 |
Winner of the 2018 Richard Wall Memorial Award from the Theater Library Association Liberating Hollywood examines the professional experiences and creative output of women filmmakers during a unique moment in history when the social justice movements that defined the 1960s and 1970s challenged the enduring culture of sexism and racism in the U.S. film industry. Throughout the 1970s feminist reform efforts resulted in a noticeable rise in the number of women directors, yet at the same time the institutionalized sexism of Hollywood continued to create obstacles to closing the gender gap. Maya Montañez Smukler reveals that during this era there were an estimated sixteen women making independent and studio films: Penny Allen, Karen Arthur, Anne Bancroft, Joan Darling, Lee Grant, Barbara Loden, Elaine May, Barbara Peeters, Joan Rivers, Stephanie Rothman, Beverly Sebastian, Joan Micklin Silver, Joan Tewkesbury, Jane Wagner, Nancy Walker, and Claudia Weill. Drawing on interviews conducted by the author, Liberating Hollywood is the first study of women directors within the intersection of second wave feminism, civil rights legislation, and Hollywood to investigate the remarkable careers of these filmmakers during one of the most mythologized periods in American film history.
Author | : Project on the Status and Education of Women (Association of American Colleges) |
Publisher | : |
Total Pages | : 28 |
Release | : 1978 |
Genre | : Motion pictures |
ISBN | : |
Author | : Julie Chappell |
Publisher | : Springer |
Total Pages | : 289 |
Release | : 2017-07-03 |
Genre | : Social Science |
ISBN | : 3319472593 |
This collection of essays focuses on the representations of a variety of “bad girls”—women who challenge, refuse, or transgress the patriarchal limits intended to circumscribe them—in television, popular fiction, and mainstream film from the mid-twentieth century to the present. Perhaps not surprisingly, the initial introduction of women into Western cultural narrative coincides with the introduction of transgressive women. From the beginning, for good or ill, women have been depicted as insubordinate. Today’s popular manifestations include such widely known figures as Lisbeth Salander (the “girl with the dragon tattoo”), The Walking Dead’s Michonne, and the queen bees of teen television series. While the existence and prominence of transgressive women has continued uninterrupted, however, attitudes towards them have varied considerably. It is those attitudes that are explored in this collection. At the same time, these essays place feminist/postfeminist analysis in a larger context, entering into ongoing debates about power, equality, sexuality, and gender.
Author | : Gwendolyn Audrey Foster |
Publisher | : Saint James Press |
Total Pages | : 616 |
Release | : 1998 |
Genre | : Biography & Autobiography |
ISBN | : |
This single-volume resource offers comprehensive coverage of women directors and their films as well as producers, writers and production artists. General information on the filmmaker or film is followed, where applicable, by more detailed biography, filmography, comprehensive credits, production information, awards and bibliography. The core of the entry consists of a signed, 800- to 1,000-word critical essay written by a film critic or scholar. Following introductory essays on the evolution and status of women filmmakers, 190 alphabetically arranged entries discuss women directors, producers, animators, art directors, editors, writers, and costume designers. Each entry contains a brief biography, a complete filmography, a selected bibliography of works on and by the entrant, and an expository essay by a specialist in the field. The remaining entries (approximately 60) concern films in which women filmmakers have had a major role. They include production information, lists of cast and crew, a selected bibliography of works about the film, and an essay. Contains many b & w portraits and stills.
Author | : Karen Burroughs Hannsberry |
Publisher | : McFarland |
Total Pages | : 1298 |
Release | : 2012-10-26 |
Genre | : Performing Arts |
ISBN | : 0786491590 |
Though often thought of as primarily a male vehicle, the film noir offered some of the most complex female roles of any movies of the 1940s and 1950s. Stars such as Barbara Stanwyck, Gene Tierney and Joan Crawford produced some of their finest performances in noir movies, while such lesser known actresses as Peggie Castle, Hope Emerson and Helen Walker made a lasting impression with their roles in the genre. These six women and 43 others who were most frequently featured in films noirs are profiled here, focusing primarily on their work in the genre and its impact on their careers. A filmography of all noir appearances is provided for each actress.
Author | : Mary Zeiss Stange |
Publisher | : SAGE |
Total Pages | : 2017 |
Release | : 2011-02-23 |
Genre | : Social Science |
ISBN | : 1412976855 |
This work includes 1000 entries covering the spectrum of defining women in the contemporary world.
Author | : |
Publisher | : |
Total Pages | : 134 |
Release | : 1982 |
Genre | : Electronic journals |
ISBN | : |
Author | : Erin Hill |
Publisher | : Rutgers University Press |
Total Pages | : 299 |
Release | : 2016-10-05 |
Genre | : Art |
ISBN | : 0813574897 |
Histories of women in Hollywood usually recount the contributions of female directors, screenwriters, designers, actresses, and other creative personnel whose names loom large in the credits. Yet, from its inception, the American film industry relied on the labor of thousands more women, workers whose vital contributions often went unrecognized. Never Done introduces generations of women who worked behind the scenes in the film industry—from the employees’ wives who hand-colored the Edison Company’s films frame-by-frame, to the female immigrants who toiled in MGM’s backrooms to produce beautifully beaded and embroidered costumes. Challenging the dismissive characterization of these women as merely menial workers, media historian Erin Hill shows how their labor was essential to the industry and required considerable technical and interpersonal skills. Sketching a history of how Hollywood came to define certain occupations as lower-paid “women’s work,” or “feminized labor,” Hill also reveals how enterprising women eventually gained a foothold in more prestigious divisions like casting and publicity. Poring through rare archives and integrating the firsthand accounts of women employed in the film industry, the book gives a voice to women whose work was indispensable yet largely invisible. As it traces this long history of women in Hollywood, Never Done reveals the persistence of sexist assumptions that, even today, leave women in the media industry underpraised and underpaid. For more information: http://erinhill.squarespace.com
Author | : Sarah Carter |
Publisher | : London, England : Mansell ; Jefferson, N.C. : McFarland |
Total Pages | : 318 |
Release | : 1990 |
Genre | : Reference |
ISBN | : |
First published earlier in 1990 by Mansell Publishing, London. Sourcebook contains some 1,000 entries covering a range of topics relevant to women's studies. The coverage is worldwide, with all major women-centered English-language reference works, both monographic and serial, included. The material covers the decade from 1978 to 1988, with a small number of entries from 1989. Annotation copyrighted by Book News, Inc., Portland, OR
Author | : |
Publisher | : |
Total Pages | : 588 |
Release | : 1927 |
Genre | : Women |
ISBN | : |