Women Patrons And Collectors
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| Author | : Susan Bracken |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : Antique collecting for men |
| ISBN | : 9781443834643 |
As the present volume shows, women, particularly aristocratic women, not only resisted this discrimination through the ages, but also built important collections and used them to their own advantage, in order to make statements about their lineage, power, cultural heritage or religious preferences. That is not to say that there was not an increasing number of middle-class women who became draughtswomen, painters and natural scientists and who found it equally beneficial for their chosen profession to collect. In every case, the female collector chose to collect and what to collect; she chose how and where to present the collection and she also decided when to dispose of objects, thereby occasionally taking on a curatorial role. Women have been seen as gatherers of furnishings, jewellery, dress and objects of domestic life.
| Author | : Cynthia Lawrence |
| Publisher | : Penn State Press |
| Total Pages | : 278 |
| Release | : 1999-12-01 |
| Genre | : Art |
| ISBN | : 9780271019697 |
While most of the projects discussed are consistent with the period's male-sanctioned concept of female patronage as an expression of conjugal devotion or dynastic promotion, at the same time the women involved devised strategies that circumvented these rules, allowing them to explore the potential or art as a means of proclaiming their own identity and taste.
| Author | : Andrea M. Gáldy |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 220 |
| Release | : 2011-10-18 |
| Genre | : Art |
| ISBN | : 1443834769 |
In looking at the history of collecting, one may be excused for regarding it as an activity in which, traditionally, women have shown little interest or in which they have not been involved. As the present volume shows, women—particularly aristocratic women—not only resisted this discrimination through the ages, but also built important collections and used them to their own advantage, in order to make statements about their lineage, power, cultural heritage or religious preferences. That is not to say that there was not an increasing number of middle-class women who became draughtswomen, painters and natural scientists and who found it equally beneficial for their chosen profession to collect. In every case, the female collector chose to collect and what to collect; she chose how and where to present the collection and she also decided when to dispose of objects, thereby occasionally taking on a curatorial role. Women have been seen as gatherers of furnishings, jewellery, dress and objects of domestic life. This third volume in the Collecting & Display series of conference proceedings challenges such perceptions through the detailed analysis of different types of collecting by women from the early modern period onwards; it thus seeks to give a voice to a group of important female collectors from the sixteenth to the early nineteenth century whose importance for the history of collecting has not yet, or not sufficiently, been acknowledged.
| Author | : Elizabeth Sutton |
| Publisher | : Amsterdam University Press |
| Total Pages | : 189 |
| Release | : 2019-08-30 |
| Genre | : Art |
| ISBN | : 9048542987 |
This essay collection features innovative scholarship on women artists and patrons in the Netherlands 1500-1700. Covering painting, printmaking, and patronage, authors highlight the contributions of women art makers in the Netherlands, showing that women were prominent as creators in their own time and deserve to be recognized as such today.
| Author | : |
| Publisher | : Penn State Press |
| Total Pages | : 284 |
| Release | : 1999 |
| Genre | : |
| ISBN | : 9780271042350 |
This anthology reflects a larger impulse to recover women's involvement in the creation of an aesthetic culture from the late medieval through the early modern periods. By asking how the perspectives and experiences of female patrons contributed to the invention of particular styles or iconographies, or how they shaped taste, or how they influenced demand, these twelve original essays introduce significant new information about specific women patrons while raising theoretical issues for patronage studies more generally. While most of the projects discussed are consistent with the period's male-sanctioned concept of female patronage as an expression of conjugal devotion or dynastic promotion, at the same time the women involved devised strategies that circumvented these rules, allowing them to explore the potential or art as a means of proclaiming their own identity and taste.
| Author | : Susan Broomhall |
| Publisher | : Routledge |
| Total Pages | : 262 |
| Release | : 2018-11-07 |
| Genre | : Literary Criticism |
| ISBN | : 1351872230 |
Focusing on the vastly understudied area of how women participated in the book trades, not just as authors, but also as patrons, copyists, illuminators, publishers, editors and readers, Women and the Book Trade in Sixteenth-Century France foregrounds contributions made by women during a period of profound transformation in the modes and understanding of publication. Broomhall asks whether women's experiences as authors changed when manuscript circulation gave way to the printed book as a standard form of publication. Innovatively, she broadens the concept of publication to include methods of scribal publication, through the circulation and presentation of manuscripts, and expands notions of authorship to incorporate a wide sample group of female writers and publishing experiences. She challenges the existing view that manuscript offered a "safe" means of semi-public exposure for female authors and explores its continuing presence after the introduction of print. The study introduces a wide and rich range of unexamined sources on early modern women, using an extensive range of manuscripts and the entire corpus of women's printed texts in sixteenth-century France. Most of the original texts, uncovered during the author's own extensive archival and bibliographical research, have never been re-published in modern French. Most of the citations from them are here translated into English for the first time. The work presents the only checklist of all known women's writings in printed texts, from prefaces and laudatory verse to editions of prose and poetry, between 1488 and 1599. Women and the Book Trade in Sixteenth-Century France constitutes the most comprehensive assessment of women's contribution to contemporary publishing yet available. Broomhall's innovative approach and her conclusions have relevance not only for book historians and French historians, but for a broad range of scholars who work with other European literatures and histories, as well as women's studies.
| Author | : Wendy Slatkin |
| Publisher | : |
| Total Pages | : 260 |
| Release | : 1990 |
| Genre | : Art |
| ISBN | : |
"The careers and accomplishments of women creators in Western Civilization are described in an accessible and informative mattner in the Second Edition of Women Artists in History: From Antiquity to the 20th Century. Over sixty artists, mostly painters and sculptors, are featured in this book. Selections were based on each woman's unique and important contributions to the history of art. each artist measures up to the same rigorous standards applied to male artists in other survey texts. To understand and appreciate the achievements of these outstanding women, this volume takes a thorough look at the cultural environment in which they lived and worked, as well as the social, economic, and demographic factors that influenced their art." --From back cover
| Author | : Babette Bohn |
| Publisher | : Penn State University Press |
| Total Pages | : 332 |
| Release | : 2021-02-17 |
| Genre | : |
| ISBN | : 9780271086965 |
Examines sixty-eight women artists in early modern Bologna, revealing how they obtained public commissions and expanded beyond the portrait subjects to which women were traditionally confined. Uses new methodological models for considering gender and art in early modern Italy.
| Author | : Sheila Barker |
| Publisher | : Harvey Miller Publishers |
| Total Pages | : 0 |
| Release | : 2016 |
| Genre | : Painting, Italian |
| ISBN | : 9781909400351 |
In ten chapters spanning two centuries, this collection of essays examines the relationships between women artists and their publics, both in early modern Italy as well as across Europe. Drawing upon archival evidence, these essays afford abundant documentary evidence about the diverse strategies that women utilized in order to carry out artistic careers, from Sofonisba Anguissola's role as a lady-in-waiting at the court of Philip II of Spain, to Lucrezia Quistelli's avoidance of the Florentine market in favor of upholding the prestige of her family, to Costanza Francini's preference for the steady but humble work of candle painting for a Florentine confraternity. Their unusual life stories along with their outstanding talents brought fame to a number of women artists even in their own lifetimes - so much fame, in fact, that Giorgio Vasari included several women artists in his 1568 edition of artists' biographies. Notably, this visibility also subjected women artists to moral scrutiny, with consequences for their patronage opportunities. Because of their fame and their extraordinary (and often exemplary) lives, works made by women artists held a special allure for early generations of Italian collectors, including Grand Duke Cosimo III de' Medici, who made a point of collecting women's self-portraits. In the eighteenth century, British collectors wishing to model themselves after the Italian virtuosi exhibited an undeniable penchant for the Italian women artists of a bygone era, even though they largely ignored the contemporary women artists in their midst.
| Author | : Liz Rideal |
| Publisher | : Laurence King Publishing |
| Total Pages | : 0 |
| Release | : 2018-04-17 |
| Genre | : Art |
| ISBN | : 9781786271563 |
How do women paint or photograph each other? How do they represent each other in performance or sculpture? As mothers or heroines? With tenderness, aggression or respect? Madam & Eve explores the female gaze as it focuses on other women. The authors – an artist and a curator – investigate the work of over 200 artists, ranging from the well-established to the lesser known. A historical introduction sets up the artistic and cultural context for the rest of the book, which focuses on art since the 1970s and covers the universal themes of the body, life, death, stories, and icons. The result is an amazing parade of artworks: eye-catching, poignant, powerful, political, idiosyncratic, playful, awkward, passionate, sexy, and positive. It is also an eloquent examination of the impact that the feminist movement has had on contemporary art.
