Women of Futures Past

Women of Futures Past
Author: Kristine Kathryn Rusch
Publisher: Baen Books
Total Pages: 303
Release: 2016-09-06
Genre: Fiction
ISBN: 162579522X

Meet the Women of Futures Past: from Grand Master Andre Norton and the beloved Anne McCaffrey to some of the most popular SF writers today, such as Lois McMaster Bujold and CJ Cherryh. The most influential writers of multiple generations are found in these pages, delivering lost classics and foundational touchstones that shaped the field. You'll find Northwest Smith, C.L. Moore’s famous smuggler who predates (and maybe inspired) Han Solo by four decades. Read Leigh Brackett’s fiction and see why George Lucas chose her to write The Empire Strikes Back. Adventure tales, post-apocalyptic visions, space opera, aliens-among-us, time travel—these women have delivered all this and more, some of the best science fiction ever written! Includes stories by Leigh Brackett, Lois McMaster Bujold, Pat Cadigan, CJ Cherryh, Zenna Henderson, Nancy Kress, Ursula K. Le Guin, Anne McCaffrey, C.L. Moore, Andre Norton, James Tiptree, Jr., and Connie Willis. At the publisher's request, this title is sold without DRM (Digital Rights Management).

Ghosts of Futures Past

Ghosts of Futures Past
Author: Molly McGarry
Publisher: Univ of California Press
Total Pages: 284
Release: 2012-09-30
Genre: History
ISBN: 0520274539

"Simpson, imprint in humanities"--Page opposite title page.

Tales of Futures Past

Tales of Futures Past
Author: Paola Iovene
Publisher: Stanford University Press
Total Pages: 240
Release: 2014-07-09
Genre: Literary Criticism
ISBN: 0804791600

Most studies of Chinese literature conflate the category of the future with notions of progress and nation building, and with the utopian visions broadcast by the Maoist and post-Mao developmental state. The future is thus understood as a preconceived endpoint that is propagated, at times even imposed, by a center of power. By contrast, Tales of Futures Past introduces "anticipation"—the expectations that permeate life as it unfolds—as a lens through which to reexamine the textual, institutional, and experiential aspects of Chinese literary culture from the 1950s to 2011. In doing so, Paola Iovene connects the emergence of new literary genres with changing visions of the future in contemporary China. This book provides a nuanced and dynamic account of the relationship between state discourses, market pressures, and individual writers and texts. It stresses authors' and editors' efforts to redefine what constitutes literature under changing political and economic circumstances. Engaging with questions of translation, temporality, formation of genres, and stylistic change, Iovene mines Chinese science fiction and popular science, puts forward a new interpretation of familiar Chinese avant-garde fiction, and offers close readings of texts that have not yet received any attention in English-language scholarship. Far-ranging in its chronological scope and impressive in its interdisciplinary approach, this book rethinks the legacies of socialism in postsocialist Chinese literary modernity.

Doing Women's Film History

Doing Women's Film History
Author: Christine Gledhill
Publisher: University of Illinois Press
Total Pages: 297
Release: 2015-10-30
Genre: Performing Arts
ISBN: 0252097777

Research into and around women's participation in cinematic history has enjoyed dynamic growth over the past decade. A broadening of scope and interests encompasses not only different kinds of filmmaking--mainstream fiction, experimental, and documentary--but also practices--publicity, journalism, distribution and exhibition--seldom explored in the past. Cutting-edge and inclusive, Doing Women's Film History ventures into topics in the United States and Europe while also moving beyond to explore the influence of women on the cinemas of India, Chile, Turkey, Russia, and Australia. Contributors grapple with historiographic questions that cover film history from the pioneering era to the present day. Yet the writers also address the very mission of practicing scholarship. Essays explore essential issues like identifying women's participation in their cinema cultures, locating previously unconsidered sources of evidence, developing methodologies and analytical concepts to reveal the impact of gender on film production, distribution and reception, and reframing film history to accommodate new questions and approaches. Contributors include: Kay Armatage, Eylem Atakav, Karina Aveyard, Canan Balan, Cécile Chich, Monica Dall'Asta, Eliza Anna Delveroudi, Jane M. Gaines, Christine Gledhill, Julia Knight, Neepa Majumdar, Michele Leigh, Luke McKernan, Debashree Mukherjee, Giuliana Muscio, Katarzyna Paszkiewicz, Rashmi Sawhney, Elizabeth Ramirez Soto, Sarah Street, and Kimberly Tomadjoglou.

Old Futures

Old Futures
Author: Alexis Lothian
Publisher: NYU Press
Total Pages: 349
Release: 2018-09-25
Genre: Social Science
ISBN: 147980343X

Finalist, 2019 Locus Award for Nonfiction, presented by the Locus Science Fiction Foundation Traverses the history of imagined futures from the 1890s to the 2010s, interweaving speculative visions of gender, race, and sexuality from literature, film, and digital media Old Futures explores the social, political, and cultural forces feminists, queer people, and people of color invoke when they dream up alternative futures as a way to imagine transforming the present. Lothian shows how queer possibilities emerge when we practice the art of speculation: of imagining things otherwise than they are and creating stories from that impulse. Queer theory offers creative ways to think about time, breaking with straight and narrow paths toward the future laid out for the reproductive family, the law-abiding citizen, and the believer in markets. Yet so far it has rarely considered the possibility that, instead of a queer present reshaping the ways we relate to past and future, the futures imagined in the past can lead us to queer the present. Narratives of possible futures provide frameworks through which we understand our present, but the discourse of “the” future has never been a singular one. Imagined futures have often been central to the creation and maintenance of imperial domination and technological modernity; Old Futures offers a counterhistory of works that have sought—with varying degrees of success—to speculate otherwise. Examining speculative texts from the 1890s to the 2010s, from Samuel R. Delany to Sense8, Lothian considers the ways in which early feminist utopias and dystopias, Afrofuturist fiction, and queer science fiction media have insisted that the future can and must deviate from dominant narratives of global annihilation or highly restrictive hopes for redemption. Each chapter chronicles some of the means by which the production and destruction of futures both real and imagined takes place: through eugenics, utopia, empire, fascism, dystopia, race, capitalism, femininity, masculinity, and many kinds of queerness, reproduction, and sex. Gathering stories of and by populations who have been marked as futureless or left out by dominant imaginaries, Lothian offers new insights into what we can learn from efforts to imaginatively redistribute the future.

The Women, Peace and Security Agenda

The Women, Peace and Security Agenda
Author: Laura J. Shepherd
Publisher: Routledge
Total Pages: 226
Release: 2021-09-26
Genre: Political Science
ISBN: 100046248X

The Women, Peace and Security (WPS) agenda is comprised of the policies, protocols and practices enacted by a wide range of actors inspired by, or under the auspices, of the UN Security Council resolutions adopted under the title of ‘women and peace and security’. Since the adoption of the first resolution in 2000, resolution 1325, there have been nine others, each of which elaborates or extends aspects of the original resolution. This book provides a forward-looking collection of scholarship on the WPS agenda in two halves. The first half of the book presents a series of essays that each provide a glimpse of the rich and insightful research on WPS being undertaken in and about different contexts, to demonstrate the importance of centring the "local" as a site of knowledge production in the WPS agenda. The essays presented in the second half of the book also engage questions of knowledge production, documenting the exploratory methods in use in WPS scholarship, and highlighting those topics engaged at the hinterlands of what is a broad field – topics that gesture at the future of research in this area. The chapters in this book were originally published as special issues of the International Feminist Journal of Politics.