Women Music Culture
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Author | : Julie C. Dunbar |
Publisher | : Routledge |
Total Pages | : 621 |
Release | : 2015-12-17 |
Genre | : Music |
ISBN | : 1351857452 |
Women, Music, Culture: An Introduction, Second Edition is the first undergraduate textbook on the history and contribution of women in a variety of musical genres and professions, ideal for students in courses in both music and women's studies. A compelling narrative, accompanied by over 50 guided listening examples, brings the world of women in music to life, examining a community of female musicians, including composers, producers, consumers, performers, technicians, mothers, and educators in art music and popular music. The book features a wide array of pedagogical aids, including a running glossary and a comprehensive companion website with streamed audio tracks, that help to reinforce key figures and terms. This new edition includes a major revision of the Women in World Music chapter, a new chapter in Western Classical "Work" in the Enlightenment, and a revised chapter on 19th Century Romanticism: Parlor Songs to Opera. 20th Century Art Music.
Author | : Julie C. Dunbar |
Publisher | : |
Total Pages | : 0 |
Release | : 2016 |
Genre | : Feminism and music |
ISBN | : 9781138814653 |
Pt. I. Telling musical stories: missing voices in the documentation of musical traditions. 1. Reflections on "deep listening": exploring music in context ; 2. Medieval liturgical roots and the documentation of the Western canon ; 3. Women in "world" music: an expanded view of global narratives -- pt. II. Restricted domains: gender spheres in art music. 4. Court performers of Japan, India, and Europe: freedom and restriction ; 5. Baroque keyboard and vocal genres: gender roles in musical families ; 6. Eighteenth-century Classicism: revisiting Vienna ; 7. Romantic-era performer/composers: walking the public/private line -- pt. III. Visual images in an aural world. 8. American popular music: 1895-1945 ; 9. Empowered voices in the public eye: women of gospel and blues ; 10. Visual media and the marketing of women performers -- pt. IV. A time of change: the impact of education on women's art music activity. 11. Changing gender roles: from nineteenth-century opera to the modern musical ; 12. Segregation and integration: instrumental ensembles from 1900 to the present ; 13. Large-scale works and experimental voices -- pt. v. No longer "one of the boys". 14. Instrumental to jazz: the forgotten role of women ; 15. Technology in the hands of women: art music, multimedia, and popular music ; 16. A new message: taking charge in the mass music market
Author | : Hannah Ewens |
Publisher | : University of Texas Press |
Total Pages | : 252 |
Release | : 2020-08-18 |
Genre | : Music |
ISBN | : 1477322094 |
"To be a fan is to scream alone together." This is the discovery Hannah Ewens makes in Fangirls: how music fandom is at once a journey of self-definition and a conduit for connection and camaraderie; how it is both complicated and empowering; and how now, more than ever, fandoms composed of girls and young queer people create cultures that shape and change an entire industry. This book is about what it means to be a fangirl. Speaking to hundreds of fans from the UK, US, Europe, and Japan, Ewens tells the story of music fandom using its own voices, recounting previously untold or glossed-over scenes from modern pop and rock music history. In doing so, she uncovers the importance of fan devotion: how Ariana Grande represents both tragedy and resilience to her followers, or what it means to meet an artist like Lady Gaga in person. From One Directioners, to members of the Beyhive, to the author's own fandom experiences, this book reclaims the "fangirl" label for its young members, celebrating their purpose, their power, and, most of all, their passion for the music they love.
Author | : Kristin A. McGee |
Publisher | : Wesleyan University Press |
Total Pages | : 338 |
Release | : 2011-07-21 |
Genre | : Music |
ISBN | : 0819569674 |
Women have been involved with jazz since its inception, but all too often their achievements were not as well known as those of their male counterparts. Some Liked It Hot looks at all-girl bands and jazz women from the 1920s through the 1950s and how they fit into the nascent mass culture, particularly film and television, to uncover some of the historical motivations for excluding women from the now firmly established jazz canon. This well-illustrated book chronicles who appeared where and when in over 80 performances, captured in both popular Hollywood productions and in relatively unknown films and television shows. As McGee shows, these performances reflected complex racial attitudes emerging in American culture during the first half of the twentieth century. Her analysis illuminates the heavily mediated representational strategies that jazz women adopted, highlighting the role that race played in constituting public performances of various styles of jazz from "swing" to "hot" and "sweet." The International Sweethearts of Rhythm, Hazel Scott, the Ingenues, Peggy Lee, and Paul Whiteman are just a few of the performers covered in the book, which also includes a detailed filmography.
Author | : Bonnie J. Morris |
Publisher | : |
Total Pages | : 456 |
Release | : 1999 |
Genre | : Music |
ISBN | : |
Women's music festivals have been an integral part of both the shaping of lesbian culture and the emergence of women as a musical force. This new book takes the reader on a remarkable backstage tour of the rollicking, legendary world of these festivals and presents an exhilarating insider's journey through this cultural phenomena that has made an important contribution to both musical history and women's history.
Author | : Robin Roberts |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 250 |
Release | : 2011-09-23 |
Genre | : Music |
ISBN | : 1617035653 |
Queen Latifah's lyrics tout female superiority. Salt 'n' Pepa energize with eroticism. Julie Brown's unsettling version of a campus queen dethrones the mainstream icon. Martina McBride's song of liberation gives new meaning to Independence Day. Today in the music video industry, such women artists have assumed a remarkable and refreshing new presence. Although many popular videos have been condemned for sexism, the medium has experienced a striking change. Both in repertoires and in performances, the politics of feminism has moved to the front row. More and more, women are being presented as strong and positive. Ladies First takes a close look at this exciting phenomenon and shows how both on and off screen strong females have assumed larger roles in the industry. Whether their songs are country, rock, or rap, the ladies of contemporary music video continue to assert, confront, and challenge. Demolishing stereotypes, today's singers expose the flawed images that have restricted women. They condemn male dominance. They assert the right of women to be sexual and to express sexuality. In country music, they rely on the power of sincerity and storytelling. In rap songs they self-promote, reach out, and give uplift. Their lyrics are skillful, clever, and infectiously appealing, and their inviting sense of humor makes a large audience embrace them and their messages.
Author | : Julie C. Dunbar |
Publisher | : Taylor & Francis |
Total Pages | : 419 |
Release | : 2020-12-30 |
Genre | : Music |
ISBN | : 0429650183 |
Women, Music, Culture: An Introduction, Third Edition is the first undergraduate textbook on the history and contributions of women in a variety of musical genres and professions, ideal for students in Music and Gender Studies courses. A compelling narrative, accompanied by 112 guided listening experiences, brings the world of women in music to life. The author employs a wide array of pedagogical aides, including a running glossary and a comprehensive companion website with links to Spotify playlists and supplementary videos for each chapter. The musical work of women throughout history—including that of composers, performers, conductors, technicians, and music industry personnel—is presented using both art music and popular music examples. New to this edition: An expansion from 57 to 112 listening examples conveniently available on Spotify. Additional focus on intersectionality in art and popular music. A new segment on Music and #MeToo and increased coverage of protest music. Additional coverage of global music. Substantial updates in popular music. Updated companion website materials designed to engage all learners. Visit the author's website at www.womenmusicculture.com
Author | : Angela Y. Davis |
Publisher | : Vintage |
Total Pages | : 259 |
Release | : 2011-06-22 |
Genre | : Social Science |
ISBN | : 030779850X |
A collection of speeches and writings by political activist Angela Davis which address the political and social changes of the past decade as they are concerned with the struggle for racial, sexual, and economic equality.
Author | : Stacy Linn Holman Jones |
Publisher | : Rowman Altamira |
Total Pages | : 196 |
Release | : 1998 |
Genre | : Music |
ISBN | : 9780761989660 |
Jones is haunted by the specters of Reliability and Validity, motivated by the goals of multivocality and multiple truths, and driven by the music. She is also driven by the mystery and complexity of women's music; a category which is impossible to capture, tame, or pin down. In exploring dynamics of race and gender in the club as an organization, Jones refuses to reduce the richness of her observations to simplistic, categorical statements.
Author | : Sheila Whiteley |
Publisher | : Psychology Press |
Total Pages | : 262 |
Release | : 2000 |
Genre | : Music |
ISBN | : 0415211891 |
From Janis Joplin to P.J. Harvey, Women and Popular Music explores the changing role of women musicians and the ways in which their songs resonate in popular culture.