Women In The Picture
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Author | : Catherine McCormack |
Publisher | : W. W. Norton & Company |
Total Pages | : 159 |
Release | : 2021-11-16 |
Genre | : Art |
ISBN | : 0393542092 |
Art historian Catherine McCormack challenges how culture teaches us to see and value women, their bodies, and their lives. Venus, maiden, wife, mother, monster—women have been bound so long by these restrictive roles, codified by patriarchal culture, that we scarcely see them. Catherine McCormack illuminates the assumptions behind these stereotypes whether writ large or subtly hidden. She ranges through Western art—think Titian, Botticelli, and Millais—and the image-saturated world of fashion photographs, advertisements, and social media, and boldly counters these depictions by turning to the work of women artists like Morisot, Ringgold, Lacy, and Walker, who offer alternative images for exploring women’s identity, sexuality, race, and power in more complex ways.
Author | : Catherine McCormack |
Publisher | : Icon Books |
Total Pages | : 221 |
Release | : 2021-05-06 |
Genre | : Art |
ISBN | : 1785785907 |
'Incisive and provocative ... a sensitive and probing critique' The New York Times 'Essential reading ... gripping, inspirational, beautifully written and highly thought-provoking' Dr Helen Gørrill, author of Women Can't Paint A bold reconsideration of women in art - from the 'Old Masters' to the posts of Instagram influencers A perfect pin-up, a damsel in distress, a saintly mother, a femme fatale ... Women's identity has long been stifled by a limited set of archetypes, found everywhere in pictures from art history's classics to advertising, while women artists have been overlooked and held back from shaping more empowering roles. In this impassioned book, art historian Catherine McCormack asks us to look again at what these images have told us to value, opening up our most loved images - from those of Titian and Botticelli to Picasso and the Pre-Raphaelites. She also shows us how women artists - from Berthe Morisot to Beyoncé, Judy Chicago to Kara Walker - have offered us new ways of thinking about women's identity, sexuality, race and power. W omen in the Picture gives us new ways of seeing the art of the past and the familiar images of today so that we might free women from these restrictive roles and embrace the breadth of women's vision. 'A call to arms in a world where the misogyny that taints much of the western art canon is still largely ignored' Financial Times 'It felt like the scales were falling from my eyes as I read it.' The Herald
Author | : Susan I. Rotroff |
Publisher | : ASCSA |
Total Pages | : 31 |
Release | : 2006 |
Genre | : Agora (Athens, Greece) |
ISBN | : 0876616449 |
Using evidence from the Athenian Agora, the authors show how objects discovered during excavations provide a vivid picture of women's lives. The book is structured according to the social roles women played: as owners of property, companions (in and outside of marriage), participants in ritual, craftspeople, producers, and consumers. A final section moves from the ancient world to the modern, discussing the role of women as archaeologists in the early years of the Agora excavations.
Author | : Sophia Bennett |
Publisher | : |
Total Pages | : 112 |
Release | : 2019-03 |
Genre | : Art |
ISBN | : 9781849766210 |
This book will introduce young readers to the lives and work of the world's most renowned and inspirational artists. As well as biographical information, this book will look at the creative practices of these women who broke boundaries and exceeded all expectations. As well as biographical entries on over thirty artists, this book will contain unique interviews with living artists including Rachel Whiteread, Yayoi Kusama and Paula Rego. The aim of this book is to reveal the struggles and successes of these artists, demystify the art world, build confidence and inspire a new generation.
Author | : Annette Kuhn |
Publisher | : Verso |
Total Pages | : 304 |
Release | : 1994-09-17 |
Genre | : Performing Arts |
ISBN | : 9781859840108 |
Examination of film theory and feminism
Author | : S. Lucas |
Publisher | : |
Total Pages | : 560 |
Release | : |
Genre | : Art |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 636 |
Release | : 1910 |
Genre | : |
ISBN | : |
Author | : Lucia P. Towne |
Publisher | : |
Total Pages | : 922 |
Release | : 1934 |
Genre | : Church work with women |
ISBN | : |
Author | : Marguerite A. Tassi |
Publisher | : Susquehanna University Press |
Total Pages | : 278 |
Release | : 2005 |
Genre | : Art |
ISBN | : 9781575910857 |
In Elizabethan England, dramatists and painters were both achieving the greatest degree of artistic excellence yet witnessed, but they were also in a state of transition, vying for social status and patronage, as well as struggling against religious reformers' accusations of idolatry and eroticism. This interdisciplinary study brings to light the radical, inventive ways in which dramatists such as Shakespeare, Lyly, and Marston appropriated painting and subtly competed with painters to advance their own art and defend theater against Puritan attacks. They transformed painting into a provocative stage property and trope that enhanced the language of their scripts and the audience's imaginative participation in the drama. At the same time, they reflected a profound ambivalence towards painting by staging scenes with painters and pictures that emphasized the dangerous powers inherent in visual images and image-making.
Author | : Christine Geraghty |
Publisher | : Rowman & Littlefield |
Total Pages | : 236 |
Release | : 2008 |
Genre | : Performing Arts |
ISBN | : 9780742538214 |
Going beyond the process of adaptation, Geraghty is more interested in the films themselves and how they draw on our sense of recall. While a film reflects its literary source, it also invites comparisons to our memories and associations with other versions of the original. For example, a viewer may watch the 2005 big-screen production of Pride and Prejudice and remember Austen's novel as well as the BBC's 1995 television movie. Adaptations also rely on the conventions of genre, editing, acting, and sound to engage our recall--elements that many movie critics tend to forget when focusing solely on faithfulness to the written word.