American Theatre Book of Monologues for Women
Author | : Stephanie Coen |
Publisher | : |
Total Pages | : 184 |
Release | : 2003 |
Genre | : Drama |
ISBN | : |
Audition monologues selected from plays first published in American theatre magazine since 1985.
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Author | : Stephanie Coen |
Publisher | : |
Total Pages | : 184 |
Release | : 2003 |
Genre | : Drama |
ISBN | : |
Audition monologues selected from plays first published in American theatre magazine since 1985.
Author | : Helen Krich Chinoy |
Publisher | : Theatre Communications Grou |
Total Pages | : 602 |
Release | : 2006 |
Genre | : Drama |
ISBN | : 9781559362634 |
First full-scale revision since 1987.
Author | : Jane K. Curry |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 169 |
Release | : 1994-07-21 |
Genre | : Performing Arts |
ISBN | : 0313031096 |
Many women held positions of great responsibility and power in the United States during the 19th century as theatre managers: managing stock companies, owning or leasing theatres, hiring actors and other personnel, selecting plays for production, directing rehearsals, supervising all production details, and promoting their dramatic offerings. Competing in risky business ventures, these women were remarkable for defying societal norms that restricted career opportunities for women. The activities of more than 50 such women are discussed in Nineteenth-Century American Women Theatre Managers, beginning with an account of 15 pioneering women managers who were all managing theatres before 24 December 1853, when Catherine Sinclair, often incorrectly identified as the first woman theatre manager in the United States, opened her theatre in San Francisco.
Author | : Anne Fliotsos |
Publisher | : University of Illinois Press |
Total Pages | : 490 |
Release | : 2008-06-09 |
Genre | : Performing Arts |
ISBN | : 0252032268 |
The first reference tool to focus on American women directors
Author | : Micki Grant |
Publisher | : Samuel French, Inc. |
Total Pages | : 72 |
Release | : 1972 |
Genre | : Music |
ISBN | : 9780573680809 |
"This dynamic mixture of rock, calypso and ballads features a dozen singer-dancers in 20 numbers. In revue-style format, Don't Bother Me ... explores the African American experience through vibrant song and dance."--Publisher
Author | : Sara E. Lampert |
Publisher | : University of Illinois Press |
Total Pages | : 405 |
Release | : 2020-11-09 |
Genre | : Biography & Autobiography |
ISBN | : 0252052234 |
Women performers played a vital role in the development of American and transatlantic entertainment, celebrity culture, and gender ideology. Sara E. Lampert examines the lives, careers, and fame of overlooked figures from Europe and the United States whose work in melodrama, ballet, and other stage shows shocked and excited early U.S. audiences. These women lived and performed the tensions and contradictions of nineteenth-century gender roles, sparking debates about women's place in public life. Yet even their unprecedented wealth and prominence failed to break the patriarchal family structures that governed their lives and conditioned their careers. Inevitable contradictions arose. The burgeoning celebrity culture of the time forced women stage stars to don the costumes of domestic femininity even as the unsettled nature of life in the theater defied these ideals. A revealing foray into a lost time, Starring Women returns a generation of performers to their central place in the early history of American theater.
Author | : August Wilson |
Publisher | : Theatre Communications Grou |
Total Pages | : 54 |
Release | : 2001 |
Genre | : Biography & Autobiography |
ISBN | : 9781559361873 |
August Wilson's radical and provocative call to arms.
Author | : Stephanie Coen |
Publisher | : |
Total Pages | : 200 |
Release | : 2003 |
Genre | : Drama |
ISBN | : |
Audition monologues selected from plays first published in American theatre magazine since 1985.
Author | : Bertram E. Coleman |
Publisher | : McFarland |
Total Pages | : 300 |
Release | : 2008-06-04 |
Genre | : Biography & Autobiography |
ISBN | : |
These essays examine the history of women in musical theatre, providing biographical descriptions; interpretations of their productions; and several accounts of how being a woman affected their careers.
Author | : Patrick Pacheco |
Publisher | : Applause Theatre & Cinema |
Total Pages | : 248 |
Release | : 2017-09-12 |
Genre | : Performing Arts |
ISBN | : 9781495092435 |
(Applause Books). In 1943, a wounded soldier aided by a cane limped into the Stage Door Canteen, the American Theatre Wing's fabled New York club created to entertain the Allied forces. Two hours later, he was said to have left with a spring in his step and without the cane. This "miracle" is recounted in the lavish new book, The American Theatre Wing, an Oral History: 100 Years, 100 Voices, 100 Million Miracles . The other 999,999 miracles are more commonplace, if no less remarkable, told by the impassioned artists and theater advocates who created and sustained this preeminent theatrical organization founded in 1917. While the American Theatre Wing is best known as the founder of the Tony Awards, its mission is also dedicated to preserving the past, celebrating the present, and fostering the future of American theater by developing educational programs and distributing national grants and awards each year to performers and theater companies. The organization also recently took under its wing the irreverent OBIE awards, the top honors for off-Broadway that has become a dynamic pipeline for Broadway. This coffee-table book, celebrating the 100th Anniversary of the American Theatre Wing, is a fascinating cornucopia of untold lore and never-before-seen photos as prismatic and unexpected as the theater itself. The oral history traces the American Theatre Wing as a defender of the country's most romantic ideals through two world wars, presciently establishing an interracial policy at the Stage Door Canteen despite being denounced from the well of the United States Senate. In succeeding decades the ATW has burnished those ideals through its unflagging support of artists from Broadway, Off Broadway, and regional theater many of whom vividly tell their own stories in the book, including Angela Lansbury, Patti LuPone, Audra McDonald, Harold Prince, Neil Patrick Harris, James Corden, and Lin-Manuel Miranda.