Women in American Theatre

Women in American Theatre
Author: Helen Krich Chinoy
Publisher: Theatre Communications Grou
Total Pages: 602
Release: 2006
Genre: Drama
ISBN: 9781559362634

First full-scale revision since 1987.

Nineteenth-Century American Women Theatre Managers

Nineteenth-Century American Women Theatre Managers
Author: Jane K. Curry
Publisher: Bloomsbury Publishing USA
Total Pages: 169
Release: 1994-07-21
Genre: Performing Arts
ISBN: 0313031096

Many women held positions of great responsibility and power in the United States during the 19th century as theatre managers: managing stock companies, owning or leasing theatres, hiring actors and other personnel, selecting plays for production, directing rehearsals, supervising all production details, and promoting their dramatic offerings. Competing in risky business ventures, these women were remarkable for defying societal norms that restricted career opportunities for women. The activities of more than 50 such women are discussed in Nineteenth-Century American Women Theatre Managers, beginning with an account of 15 pioneering women managers who were all managing theatres before 24 December 1853, when Catherine Sinclair, often incorrectly identified as the first woman theatre manager in the United States, opened her theatre in San Francisco.

Don't Bother Me, I Can't Cope

Don't Bother Me, I Can't Cope
Author: Micki Grant
Publisher: Samuel French, Inc.
Total Pages: 72
Release: 1972
Genre: Music
ISBN: 9780573680809

"This dynamic mixture of rock, calypso and ballads features a dozen singer-dancers in 20 numbers. In revue-style format, Don't Bother Me ... explores the African American experience through vibrant song and dance."--Publisher

Starring Women

Starring Women
Author: Sara E. Lampert
Publisher: University of Illinois Press
Total Pages: 405
Release: 2020-11-09
Genre: Biography & Autobiography
ISBN: 0252052234

Women performers played a vital role in the development of American and transatlantic entertainment, celebrity culture, and gender ideology. Sara E. Lampert examines the lives, careers, and fame of overlooked figures from Europe and the United States whose work in melodrama, ballet, and other stage shows shocked and excited early U.S. audiences. These women lived and performed the tensions and contradictions of nineteenth-century gender roles, sparking debates about women's place in public life. Yet even their unprecedented wealth and prominence failed to break the patriarchal family structures that governed their lives and conditioned their careers. Inevitable contradictions arose. The burgeoning celebrity culture of the time forced women stage stars to don the costumes of domestic femininity even as the unsettled nature of life in the theater defied these ideals. A revealing foray into a lost time, Starring Women returns a generation of performers to their central place in the early history of American theater.

The Ground on which I Stand

The Ground on which I Stand
Author: August Wilson
Publisher: Theatre Communications Grou
Total Pages: 54
Release: 2001
Genre: Biography & Autobiography
ISBN: 9781559361873

August Wilson's radical and provocative call to arms.

Women in American Musical Theatre

Women in American Musical Theatre
Author: Bertram E. Coleman
Publisher: McFarland
Total Pages: 300
Release: 2008-06-04
Genre: Biography & Autobiography
ISBN:

These essays examine the history of women in musical theatre, providing biographical descriptions; interpretations of their productions; and several accounts of how being a woman affected their careers.

The American Theatre Wing, an Oral History

The American Theatre Wing, an Oral History
Author: Patrick Pacheco
Publisher: Applause Theatre & Cinema
Total Pages: 248
Release: 2017-09-12
Genre: Performing Arts
ISBN: 9781495092435

(Applause Books). In 1943, a wounded soldier aided by a cane limped into the Stage Door Canteen, the American Theatre Wing's fabled New York club created to entertain the Allied forces. Two hours later, he was said to have left with a spring in his step and without the cane. This "miracle" is recounted in the lavish new book, The American Theatre Wing, an Oral History: 100 Years, 100 Voices, 100 Million Miracles . The other 999,999 miracles are more commonplace, if no less remarkable, told by the impassioned artists and theater advocates who created and sustained this preeminent theatrical organization founded in 1917. While the American Theatre Wing is best known as the founder of the Tony Awards, its mission is also dedicated to preserving the past, celebrating the present, and fostering the future of American theater by developing educational programs and distributing national grants and awards each year to performers and theater companies. The organization also recently took under its wing the irreverent OBIE awards, the top honors for off-Broadway that has become a dynamic pipeline for Broadway. This coffee-table book, celebrating the 100th Anniversary of the American Theatre Wing, is a fascinating cornucopia of untold lore and never-before-seen photos as prismatic and unexpected as the theater itself. The oral history traces the American Theatre Wing as a defender of the country's most romantic ideals through two world wars, presciently establishing an interracial policy at the Stage Door Canteen despite being denounced from the well of the United States Senate. In succeeding decades the ATW has burnished those ideals through its unflagging support of artists from Broadway, Off Broadway, and regional theater many of whom vividly tell their own stories in the book, including Angela Lansbury, Patti LuPone, Audra McDonald, Harold Prince, Neil Patrick Harris, James Corden, and Lin-Manuel Miranda.