Women in Russian Theatre

Women in Russian Theatre
Author: Catherine Schuler
Publisher: Routledge
Total Pages: 278
Release: 2013-06-17
Genre: Performing Arts
ISBN: 113615597X

Women in Russian Theatre is a fascinating feminist counterpoint to the established area of Russian theatre populated by male artists such as Stanislavsky, Chekov and Meyerhold. With unprecedented access to newly-opened files in Russia, Catherine Schuler brings to light the actresses who had an impact upon Russian modernist theatre. Schuler brings to light the extradordinary lives and work of eight Russian actresses who flourished on the stage between the late nineteenth and early twentieth century.

Women in Russian Theatre

Women in Russian Theatre
Author: Catherine Schuler
Publisher: Psychology Press
Total Pages: 276
Release: 1996
Genre: Biography & Autobiography
ISBN: 9780415111058

A fascinating feminist counterpoint to the established area of Russian theatre populated by male artists such as Stanislavsky, Chekov and Meyerhold. Schuler focuses upon the extraordinary lives and work of eight Russian actresses.

Women in Nineteenth-Century Russia

Women in Nineteenth-Century Russia
Author: Wendy Rosslyn
Publisher: Open Book Publishers
Total Pages: 262
Release: 2012
Genre: History
ISBN: 1906924651

"This collection of essays examines the lives of women across Russia--from wealthy noblewomen in St Petersburg to desperately poor peasants in Siberia--discussing their interaction with the Church and the law, and their rich contribution to music, art, literature and theatre. It shows how women struggled for greater autonomy and, both individually and collectively, developed a dynamic presence in Russia's culture and society"--Publisher's description.

Women and Russian Culture

Women and Russian Culture
Author: Rosalind Marsh
Publisher: Berghahn Books
Total Pages: 313
Release: 1998-11-01
Genre: Social Science
ISBN: 1789205921

The image of women in Russian culture has undergone profound changes: from the origins of modern Russian literature in the eighteenth century until the Revolution of 1917, when women were a source of fascination for Russian writers, to the socialist realism period, during which public discussion of the representation of women in literature rapidly declined and the "woman question" was declared to have been "resolved," to a reappraisal of the position of women since the 1980s. This collection of essays by leading western and Russian specialists contains new insights and updates previous research into the role of women in Russian culture in the last two centuries and contributes to two exciting and growing research areas: the feminist critique of work by Russian male authors and the study of Russian women writers. Moreover, whereas most previous studies have concentrated on the aesthetic qualities of works by women writers, this collection includes both close textual analysis and the discussion of biographical, historical, and political questions relating both to the representation of women and women's culture. The aim is not to present aunified manifesto, but rather to bring together a spectrum of approaches and positions within their common focus on the relationship between women and culture in Russia. Contributors: R. Marsh, A. Barker, J. Andrew, D. Greene, I. Kazakova, C. Schuler, S. Graham, K. Hodgson, N. Kolchevska, N. Cornwell, J. Curtis, M. Katz, M. Ledkovsky, P.I. Barta, A. Darmodekhina, D. Gillespie, N. Zhuravkina, B. Lanin, S. Carsten, A. Tait

Historical Dictionary of Russian Theatre

Historical Dictionary of Russian Theatre
Author: Laurence Senelick
Publisher: Rowman & Littlefield
Total Pages: 693
Release: 2015-08-13
Genre: Performing Arts
ISBN: 1442249277

A latecomer continually hampered by government control and interference, the Russian theatre seems an unlikely source of innovation and creativity. Yet, by the middle of the nineteenth century, it had given rise to a number of outstanding playwrights and actors, and by the start of the twentieth century, it was in the vanguard of progressive thinking in the realms of directing and design. Its influence throughout the world was pervasive: Nikolai Gogol', Anton Chekhov and Maksim Gor'kii remain staples of repertories in every language, the ideas of Konstantin Stanislavskii, Vsevolod Meierkhol'd and Mikhail Chekhov continue to inspire actors and directors, while designers still draw on the graphics of the World of Art group and the Constructivists. What distinguishes Russian theater from almost any other is the way in which these achievements evolved and survived in ongoing conflict or cooperation with the State. This second edition of Historical Dictionary of Russian Theatre covers the history through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on individual actors, directors, designers, entrepreneurs, plays, playhouses and institutions, Censorship, Children’s Theater, Émigré Theater, and Shakespeare in Russia. This book is an excellent access point for students, researchers, and anyone wanting to know more about Russian Theatre.

Women in Russian Culture and Society, 1700-1825

Women in Russian Culture and Society, 1700-1825
Author: W. Rosslyn
Publisher: Springer
Total Pages: 264
Release: 2007-10-23
Genre: History
ISBN: 0230589901

Women in Russian Culture and Society, 1700-1825 is a collection of essays by leading researchers shedding new light on women as writers, actresses, nuns and missionaries. It illuminates the lives of merchant and serf women as well as noblewomen and focuses on women's culture in Russia during this period.

Stanislavsky and female actors

Stanislavsky and female actors
Author: Maria Ignatieva
Publisher: University Press of America
Total Pages: 160
Release: 2008-10-07
Genre: Art
ISBN: 0761841792

Every single artistic endeavor in Stanislavsky's life was achieved in close collaboration with female partners. First, it was his own mother, Elizaveta Alekseyeva, who shaped his personality, and encouraged his exploration of theatre. Then it was his artistic mother, Glikeria Fedotova, who guided him through the ten years of his work. Then Maria Lilina, his wife, who became his best student, and later one of the best actresses of the Art Theatre. It would be impossible to understand Stanislavsky's development as an actor and director without his work with Maria Andreyeva, the 'femme fatale' of turn of the century Russian theatre, or Olga Knipper, whom he directed and acted with for forty years. And near the end of his life, when Stanislavsky introduced the method of physical action (metod phizicheskix deistvii), another woman embraced his work, a young actress named Irina Rozanova. Stanislavsky and Female Actors is the exploration of Stanislavsky's artistic and personal relationship with the leading actresses of the Moscow Art Theatre. It seeks to portray their life-long artistic dialogue and offers a new biographical study of the previously unknown spheres of Stanislavsky's life, as well as the lives of the Moscow Art Theatre's principal actresses.

Fruits of Her Plume: Essays on Contemporary Russian Women's Culture

Fruits of Her Plume: Essays on Contemporary Russian Women's Culture
Author: Helena Goscilo
Publisher: Routledge
Total Pages: 303
Release: 2015-05-20
Genre: Political Science
ISBN: 1317470036

The 1980s witnessed the ascendency of Russian women in multiple spheres of artistic creation, including literature, film, and painting. This volume may thus be said to engage not only women's artistic production but, indeed, the best and most colourful of recent Russian culture. Treating contemporary Russian women's creativity, it approaches women's texts, films, and canvasses from a range of perspectives, from anti-gendered to feminist. Some of the essays introduce writers not previously well studied, others challenge conventional interpretations and assumptions, while still others yield original viewpoints through novel juxtapositions. In addition to offering insights into the various artists under analysis, the essays map the wide terrain of issues and methodologies proliferating in cultural criticism today, and mirror the diversity that is one of the most appealing features of women's creativity in contemporary Russia.

Women, Theatre and Performance

Women, Theatre and Performance
Author: Maggie Barbara Gale
Publisher: Manchester University Press
Total Pages: 260
Release: 2000
Genre: Biography & Autobiography
ISBN: 9780719057137

This collection addresses key questions in women's theatre history and retrieves a number of previously "hidden" histories of women performers. The essays range across the past 300 years--topics covered include Susanna Centlivre and the notion of intertheatricality; gender and theatrical space; the repositioning of women performers such as Wagner's Muse, Willhelmina Schröder-Devrient, the Comédie Français' "Mademoiselle Mars," Mme. Arnould-Plessey, and the actresses of the Russian serf theatre.

The Dramatic Works of Catherine the Great

The Dramatic Works of Catherine the Great
Author: Lurana Donnels O'Malley
Publisher: Ashgate Publishing, Ltd.
Total Pages: 260
Release: 2006
Genre: Literary Criticism
ISBN: 9780754656289

The first in-depth study of Catherine the Great's plays and opera libretti, this book provides analysis and critical interpretation of the dramatic works by this eighteenth-century Russian Empress. O'Malley sets close textual analysis within an historical framework, analyzing the major plays according to content, style, themes, characters, and relation to Catherine's life and political aims. The study investigates how Catherine expressed her social ideas throughout her drama and exploited the stage's power to promote her political ideals and ideology.