Woman as Sex Object
Author | : Thomas B. Hess |
Publisher | : London : Allen Lane |
Total Pages | : 264 |
Release | : 1973 |
Genre | : Art |
ISBN | : |
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Author | : Thomas B. Hess |
Publisher | : London : Allen Lane |
Total Pages | : 264 |
Release | : 1973 |
Genre | : Art |
ISBN | : |
Author | : Thomas B. Hess |
Publisher | : |
Total Pages | : 257 |
Release | : 1972 |
Genre | : Erotic art |
ISBN | : 9780882250571 |
Author | : Thomas Hess |
Publisher | : W. W. Norton |
Total Pages | : |
Release | : 1990-02-01 |
Genre | : |
ISBN | : 9780393306170 |
Author | : Linda Nochlin |
Publisher | : Routledge |
Total Pages | : 228 |
Release | : 2018-02-12 |
Genre | : Art |
ISBN | : 0429982623 |
Women, Art, and Power?seven landmark essays on women artists and women in art history?brings together the work of almost twenty years of scholarship and speculation.
Author | : Linda Nochlin |
Publisher | : Routledge |
Total Pages | : 303 |
Release | : 2018-02-12 |
Genre | : Art |
ISBN | : 0429975597 |
A leading critic and historian of nineteenth-century art and society explores in nine essays the interaction of art, society, ideas, and politics.
Author | : Linda Nochlin |
Publisher | : Prentice Hall |
Total Pages | : 210 |
Release | : 1966 |
Genre | : Architecture |
ISBN | : |
"Through a broad selection of familiar central documents and less well-known ones, the author has focused upon the problems faced by innovators in all realms of thought and action in the middle of the 19th century. This book brings a fresh approach to the struggle, in both art and politics, between the established order and the forces of change." --from cover.
Author | : Hollis Clayson |
Publisher | : Getty Publications |
Total Pages | : 224 |
Release | : 2003-10-30 |
Genre | : Art |
ISBN | : 0892367296 |
In this engrossing book, Hollis Clayson provides the first description and analysis of French artistic interest in women prostitutes, examining how the subject was treated in the art of the 1870s and 1880s by such avant-garde painters as Cézanne, Degas, Manet, and Renoir, as well as by the academic and low-brow painters who were their contemporaries. Clayson not only illuminates the imagery of prostitution-with its contradictory connotations of disgust and fascination-but also tackles the issues and problems relevant to women and men in a patriarchal society. She discusses the conspicuous sexual commerce during this era and the resulting public panic about the deterioration of social life and civilized mores. She describes the system that evolved out of regulating prostitutes and the subsequent rise of clandestine prostitutes who escaped police regulation and who were condemned both for blurring social boundaries and for spreading sexual licentiousness among their moral and social superiors. Clayson argues that the subject of covert prostitution was especially attractive to vanguard painters because it exemplified the commercialization and the ambiguity of modern life.