Challenges to Traditional Authority

Challenges to Traditional Authority
Author: Françoise Pascal
Publisher: Renaissance Society of America
Total Pages: 0
Release: 2015
Genre: French drama
ISBN: 9780866985307

The second half of the seventeenth century marked the first major breakthrough for women playwrights in France, as some of them succeeded in getting their works staged, published and taken seriously by critics and authority figures. The four works included here, translated into English for the first time, represent the diversity of genres cultivated by these writers, while reflecting both the cultural milieu of the era and a concern for the status of women. Françoise Pascal's Endymion, a tragicomedy with special effects, daringly reexamines a classical myth. Marie-Catherine Desjardins's Nitetis, a historical tragedy, focuses on the plight of a virtuous and astute queen married to an evil tyrant. Antoinette Deshoulières's Genseric, also a historical tragedy, rejects prevailing models of male heroism and of conventional tragic plots. Catherine Durand's proverb comedies contain a scathing critique of aristocratic mores and give voice to women's desires for emancipation.

Disruptive Acts

Disruptive Acts
Author: Mary Louise Roberts
Publisher: University of Chicago Press
Total Pages: 366
Release: 2017-03-15
Genre: History
ISBN: 022636075X

In fin-de-siècle France, politics were in an uproar, and gender roles blurred as never before. Into this maelstrom stepped the "new women," a group of primarily urban, middle-class French women who became the objects of intense public scrutiny. Some remained single, some entered nontraditional marriages, and some took up the professions of medicine and law, journalism and teaching. All of them challenged traditional notions of womanhood by living unconventional lives and doing supposedly "masculine" work outside the home. Mary Louise Roberts examines a constellation of famous new women active in journalism and the theater, including Marguerite Durand, founder of the women's newspaper La Fronde; the journalists Séverine and Gyp; and the actress Sarah Bernhardt. Roberts demonstrates how the tolerance for playacting in both these arenas allowed new women to stage acts that profoundly disrupted accepted gender roles. The existence of La Fronde itself was such an act, because it demonstrated that women could write just as well about the same subjects as men—even about the volatile Dreyfus Affair. When female reporters for La Fronde put on disguises to get a scoop or wrote under a pseudonym, and when actresses played men on stage, they demonstrated that gender identities were not fixed or natural, but inherently unstable. Thanks to the adventures of new women like these, conventional domestic femininity was exposed as a choice, not a destiny. Lively, sophisticated, and persuasive, Disruptive Acts will be a major work not just for historians, but also for scholars of cultural studies, gender studies, and the theater.

Having It All in the Belle Epoque

Having It All in the Belle Epoque
Author: Rachel Mesch
Publisher: Stanford University Press
Total Pages: 257
Release: 2013-07-03
Genre: Literary Criticism
ISBN: 0804787131

“In this entertaining academic history of these rival magazines, Mesch . . . explores the emergence of the working woman in France.” —Publishers Weekly At once deeply historical and surprisingly timely, Having It All in the Belle Epoque shows how the debates that continue to captivate high-achieving women in America and Europe can be traced back to the early 1900s in France. The first two photographic magazines aimed at women, Femina and La Vie Heureuse created a female role model who could balance age-old convention with new equalities. Often referred to simply as the “modern woman,” this captivating figure embodied the hopes and dreams as well as the most pressing internal conflicts of large numbers of French women during what was a period of profound change. Full of never-before-studied images of the modern French woman in action, Having It All shows how these early magazines exploited new photographic technologies, artistic currents, and literary trends to create a powerful model of French femininity, one that has exerted a lasting influence on French expression. This book introduces and explores the concept of Belle Epoque literary feminism, a product of the elite milieu from which the magazines emerged. Defined by its refusal of political engagement, this feminism was nevertheless preoccupied with expanding women’s roles, as it worked to construct a collective fantasy of female achievement. Through an astute blend of historical research, literary criticism, and visual analysis, Mesch’s study of women’s magazines and the popular writers associated with them offers an original window onto a bygone era that can serve as a framework for ongoing debates about feminism, femininity, and work-life tensions

Women, Work, and the Art of Savoir Faire

Women, Work, and the Art of Savoir Faire
Author: Mireille Guiliano
Publisher: Simon and Schuster
Total Pages: 253
Release: 2009-10-01
Genre: Self-Help
ISBN: 1847378463

This is a book about life, how to make the most of it, how to find your balance when you are working long days and trying to be happy and fulfilled. Mireille Guiliano has written the kind of book she wishes she had been given when starting out in the business world and had at hand along the way.She draws on her own experiences at the forefront of women in business to offer lessons, stories, helpful hints - and even recipes! - that can make the working world a happier and more satisfying part of a well-balanced life. Mireille talks about style, communication skills, risk taking, leadership, etiquette, mentoring, personal relationships and much more, all from a perspective of three decades in business. This book is about helping women (and a few men, peut-etre) feel good about themselves, being challenged and engaged in our working lives, and always looking for pleasure in every single day.

A Belle Epoque?

A Belle Epoque?
Author: Diana Holmes
Publisher: Berghahn Books
Total Pages: 360
Release: 2006-01-01
Genre: Social Science
ISBN: 0857457012

The Third Republic, known as the ‘belle époque’, was a period of lively, articulate and surprisingly radical feminist activity in France, borne out of the contradiction between the Republican ideals of liberty, equality and fraternity and the reality of intense and systematic gender discrimination. Yet, it also was a period of intense and varied artistic production, with women disproving the critical nearconsensus that art was a masculine activity by writing, painting, performing, sculpting, and even displaying an interest in the new "seventh art" of cinema. This book explores all these facets of the period, weaving them into a complex, multi-stranded argument about the importance of this rich period of French women’s history.

Women and the French Tradition

Women and the French Tradition
Author: Horence Leftwich Revenel
Publisher: Forgotten Books
Total Pages: 271
Release: 2015-06-27
Genre: Literary Collections
ISBN: 9781330427187

Excerpt from Women and the French Tradition It is many years now since I owned to myself, with some surprise, that two subjects of study and observation were engrossing my attention more and more, and were proving each for its own sake - at least in that earlier time independent of one another - an unfailing source of interest and reward: and one of those subjects was Women and the other France. I have cared for women, partly no doubt because I am one of them, and that esprit de corps which is only an expanded egotism, finds its account in emphasizing the importance of one's own kind. But partly also, I am sure, for a worthier reason. This has been called the woman's age and every hour she is solicited by new duties and responsibilities - fresh and sometimes unreasonable exactions and demands - to which her nature or her training make her unequal. On the other hand she is assailed and buffeted by the cynical taunts and reproaches of those who resent her growing freedom and intelligence - who would have her petty, frivolous and unworthy that they may continue to exploit her weakness. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Vénus Noire

Vénus Noire
Author: Robin Mitchell
Publisher: University of Georgia Press
Total Pages: 209
Release: 2020-02-15
Genre: History
ISBN: 0820354333

Even though there were relatively few people of color in postrevolutionary France, images of and discussions about black women in particular appeared repeatedly in a variety of French cultural sectors and social milieus. In Vénus Noire, Robin Mitchell shows how these literary and visual depictions of black women helped to shape the country’s postrevolutionary national identity, particularly in response to the trauma of the French defeat in the Haitian Revolution. Vénus Noire explores the ramifications of this defeat in examining visual and literary representations of three black women who achieved fame in the years that followed. Sarah Baartmann, popularly known as the Hottentot Venus, represented distorted memories of Haiti in the French imagination, and Mitchell shows how her display, treatment, and representation embodied residual anger harbored by the French. Ourika, a young Senegalese girl brought to live in France by the Maréchal Prince de Beauvau, inspired plays, poems, and clothing and jewelry fads, and Mitchell examines how the French appropriated black female identity through these representations while at the same time perpetuating stereotypes of the hypersexual black woman. Finally, Mitchell shows how demonization of Jeanne Duval, longtime lover of the poet Charles Baudelaire, expressed France’s need to rid itself of black bodies even as images and discourses about these bodies proliferated. The stories of these women, carefully contextualized by Mitchell and put into dialogue with one another, reveal a blind spot about race in French national identity that persists in the postcolonial present.