Women And Romance Fiction In The English Renaissance
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Author | : Nandini Das |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 255 |
Release | : 2011 |
Genre | : Literary Criticism |
ISBN | : 1409410145 |
Renaissance Romance examines how and why the fears and expectations surrounding the old genre of romance resonated in early modern England. Examining a range of texts and the fiction of Sir Philip Sidney, Robert Greene and Lady Mary Wroth in particular, Das illustrates the sheer cultural persistence of romance, and reveals how a generational consciousness inherent in the genre transformed the new prose fiction of the period.
Author | : Helen Hackett |
Publisher | : Cambridge University Press |
Total Pages | : 245 |
Release | : 2000-09-28 |
Genre | : Literary Criticism |
ISBN | : 0521641454 |
This book, first published in 2000, is a study of women as readers and writers of Renaissance romance.
Author | : Alex Davis |
Publisher | : DS Brewer |
Total Pages | : 276 |
Release | : 2003 |
Genre | : Literary Criticism |
ISBN | : 9780859917773 |
A reinterpretation of the place and significance of chivalric culture in the sixteenth and seventeenth centuries, and what it says about contemporary attitudes to the medieval.
Author | : Sue P. Starke |
Publisher | : Boydell & Brewer |
Total Pages | : 258 |
Release | : 2007 |
Genre | : History |
ISBN | : 184384124X |
The figure of the woman as hero in pastoral romance is shown to grow in importance and complexity in this important new study. The genre of pastoral romance flourished dramatically in Renaissance England between 1590 and 1650. One of its key elements is that it is the daughter, not the son, of the gentle family who increasingly becomes the subject of theromance's attempt to define and illustrate heroism. The pastoral heroine's task is paradoxical: to break out of her pastoral paradise in order to ensure its reconstitution. She is the princess, the shepherdess, the Lady, or the virtuous daughter who becomes a repository of honor and virtue in a changing society where traditional chivalric definitions of honor hold decreasing purchase. This groundbreaking book examines the typical challenges facedby the pastoral romance heroine as she matures within the pastoral locus amoenus: the foundling dilemma; the loop-shaped quest: the rhetorical battle; the chastity threat; the reconciliation of beauty to virtue; and familial reunification. It illustrates how the allegorical, symbolic, and psychological characterizations of pastoral heroines in the works of Sidney, Spenser, Wroth, Fletcher, Milton, and Marvell anticipate developments in the representation of female subjectivities normally associated with the novel. SUE P. STARKE is Associate Professor of English at Monmouth University, New Jersey.
Author | : Corinne Saunders |
Publisher | : John Wiley & Sons |
Total Pages | : 584 |
Release | : 2008-04-15 |
Genre | : Literary Criticism |
ISBN | : 0470999160 |
Romance is a varied and fluid literary genre, notoriously difficult to define. This groundbreaking Companion surveys the many permutations of romance throughout the ages. Considers the literary and historical development of the romance genre from its classical origins to the present day Incorporates discussion of the changing readership of romance and of romance’s special relation to women readers Comprises 30 essays written by leading authorities on different periods and sub-genres Challenges the idea that the appeal of romance is exclusively escapist Draws on a wide range of specific and influential literary examples
Author | : Lori Humphrey Newcomb |
Publisher | : Columbia University Press |
Total Pages | : 354 |
Release | : 2001-12-26 |
Genre | : Literary Criticism |
ISBN | : 9780231504850 |
With the expansion of the publishing industry between the sixteenth and eighteenth centuries, reading for pleasure became possible for an increasing number of people, not just the wealthy and educated. The growth of the book trade produced, alongside elite literature, a parallel popular literature. Lori Humphrey Newcomb examines the proliferation of romances in early modern England, as well as their vilification by elite writers. Using as her case study Robert Greene's Pandosto (1585), an Elizabethan prose romance that inspired Shakespeare's late play, The Winter's Tale, she shows that the two forms of literature influenced each other profoundly. Because Shakespeare's works are considered timeless literary achievements, critics have distanced his plays from his romantic sources—a separation that until now has gone unquestioned. Newcomb undermines this assumption, providing a fascinating account of an early bestseller's incarnations over 250 years of literary history.
Author | : Karen Bamford |
Publisher | : Routledge |
Total Pages | : 235 |
Release | : 2016-05-06 |
Genre | : Literary Criticism |
ISBN | : 1317099400 |
Though recent scholarship has focused both on motherhood and on romance literature in early modern England, until now, no full length volume has addressed the notable intersections between the two topics. This collection contributes to the scholarly investigation of maternity in early modern England by scrutinizing romance narratives in various forms, considering motherhood not as it was actually lived, but as it was figured in the fantasy world of romance by authors ranging from Edmund Spenser to Margaret Cavendish. Contributors explore the traditional association between romance and women, both as readers of fiction and as tellers of ’old wives’ tales,’ as well as the tendency of romance plots, with their emphasis on the family and its reproduction, to foreground matters of maternity. Collectively, the essays in this volume invite reflection on the uses to which Renaissance culture put maternal stereotypes (the virgin mother, the cruel step-dame), as well as the powerful fears and desires that mothers evoke, assuage and sometimes express in the fantasy world of romance.
Author | : Bridget Orr |
Publisher | : Cambridge University Press |
Total Pages | : 380 |
Release | : 2001-08-23 |
Genre | : Drama |
ISBN | : 9780521773508 |
Empire on the English Stage 1660-1714 analyzes Restoration and early eighteenth-century drama in terms of empire.
Author | : Elizabeth Scott-Baumann |
Publisher | : Oxford University Press |
Total Pages | : 897 |
Release | : 2023-01-14 |
Genre | : History |
ISBN | : 0198860633 |
The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 brings together new work by scholars across the globe, from some of the founding figures in early modern women's writing to those early in their careers and defining the field now. It investigates how and where women gained access to education, how they developed their literary voice through varied genres including poetry, drama, and letters, and how women cultivated domestic and technical forms of knowledge from recipes and needlework to medicines and secret codes. Chapters investigate the ways in which women's writing was an integral part of the intellectual culture of the period, engaging with male writers and traditions, while also revealing the ways in which women's lives and writings were often distinctly different, from women prophetesses to queens, widows, and servants. It explores the intersections of women writing in English with those writing in French, Spanish, Latin, and Greek, in Europe and in New England, and argues for an archipelagic understanding of women's writing in Scotland, Wales, Ireland, and England. Finally, it reflects on--and challenges--the methodologies which have developed in, and with, the field: book and manuscript history, editing, digital analysis, premodern critical race studies, network theory, queer theory, and feminist theory. The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 captures the most innovative work on early modern women's writing in English at present.
Author | : M. Suzuki |
Publisher | : Springer |
Total Pages | : 356 |
Release | : 2011-01-19 |
Genre | : Literary Criticism |
ISBN | : 0230305504 |
During the seventeenth century, in response to political and social upheavals such as the English Civil Wars, women produced writings in both manuscript and print. This volume represents recent scholarship that has uncovered new texts as well as introduced new paradigms to further our understanding of women's literary history during this period.