Women Do Genre in Film and Television

Women Do Genre in Film and Television
Author: Mary Harrod
Publisher: Routledge
Total Pages: 0
Release: 2018
Genre: Feminism and mass media
ISBN: 9781138695801

Winner of first Prize in the BAFTSS Best Edited Collection competition, this volume examines how different generations of women work within the genericity of audio-visual storytelling not necessarily to 'undo' or 'subvert' popular formats, but also to draw on their generative force. Recent examples of filmmakers and creative practitioners within and outside Hollywood as well as women working in non-directing authorial roles remind us that women are in various ways authoring commercially and culturally impactful texts across a range of genres. Put simply, this volume asks: what do women who are creatively engaged with audio-visual industries do with genre and what does genre do with them? The contributors to the collection respond to this question from diverse perspectives and with different answers, spanning issues of direction, screenwriting, performance and audience address/reception.

Women and Death in Film, Television, and News

Women and Death in Film, Television, and News
Author: Joanne Clarke Dillman
Publisher: Springer
Total Pages: 319
Release: 2014-11-26
Genre: Performing Arts
ISBN: 1137452285

Dead women litter the visual landscape of the 2000s. In this book, Clarke Dillman explains the contextual environment from which these images have arisen, how the images relate to (and sometimes contradict) the narratives they help to constitute, and the cultural work that dead women perform in visual texts.

A New Gaze

A New Gaze
Author: Concepción Cascajosa Virino
Publisher: Cambridge Scholars Publishing
Total Pages: 240
Release: 2015-10-05
Genre: Performing Arts
ISBN: 1443883980

This book deepens the understanding of the work carried out by professional women in Spanish film and television since the arrival of democracy, a period of radical changes that saw an emergence of female talent. Although most of the literature on women and media deals with female film directors, this book also addresses television, a medium where the presence of women was significant throughout this period. This book makes an important contribution to the study of the history of women in Spanish media, focusing on the work of some well-known names, while also rescuing from oblivion others now forgotten. It brings together scholars from Spain, the United States and Ireland to analyze films and television programs written or directed by female professionals such as Pilar Miró, Josefina Molina, Cecilia Bartolomé, Rosa Montero, Carmen Martín Gaite, Cristina Andreu, Isabel Coixet and Paloma Chamorro. The book also includes four interviews with screenwriter Esmeralda Adam, television executive Carmen Caffarel, filmmaker Ana Díez and television director Matilde Fernández. Their reflections on personal and professional experiences shed light on the changes that took place in Spanish society during this period and the challenges they have faced in their careers.

Renegade Women in Film and TV

Renegade Women in Film and TV
Author: Elizabeth Weitzman
Publisher: Clarkson Potter
Total Pages: 130
Release: 2019-02-05
Genre: Young Adult Nonfiction
ISBN: 0525574549

A charmingly illustrated and timely tribute to the women who broke glass ceilings in film and television, debuting during an historic time of change in the entertainment industry. Renegade Women in Film and TV blends stunning illustrations, fascinating biographical profiles, and exclusive interviews with icons like Barbra Streisand, Rita Moreno, and Sigourney Weaver to celebrate the accomplishments of 50 extraordinary women throughout the history of entertainment. Each profile highlights the groundbreaking accomplishments and essential work of pioneers from the big and small screens, offering little-known facts about household names (Lucille Ball, Oprah Winfrey, Nora Ephron) and crucial introductions to overlooked pioneers (Alla Nazimova, Anna May Wong, Frances Marion). From 19th century iconoclast Alice Guy Blaché to 21st century trailblazer Ava DuVernay, Renegade Women honors the women who succeeded against all odds, changing their industry in front of the camera and behind the scenes.

Female Agencies and Subjectivities in Film and Television

Female Agencies and Subjectivities in Film and Television
Author: Diğdem Sezen
Publisher: Springer Nature
Total Pages: 298
Release: 2020-10-29
Genre: Performing Arts
ISBN: 3030561003

This volume provides an overview of the landscape of mediated female agencies and subjectivities in the last decade. In three sections, the book covers the films of women directors, television shows featuring women in lead roles, and the representational struggles of women in cultural context, with a special focus on changes in the transformative power of narratives and images across genres and platforms. This collection derives from the editors’ multi-year experiences as scholars and practitioners in the field of film and television. It is an effort that aims to describe and understand female agencies and subjectivities across screen narratives, gather scholars from around the world to generate timely discussions, and inspire fellow researchers and practitioners of film and television.

When Women Invented Television

When Women Invented Television
Author: Jennifer Keishin Armstrong
Publisher: HarperCollins
Total Pages: 361
Release: 2021-03-23
Genre: Biography & Autobiography
ISBN: 0062973339

New and Noteworthy —New York Times Book Review Must-Read Book of March —Entertainment Weekly Best Books of March —HelloGiggles “Leaps at the throat of television history and takes down the patriarchy with its fervent, inspired prose. When Women Invented Television offers proof that what we watch is a reflection of who we are as a people.” —Nathalia Holt, New York Times–bestselling author of Rise of the Rocket Girls New York Times–bestselling author of Seinfeldia Jennifer Keishin Armstrong tells the little-known story of four trailblazing women in the early days of television who laid the foundation of the industry we know today. It was the Golden Age of Radio and powerful men were making millions in advertising dollars reaching thousands of listeners every day. When television arrived, few radio moguls were interested in the upstart industry and its tiny production budgets, and expensive television sets were out of reach for most families. But four women—each an independent visionary—saw an opportunity and carved their own paths, and in so doing invented the way we watch tv today. Irna Phillips turned real-life tragedy into daytime serials featuring female dominated casts. Gertrude Berg turned her radio show into a Jewish family comedy that spawned a play, a musical, an advice column, a line of house dresses, and other products. Hazel Scott, already a renowned musician, was the first African American to host a national evening variety program. Betty White became a daytime talk show fan favorite and one of the first women to produce, write, and star in her own show. Together, their stories chronicle a forgotten chapter in the history of television and popular culture. But as the medium became more popular—and lucrative—in the wake of World War II, the House Un-American Activities Committee arose to threaten entertainers, blacklisting many as communist sympathizers. As politics, sexism, racism, anti-Semitism, and money collided, the women who invented television found themselves fighting from the margins, as men took control. But these women were true survivors who never gave up—and thus their legacies remain with us in our television-dominated era. It's time we reclaimed their forgotten histories and the work they did to pioneer the medium that now rules our lives. This amazing and heartbreaking history, illustrated with photos, tells it all for the first time.

Doing Women's Film History

Doing Women's Film History
Author: Christine Gledhill
Publisher: University of Illinois Press
Total Pages: 297
Release: 2015-10-30
Genre: Performing Arts
ISBN: 0252097777

Research into and around women's participation in cinematic history has enjoyed dynamic growth over the past decade. A broadening of scope and interests encompasses not only different kinds of filmmaking--mainstream fiction, experimental, and documentary--but also practices--publicity, journalism, distribution and exhibition--seldom explored in the past. Cutting-edge and inclusive, Doing Women's Film History ventures into topics in the United States and Europe while also moving beyond to explore the influence of women on the cinemas of India, Chile, Turkey, Russia, and Australia. Contributors grapple with historiographic questions that cover film history from the pioneering era to the present day. Yet the writers also address the very mission of practicing scholarship. Essays explore essential issues like identifying women's participation in their cinema cultures, locating previously unconsidered sources of evidence, developing methodologies and analytical concepts to reveal the impact of gender on film production, distribution and reception, and reframing film history to accommodate new questions and approaches. Contributors include: Kay Armatage, Eylem Atakav, Karina Aveyard, Canan Balan, Cécile Chich, Monica Dall'Asta, Eliza Anna Delveroudi, Jane M. Gaines, Christine Gledhill, Julia Knight, Neepa Majumdar, Michele Leigh, Luke McKernan, Debashree Mukherjee, Giuliana Muscio, Katarzyna Paszkiewicz, Rashmi Sawhney, Elizabeth Ramirez Soto, Sarah Street, and Kimberly Tomadjoglou.

Independent Women

Independent Women
Author: Taylor & Francis Group
Publisher: Routledge
Total Pages: 138
Release: 2021-06-08
Genre:
ISBN: 9781032008981

Independent Women: From Film to Television explores the significance for feminism of the increasing representation of women on and behind the screen in television contexts around the world. "Independent" has functioned throughout film and television history as an important euphemism for "feminist,". This volume investigates how this connection plays out in a contemporary environment that popular feminist discourse is constructing as a golden age of television for women. The original essays in the volume offer insights into how post-network television is being valued as a new site of independent production for women. They also examine how these connotations of creative control influence perceptions of both female creators and their content as feminist. Together, they provide a compelling perspective on the feminist consequences of how independence and "indie" have intensified as cultural sensibilities that coincide and engage with the digital transformation of television during the first decades of the 21st century. The chapters in this book were originally published in a special issue of Feminist Media Studies.

Women Watching Television

Women Watching Television
Author: Andrea L. Press
Publisher: University of Pennsylvania Press
Total Pages: 260
Release: 1991-03
Genre: Performing Arts
ISBN: 9780812212860

Women's inclinations to identify with television characters varies with their assessment of the realism of these characters and their social world.

Jewish Women on Stage, Film, and Television

Jewish Women on Stage, Film, and Television
Author: R. Mock
Publisher: Springer
Total Pages: 232
Release: 2016-09-27
Genre: Performing Arts
ISBN: 1137067136

This book exposes and traces a previously unrecognized performance tradition of extraordinary Jewish women in the Diaspora, from Rachel and Sarah Bernhardt in Nineteenth Century France to Roseanne and Sandra Bernhard in late Twentieth Century America.