Women And Embodied Mythmaking In Irish Theatre
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Author | : Shonagh Hill |
Publisher | : Cambridge University Press |
Total Pages | : 269 |
Release | : 2019-08-29 |
Genre | : Art |
ISBN | : 1108485332 |
Provides an historical overview of women's mythmaking and thus their contributions to, and an alternative genealogy of, modern Irish theatre.
Author | : M. Sihra |
Publisher | : Springer |
Total Pages | : 261 |
Release | : 2007-03-14 |
Genre | : Performing Arts |
ISBN | : 0230801455 |
Featuring original essays by leading scholars in the field, this book explores the immense legacy of women playwrights in Irish theatre since the beginning of theTwentieth century. Chapters consider the intersecting contexts of gender, sexuality and the body in order to investigate the broader cultural, political and historical implications of representing 'woman' on the stage. In addition, a number of essays engage with representations of women by a selection of male playwrights in order to re-evaluate familiar contexts and traditions in Irish drama. Features a Foreword by Marina Carr and a useful appendix of Irish women playwrights and their works.
Author | : Noel Ignatiev |
Publisher | : Routledge |
Total Pages | : 289 |
Release | : 2012-11-12 |
Genre | : History |
ISBN | : 1135070695 |
'...from time to time a study comes along that truly can be called ‘path breaking,’ ‘seminal,’ ‘essential,’ a ‘must read.’ How the Irish Became White is such a study.' John Bracey, W.E.B. Du Bois Department of Afro-American Studies, University of Massachussetts, Amherst The Irish came to America in the eighteenth century, fleeing a homeland under foreign occupation and a caste system that regarded them as the lowest form of humanity. In the new country – a land of opportunity – they found a very different form of social hierarchy, one that was based on the color of a person’s skin. Noel Ignatiev’s 1995 book – the first published work of one of America’s leading and most controversial historians – tells the story of how the oppressed became the oppressors; how the new Irish immigrants achieved acceptance among an initially hostile population only by proving that they could be more brutal in their oppression of African Americans than the nativists. This is the story of How the Irish Became White.
Author | : Eamonn Jordan |
Publisher | : Springer |
Total Pages | : 862 |
Release | : 2018-09-18 |
Genre | : Performing Arts |
ISBN | : 1137585889 |
This Handbook offers a multiform sweep of theoretical, historical, practical and personal glimpses into a landscape roughly characterised as contemporary Irish theatre and performance. Bringing together a spectrum of voices and sensibilities in each of its four sections — Histories, Close-ups, Interfaces, and Reflections — it casts its gaze back across the past sixty years or so to recall, analyse, and assess the recent legacy of theatre and performance on this island. While offering information, overviews and reflections of current thought across its chapters, this book will serve most handily as food for thought and a springboard for curiosity. Offering something different in its mix of themes and perspectives, so that previously unexamined surfaces might come to light individually and in conjunction with other essays, it is a wide-ranging and indispensable resource in Irish theatre studies.
Author | : Dan Curley |
Publisher | : Cambridge University Press |
Total Pages | : 289 |
Release | : 2013-07-18 |
Genre | : History |
ISBN | : 1107244528 |
Ovid is today best known for his grand epic, Metamorphoses, and elegiac works like the Ars Amatoria and Heroides. Yet he also wrote a Medea, now unfortunately lost. This play kindled in him a lifelong interest in the genre of tragedy, which informed his later poetry and enabled him to continue his career as a tragedian – if only on the page instead of the stage. This book surveys tragic characters, motifs and modalities in the Heroides and the Metamorphoses. In writing love letters, Ovid's heroines and heroes display their suffering in an epistolary theater. In telling transformation stories, Ovid offers an exploded view of the traditional theater, although his characters never stray too far from their dramatic origins. Both works constitute an intratextual network of tragic stories that anticipate the theatrical excesses of Seneca and reflect the all-encompassing spirit of Roman imperium.
Author | : Marina Carr |
Publisher | : Dramatists Play Service Inc |
Total Pages | : 68 |
Release | : 2003 |
Genre | : Drama |
ISBN | : 9780822218531 |
THE STORY: An accomplished, beautiful forty-year-old woman, The Mai has always sought an exceptional life. Robert, her cellist husband, has always felt stifled by The Mai's ideals of perfection. After seventeen years he leaves her, whereupon she se
Author | : Ronald Carter |
Publisher | : Psychology Press |
Total Pages | : 598 |
Release | : 2001 |
Genre | : English language |
ISBN | : 9780415243179 |
This is a guide to the main developments in the history of British and Irish literature, charting some of the main features of literary language development and highlighting key language topics.
Author | : Marina Carr |
Publisher | : Dramatists Play Service, Inc. |
Total Pages | : 60 |
Release | : 2010 |
Genre | : Drama |
ISBN | : 9780822224167 |
THE STORY: A passionate woman--mother of eight children and wife to a remorseful husband--now facing death, looks back over her life and asks what could have been. Pathos and bitter humor mix in this powerful play from one of Ireland's leading dramat
Author | : Marina Carr |
Publisher | : Faber & Faber |
Total Pages | : 84 |
Release | : 2023-11-09 |
Genre | : Performing Arts |
ISBN | : 0571389198 |
Winner of the Susan Smith Blackburn Prize, 1997. 'Carr's harrowing play has the scale and anguish of myth, and the immediacy of a contemporary anecdote.' Independent on Sunday There's a wolf tooth growin in me heart and it's turnin me from everywan and everthin I am. Portia Coughlan lives life in monstrous limbo, haunted by a yearning for her spectral twin brother lying at the bottom of the Belmont river, unable to find any love for her wealthy husband and children, seeking solace in soulless affairs, deeply afraid of what she might do. Portia Coughlan premiered on the Abbey Theatre's Peacock Stage, Dublin, in April 1996 and transferred to the Royal Court Theatre, London, in May that year. It was revived at the Almeida Theatre, London, in October 2023. 'Taut and haunting, funny and sad . . . Carr plays with time and place to resonant, ultimately devastating effect.' The Stage 'One of the most important Irish plays of the twentieth century.' Arts Review 'Marina Carr goes to a deep place that has not just to do with society now but that touches an inner tragedy of existence. The female quality of her writing comes through not only in the way she writes about women, it's in the physicality in her writing. She is right in there with the cycles of life, with the blood and the dirt.' Joyce McMillan, New York Times
Author | : Gay Gibson Cima |
Publisher | : Cornell University Press |
Total Pages | : 252 |
Release | : 1993 |
Genre | : Drama |
ISBN | : 9780801483370 |
Argues that critics have misunderstood the relationship between male playwrights and women's roles because they have neglected the interpretive skills of the actresses playing those roles. Analyzes hypothetical as well as historical performances to demonstrate how women have invented acting styles to portray women created by playwrights from Ibsen to Beckett. Annotation copyright by Book News, Inc., Portland, OR