Women And Dionysus
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| Author | : Maggy Anthony |
| Publisher | : Routledge |
| Total Pages | : 128 |
| Release | : 2020-11-09 |
| Genre | : Psychology |
| ISBN | : 0429879695 |
Women and Dionysus links repression of the Dionysian spirit in Western culture with the rise of the patriarchy over the course of two millennia. It effectively draws aconnection between Dionysus and women throughout history, with examples from cultures both past and present, and the author’s own experiences. Maggy Anthony explores Dionysus’ role as god of the vine, creativity and passion, and his impact on art and literature. The book examines the Dionysian influence on creative older women, including Georgia O’Keeffe, Martha Graham and Marguerite Duras; examines Dionysus in mythology, history and religion; and considers connections to mysticism and the Renaissance. Anthony goes on to explore how women’s expressions of creativity through healing, wine-drinking and dancing were condemned in history, and how modern African and Latin American rites contrast with Western traditions. Finally, the book looks at ‘outbreaks’ of modern Dionysian spirit - from Haight-Ashbury to the Burning Man festival - and speculates on its future. This unique study will be essential reading for academics and scholars of Jungian and post-Jungian studies, and for analytical and depth psychologists, particularly those with an interest in female individuation, creativity, and spirituality.
| Author | : Walter F. Otto |
| Publisher | : Indiana University Press |
| Total Pages | : 300 |
| Release | : 1965 |
| Genre | : Philosophy |
| ISBN | : 9780253208910 |
"Who is Dionysus? The god of ecstasy and terror, of wildness and of the most blessed deliverance, and the mad god whose appearance sends mankind into madness. In this classic study of the myth and cult of Dionysus, Walter F. Otto recreates the theological world of ancient Greek religion. Otto's provocative starting point is to accept the immanent reality of the gods. To understand the cult of Dionysus, it is necessary to reimagine the original vision of the god. Otto challenges us to understand the power of this vision not as a bloodless abstraction but as a force animating belief, to see the myth and art of Dionysus as a passionate search to regain the power of the lost gof."--Back cover.
| Author | : Sue Blundell |
| Publisher | : Harvard University Press |
| Total Pages | : 260 |
| Release | : 1995 |
| Genre | : History |
| ISBN | : 9780674954731 |
Largely excluded from any public role, the women of ancient Greece nonetheless appear in various guises in the art and writing of the period, and in legal documents. These representations, in Sue Blundell's analysis, reveal a great deal about women's day-to-day experience as well as their legal and economic position - and how they were regarded by men.
| Author | : Vikki Bramshaw |
| Publisher | : |
| Total Pages | : 242 |
| Release | : 2013-12 |
| Genre | : Body, Mind & Spirit |
| ISBN | : 9781905297672 |
"There was 'no god more present' than Dionysos: that is, out of all the ancient gods Dionysos was one of the few who people felt that they could reach out and touch" Chapter 4: A God of Many Forms Dionysos: Exciter to Frenzy is a phenomenal scholarly exploration of one of the most complex, liminal and paradoxical gods of the ancient world. In this journey through the realms of Dionysos, the author Vikki Bramshaw guides the reader through the mysterious world of the multifaceted Dionysos, revealing his hidden faces and forms, demonstrating his presence in different cultures, the growth cycles of nature, the establishment of theatre and even the ancient Greek calendar. The roots of the wine god Dionysos, like his vines, spread throughout the ancient world. From the Cretan Zagreus, to the Thracian Sabazios and the Egyptian Iachen, his stories permeated the myths and traditions of both the untamed wilderness and the culture of cities such as Athens. Joined by slaves and rulers, wild flesh-ripping Maenads and vegetarian Orphics, wine-makers and hunters, the thrice-born Dionysos danced his way through the challenges of rebirth and initiation, with the liberating ecstasy of trance and possession. The god Dionysos unites opposites, he is many-formed, dying yet eternal, chthonian and heavenly. His ancient myths, mystical symbols, pagan rites and incarnations represent a uniquely detailed and relevant perspective of the transformation he brings through prophecy and personal liberation which is still relevant today.
| Author | : Alberto Bernabé |
| Publisher | : Walter de Gruyter |
| Total Pages | : 700 |
| Release | : 2013-06-26 |
| Genre | : History |
| ISBN | : 3110301326 |
This book contributes to the understanding of Dionysos, the Greek god of wine, dancing, theatre and ecstasy, by putting together 30 studies of classical scholars. They combine the analysis of specific instances of particular dimensions of the god in cult, myth, literature and iconography, with general visions of Dionysos in antiquity and modern times. Only from the combination of different perspectives can we grasp the complex personality of Dionysos, and the forms of his presence in different cults, literary genres, and artistic forms, from Mycenaean times to late antiquity. The ways in which Dionysos was experienced may vary in each author, each cult, and each genre in which this god is involved. Therefore, instead of offering a new all-encompassing theory that would immediately become partial, the book narrows the focus on specific aspects of the god. Redefinition does not mean finding (again) the essence of the god, but obtaining a more nuanced knowledge of the ways he was experienced and conceived in antiquity.
| Author | : Cornelia Isler-Kerényi |
| Publisher | : BRILL |
| Total Pages | : 310 |
| Release | : 2014-11-14 |
| Genre | : Religion |
| ISBN | : 9004270124 |
Dionysos, with his following of satyrs and women, was a major theme in a big part of the figure painted pottery in 500-300 B.C. Athens. As an original testimonial of their time, the imagery on these vases convey what this god meant to his worshippers. It becomes clear that he was not only appropriate for wine, wine indulgence, ecstasy and theatre. Rather, he was presenton many, both happy and sad, occasions. The vase painters have emphasized different aspects of Dionysos for their customers inside and outside of Athens, depending on the political and cultural situation.
| Author | : Maggy Anthony |
| Publisher | : Routledge |
| Total Pages | : 94 |
| Release | : 2020-11-09 |
| Genre | : Psychology |
| ISBN | : 0429879709 |
Women and Dionysus links repression of the Dionysian spirit in Western culture with the rise of the patriarchy over the course of two millennia. It effectively draws aconnection between Dionysus and women throughout history, with examples from cultures both past and present, and the author’s own experiences. Maggy Anthony explores Dionysus’ role as god of the vine, creativity and passion, and his impact on art and literature. The book examines the Dionysian influence on creative older women, including Georgia O’Keeffe, Martha Graham and Marguerite Duras; examines Dionysus in mythology, history and religion; and considers connections to mysticism and the Renaissance. Anthony goes on to explore how women’s expressions of creativity through healing, wine-drinking and dancing were condemned in history, and how modern African and Latin American rites contrast with Western traditions. Finally, the book looks at ‘outbreaks’ of modern Dionysian spirit - from Haight-Ashbury to the Burning Man festival - and speculates on its future. This unique study will be essential reading for academics and scholars of Jungian and post-Jungian studies, and for analytical and depth psychologists, particularly those with an interest in female individuation, creativity, and spirituality.
| Author | : Michael H. Jameson |
| Publisher | : Cambridge University Press |
| Total Pages | : 496 |
| Release | : 2014-10-16 |
| Genre | : History |
| ISBN | : 1316123197 |
This volume assembles fourteen highly influential articles written by Michael H. Jameson over a period of nearly fifty years, edited and updated by the author himself. They represent both the scope and the signature style of Jameson's engagement with the subject of ancient Greek religion. The collection complements the original publications in two ways: firstly, it makes the articles more accessible; and secondly, the volume offers readers a unique opportunity to observe that over almost five decades of scholarship Jameson developed a distinctive method, a signature style, a particular perspective, a way of looking that could perhaps be fittingly called a 'Jamesonian approach' to the study of Greek religion. This approach, recognizable in each article individually, becomes unmistakable through the concentration of papers collected here. The particulars of the Jamesonian approach are insightfully discussed in the five introductory essays written for this volume by leading world authorities on polis religion.
| Author | : David D. Leitao |
| Publisher | : Cambridge University Press |
| Total Pages | : 321 |
| Release | : 2012-04-30 |
| Genre | : History |
| ISBN | : 1107017289 |
This book traces the image of the pregnant male as it evolves in classical Greek literature. Originating as a representation of paternity and, by extension, "authorship" of creative works, the image later comes to function also as a means to explore the boundary between the sexes.
| Author | : Matthew Dillon |
| Publisher | : Routledge |
| Total Pages | : 452 |
| Release | : 2003-09-02 |
| Genre | : History |
| ISBN | : 113436508X |
It has often been thought that participation in fertility rituals was women's most important religious activity in classical Greece. Matthew Dillon's wide-ranging study makes it clear that women engaged in numerous other rites and cults, and that their role in Greek religion was actually more important than that of men. Women invoked the gods' help in becoming pregnant, venerated the god of wine, worshipped new and exotic deities, used magic for both erotic and pain-relieving purposes, and far more besides. Clear and comprehensive, this volume challenges many stereotypes of Greek women and offers unexpected insights into their experience of religion. With more than fifty illustrations, and translated extracts from contemporary texts, this is an essential resource for the study of women and religion in classical Greece.
