Women And Contemporary Art In The Gulf
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| Author | : Sabrina DeTurk |
| Publisher | : Taylor & Francis |
| Total Pages | : 104 |
| Release | : 2022-10-14 |
| Genre | : Art |
| ISBN | : 1000810674 |
Women and Contemporary Art in the Gulf offers a unique focus on the roles of women in contemporary art, cultural production and arts institutions in the Gulf. Drawing on in-person experiences of the art and sites discussed, as well as research on regional artists and arts institutions, DeTurk argues that the Gulf Cooperation Council (GCC) countries of Bahrain, Kuwait, Oman, Qatar, Saudi Arabia and the United Arab Emirates have been largely excluded from the critical discourse about, and display of, contemporary Middle Eastern art. The book addresses this oversight by providing an examination of the work of several contemporary women artists from the Gulf region. DeTurk also discusses the role of women in museums and cultural institutions in the region, as well as the education systems available to emerging women artists. The discussion and analysis at the heart of the book connect to a range of larger themes, including the visual culture of patriarchy, connection to material culture and heritage, religious beliefs, trade and migration, rapid development, and the need to envision and create a post-oil economy. Women and Contemporary Art in the Gulf, with its examination of the critical role women play in the formation of the cultural landscape of the Gulf, is an important contribution to discourse around the changing role of the GCC. It will be essential reading for scholars and students engaged in the study of art history, visual culture, museums and heritage, and women and gender studies.
| Author | : Sarina Wakefield |
| Publisher | : Routledge |
| Total Pages | : 290 |
| Release | : 2020-12-17 |
| Genre | : Art |
| ISBN | : 0429624336 |
Museums of the Arabian Peninsula offers new insights into the history and development of museums within the region. Recognising and engaging with varied approaches to museum development and practice, the book offers in-depth critical analyses from a range of viewpoints and disciplines. Drawing on regional and international scholarship, the book provides a critical and detailed analysis of museum and heritage institutions in Bahrain, Jordan, Kuwait, Oman, Qatar, Saudi Arabia, the UAE and Yemen. Questioning and engaging with issues related to the institutionalisation of cultural heritage, contributors provide original analyses of current practice and challenges within the region. Considering how these challenges connect to broader issues within the international context, the book offers the opportunity to examine how museums are actively produced and consumed from both the inside and the outside. This critical analysis also enables debates to emerge that question the appropriateness of existing models and methods and provide suggestions for future research and practice. Museums of the Arabian Peninsula offers fresh perspectives that reveal how Gulf museums operate from local, regional and transnational perspectives. The volume will be a key reference point for academics and students working in the fields of museum and heritage studies, anthropology, cultural studies, history, politics and Gulf and Middle East Studies.
| Author | : John Gosslee |
| Publisher | : |
| Total Pages | : 224 |
| Release | : 2018-10-28 |
| Genre | : |
| ISBN | : 9780764356537 |
This one-of-a-kind compendium serves as a reminder of women's strength in the contemporary art market place, and acts as testament to the innovation, power, and necessity of women's art and its influence. Featuring a select group of living women artists and architects who have made significant and groundbreaking contributions to contemporary art, the volume profiles an international cross-section of women artists--from emerging to established--who address critical, social, environmental, psychological, historical, and social issues through their art. Included are works by five MacArthur Foundation Fellows. Ultimately, this book promotes women artists in an ongoing dialogue through the exploration of their work and process, while offering fresh perspectives on feminism and notions of cultural power. Readers receive a unique glimpse of seminal works such as Judy Chicago's The Dinner Party, as well as brand new pieces inspired by The Women's March on Washington in 2017. Complete with a foreword by Elizabeth Sackler, PhD, this compilation is ideal for educators, students, curators, collectors, and all those who support the arts.
| Author | : Gregory Sholette |
| Publisher | : New Directions in Contemporary Art |
| Total Pages | : 144 |
| Release | : 2021-09-02 |
| Genre | : |
| ISBN | : 9781848224414 |
Since the global financial crash of 2008, artists have become increasingly engaged in a wide range of cultural activism targeted against capitalism, political authoritarianism, colonial legacies, gentrification, but also in opposition to their own exploitation. This book critiques, celebrates and historicises activist art, exploring its current urgency alongside the processes which have given rise to activism by artists, and activist forms of art. Author Gregory Sholette approaches his subject from the unusual dual perspective of commentator (as scholar and writer) and insider (as activist artist). He describes a new wave of activist art taking place not only within community-based protest groups, as it has for decades, but also amongst professionally trained, MFA-bearing art practitioners, many of whom, by choice or by circumstance, refuse to respect the conventional borders separating painting from protest, or art from utility. The book explores the subtle distinction between activist forms of art and protest by artists, and proposes that contemporary activist art and art activism constitute a broader paradigm shift that reflects the crisis of contemporary capitalism.
| Author | : Zainab Bahrani |
| Publisher | : P.S.1 Contemporary Art Center |
| Total Pages | : 275 |
| Release | : 2019-11-05 |
| Genre | : Art |
| ISBN | : 9780996893084 |
This exhibition catalogue, accompanying the major building-wide exhibition Theater of Operations: The Gulf Wars 1991-2011, includes four new commissioned texts by scholars of Iraqi art Zainab Bahrani, Rijin Sahakian, and Nada Shabout, as well as a media-focused critique from McKenzie Wark. The book will also feature essays from our curators Ruba Katrib and Peter Eleey, as well as critical reproductions from contemporaneous media artifacts, ranging from the Baghdad Diaries--the personal diaries during Iraqi occupation and sanction of artist Nuha Al-Radi--as well as entries from the still-anonymous blogger Riverbend's Baghdad Burning blog chronicling her time living under occupation, as well as texts from Serge Daney, Jean Baudrillard. As this conflict was the first to disseminate via a 24hr televised news cycle, this publication examines the impact of this period of ongoing conflict and its pervasive effects on visual culture.
| Author | : Nele Lenze |
| Publisher | : Routledge |
| Total Pages | : 283 |
| Release | : 2018-09-03 |
| Genre | : Social Science |
| ISBN | : 1351061682 |
This book examines the civil–social interactions which have shaped and continue to influence the political and social development of modern Gulf societies. It analyses the influence of public and private social spaces, such as sports arenas and dawawin as well as developments in the legal and cultural spheres. Geographically, the volume covers Bahrain, Iran, Kuwait, Oman, Qatar, Saudi Arabia and the UAE. Each chapter discusses a different aspect of current trends in society, offering a multidimensional perspective on recent developments. In so doing, the chapters highlight the existence of a growing participation culture as a force for dynamic social change in a global context. Bringing to attention the continuing social change in public and private spaces, which have increased public social interactions within the last ten years, this books also demonstrates the opening of dialogues between the public and the authorities. The contributors are established scholars living in the Gulf, as well as academics with long-term field research in the region, thus providing unique perspectives on current sociopolitical trends in the Gulf states. Participation Culture in the Gulf will be useful to students and scholars of Middle Eastern politics and society, as well as social movements and political participation more generally.
| Author | : Miriam Cooke |
| Publisher | : Univ of California Press |
| Total Pages | : 223 |
| Release | : 2014-01-21 |
| Genre | : History |
| ISBN | : 0520957261 |
In the 1970s, one of the most torrid and forbidding regions in the world burst on to the international stage. The discovery and subsequent exploitation of oil allowed tribal rulers of the U.A.E, Qatar, Bahrain, and Kuwait to dream big. How could fishermen, pearl divers and pastoral nomads catch up with the rest of the modernized world? Even today, society is skeptical about the clash between the modern and the archaic in the Gulf. But could tribal and modern be intertwined rather than mutually exclusive? Exploring everything from fantasy architecture to neo-tribal sports and from Emirati dress codes to neo-Bedouin poetry contests, Tribal Modern explodes the idea that the tribal is primitive and argues instead that it is an elite, exclusive, racist, and modern instrument for branding new nations and shaping Gulf citizenship and identity—an image used for projecting prestige at home and power abroad.
| Author | : Laurence Madeline |
| Publisher | : Yale University Press |
| Total Pages | : 289 |
| Release | : 2017-01-01 |
| Genre | : Art |
| ISBN | : 0300223935 |
Paris was the epicenter of art during the latter half of the nineteenth century, luring artists from around the world with its academies, museums, salons, and galleries. Despite the city's cosmopolitanism and its cultural stature, Parisian society remained strikingly conservative, particularly with respect to gender. Nonetheless, many women painters chose to work and study in Paris at this time, overcoming immense obstacles to access the city's resources. 'Women Artists in Paris, 1850-1900' showcases the remarkable artistic production of women during this period of great cultural change, revealing the breadth and strength of their creative achievements. Guest Curator Laurence Madeline (Chief Curator at Musées d'art et d'histoire, Geneva) has selected close to seventy compelling paintings by women of varied nationalities, ranging from well-known artists such as Berthe Morisot, Mary Cassatt, and Rosa Bonheur, to lesser-known figures such as Kitty Kielland, Louise Breslau, and Anna Ancher.
| Author | : Rose Issa |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2019 |
| Genre | : Art, Arab |
| ISBN | : 9780863566882 |
This beautifully produced volume includes over 150 artworks by 50 contemporary Arab artists whose groundbreaking works reflect the pulse of region.
| Author | : Guerrilla Girls (Group of artists) |
| Publisher | : Harper Perennial |
| Total Pages | : 108 |
| Release | : 1995 |
| Genre | : Antiques & Collectibles |
| ISBN | : |
Since 1985, a group of anonymous women wearing gorilla masks and brandishing glue brushes have taken zap actions at the art world's "stale, male, Yale" establishment. Their wonderfully smart-ass posters (example: "Advantages of being a woman artist: Working without the pressure of success, knowing your career might pick up after you're eighty..".) have bedecked city walls, converted elitist curators, become collector's items, and even found their way into museum collections. Their work - and this book - offers proof that humor is a great, blunt-edged weapon against evil. The Guerrilla Girls are a collective of female artists and art-world professionals. Their largest contingent is in New York, but they have also been sighted all over the United States, across Europe, and wherever truth, justice, and the American way of discrimination still prevail.
