(Woman) Writer
Author | : Joyce Carol Oates |
Publisher | : Dutton Books |
Total Pages | : 424 |
Release | : 1988 |
Genre | : Language Arts & Disciplines |
ISBN | : |
Unpublished printer's proof of the title: (Woman writer): occasions and opportunities.
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Author | : Joyce Carol Oates |
Publisher | : Dutton Books |
Total Pages | : 424 |
Release | : 1988 |
Genre | : Language Arts & Disciplines |
ISBN | : |
Unpublished printer's proof of the title: (Woman writer): occasions and opportunities.
Author | : Mary Poovey |
Publisher | : University of Chicago Press |
Total Pages | : 309 |
Release | : 1985-02-15 |
Genre | : Literary Criticism |
ISBN | : 0226675289 |
"A brilliant, original, and powerful book. . . . This is the most skillful integration of feminism and Marxist literary criticism that I know of." So writes critic Stephen Greenblatt about The Proper Lady and the Woman Writer, Mary Poovey's study of the struggle of three prominent writers to accommodate the artist's genius to the late eighteenth- and early nineteenth-century ideal of the modest, self-effacing "proper lady." Interpreting novels, letters, journals, and political tracts in the context of cultural strictures, Poovey makes an important contribution to English social and literary history and to feminist theory. "The proper lady was a handy concept for a developing bourgeois patriarchy, since it deprived women of worldly power, relegating them to a sanctified domestic sphere that, in complex ways, nourished and sustained the harsh 'real' world of men. With care and subtle intelligence, Poovey examines this 'guardian and nemesis of the female self' through the ways it is implicated in the style and strategies of three very different writers."—Rachel M. Brownstein, The Nation "The Proper Lady and the Woman Writer is a model of . . . creative discovery, providing a well-researched, illuminating history of women writers at the turn of the nineteenth century. [Poovey] creates sociologically and psychologically persuasive accounts of the writers: Wollstonecraft, who could never fully transcend the ideology of propriety she attacked; Shelley, who gradually assumed a mask of feminine propriety in her social and literary styles; and Austen, who was neither as critical of propriety as Wollstonecraft nor as accepting as Shelley ultimately became."—Deborah Kaplan, Novel
Author | : Éilís Ní Dhuibhne |
Publisher | : Syracuse University Press |
Total Pages | : 0 |
Release | : 2022-01-28 |
Genre | : Literary Collections |
ISBN | : 9781851322510 |
Mapping the changes that have occurred in Irish literature over the past fifty years, this volume includes twenty-one writers, poets, and playwrights from the North and South of Ireland, who tell their own stories. They are funny, tragic, angry, philosophical, but all are vivid personal accounts of their experiences as women writing during a pivotal period in the history of Ireland. With a foreword by Martina Devlin, and an introduction by Éilís Ní Dhuibhne, the anthology includes essays by Cherry Smyth, Mary Morrissy, Lia Mills, Moya Cannon, Aine Ní Ghlinn, Catherine Dunne, Éilís Ní Dhuibhne, Mary O'Donnell, Mary O'Malley, Ruth Carr, Evelyn Conlon, Anne Devlin, Ivy Bannister, Sophia Hillan, Medbh McGuckian, Mary Dorcey, Celia de Fréine, Máiríde Woods, Liz McManus, Mary Rose Callaghan, and Phyl Herbert.
Author | : Janet Lynn Roseman |
Publisher | : Routledge |
Total Pages | : 170 |
Release | : 2014-01-14 |
Genre | : Fiction |
ISBN | : 131771900X |
The Way of the Woman Writer, Second Edition continues the work of the inspirational original, offering guidance to women who wish to document their lives in writing. More a template than a how-to manual, this insightful book addresses the concerns, needs, and issues of women writers (both aspiring and experienced), concentrating on the internal process of putting thought to paper, including new chapters on the creative process and the ethics and integrity of writing. The author, Dr. Janet Lynn Roseman, offers writing exercises in women's autobiography that draw on the significant rhythms of a woman's life, utilizing visualization and meditation techniques to amplify the inner writing voice. From the author: "What strikes me in re-examining the text of this book is just how timeless the subject of chronicling women's lives is. When we pass down our stories and share them with family and friends, we provide future generations with the opportunity to not only understand the lives of each woman, but we are able to gain insight into their unique experiences." The Way of the Woman Writer, Second Edition includes new writing samples and new chapters on: “The Creative Spirit,” which presents a seven-step guide to the creative process-ritual, surrender, silence, waiting, trust, recognition, and distance “The Ethics and Integrity of Writing,” which addresses the discipline and courage a writer needs when dealing with the effects of her autobiographical “truths” on others The Way of the Woman Writer, Second Edition is an essential resource for creative writing courses, oral history courses, writer's workshops, and women's studies programs, and an invaluable guide for any woman who wishes to tell her story.
Author | : Nancy Mairs |
Publisher | : Beacon Press |
Total Pages | : 180 |
Release | : 1997-01-19 |
Genre | : Literary Criticism |
ISBN | : 9780807060070 |
Voice Lessons is a book about writing from a woman with a remarkable story to tell and an utterly distinctive voice in which to tell it. Nancy Mairs's essays have been called "triumphs... of will, style, candor, thought and even form" (Los Angeles Times). She has won acclaim for her autobiographical writing on themes from living with depression to renewing a marriage, from sex to religion. In Voice Lessons, Mairs's subjects are literary, but as always her approach is personal, revealing, and inspiring. Mairs first shares her sharply drawn story on how "finding a voice" as an essayist transformed her life when she was a graduate student, wife, and mother in her late thirties. In a tribute to the liberating power of literature and feminist ideas, she shows how the words of other writers made possible a new career, a new life in difficult times. Voice Lessons goes on to explore other women's writing and to outline a singular kind of literary life. Always grounding her writing in personal experience, always making ideas concrete, Mairs gives us essays on writing and the body, the challenges of autobiography, the revelatory power of Virginia Woolf and Alice Walker, the literature of personal disaster, and the art of dealing with rejection. Articulate, witty, incisive, and inspirational, Voice Lessons is a book for writers and aspiring writers, and for everyone who loves women's writing.
Author | : Rita Lakin |
Publisher | : Rowman & Littlefield |
Total Pages | : 306 |
Release | : 2000-01-01 |
Genre | : Biography & Autobiography |
ISBN | : 1495050467 |
Rita Lakin was a pioneer – a female scriptwriter in the early 1960s when Hollywood television was exclusively male. For years, in creative meetings she was literally “the only woman in the room.” In this breezy but heartfelt remembrance, Lakin takes readers to a long-forgotten time when women were not considered worthy or welcome at the creative table. Widowed with three young children, she talked herself into a secretarial job at Universal Studios in 1962, despite being unable to type or take dictation. With guts, skill, and humor, she rose from secretary to freelancer, to staff writer, to producer, to executive producer and showrunner, meeting hundreds of famous and infamous show biz legends along the way during her long and unexpected career. She introduced many women into the business and was a feminist before she even knew she was one. The general public did not know her name, but Lakin touched the lives of millions of viewers week after week, year after year. The relevance of her personal journey – charming yet occasionally shocking – will be an eye-opener to present-day who take for granted the abundance of female creative talent in today's Hollywood.
Author | : Katharina M. Wilson |
Publisher | : University of Georgia Press |
Total Pages | : 401 |
Release | : 1984 |
Genre | : Literary Collections |
ISBN | : 082030641X |
This is one of the first anthologies devoted to the writings of women in the Middle Ages. The fifteen women whose works are represented span seven centuries, eight languages, and ten regions or nationalities. Many are recognized, taught, and anthologized in their own countries but have been inaccessible to students in English. Others are little read today because their literary fortunes have paralleled fluctuations in literary taste and literary patronage. Katharina M. Wilson's introduction to the volume places these writers in historical context and explores the question of the female imagination and who these women were who were writing at a time when very few women were literate and most literature, sacred and secular, was penned by men. Each of the fifteen chapters has been written by a different scholar and includes a biographical and critical introduction to the writer, a representative selection of her works in translation, and a bibliography.
Author | : Maria Wikse |
Publisher | : Peter Lang |
Total Pages | : 232 |
Release | : 2006 |
Genre | : Literary Criticism |
ISBN | : 9783039107056 |
Janet Frame's literary career was inextricably woven into the fabric of the twentieth-century New Zealand literary scene. However, she also became New Zealand's best-known international writer and her great literary influence in both fields has not been charted before now. This study also seeks to redress the excessive commitment in scholarship to maintaining, even celebrating, Frame's reputation as a psychologically disturbed writer. This book surveys all aspects of Janet Frame's biographical legend by considering her later literary and autobiographical works, Jane Campion's film adaptation of the autobiographies, An Angel at my Table, as well as biographies and literary histories that both rely on and contribute to her well-known legend. In doing so, the author hopes to offer novel perspectives on Frame's literary production, on Frame scholarship, on auto/biographical theories and on New Zealand literary history.
Author | : Lyde Cullen Sizer |
Publisher | : Univ of North Carolina Press |
Total Pages | : 367 |
Release | : 2003-06-19 |
Genre | : History |
ISBN | : 0807860980 |
This volume explores the lives and works of nine Northern women who wrote during the Civil War period, examining the ways in which, through their writing, they engaged in the national debates of the time. Lyde Sizer shows that from the 1850 publication of Uncle Tom's Cabin through Reconstruction, these women, as well as a larger mosaic of lesser-known writers, used their mainstream writings publicly to make sense of war, womanhood, Union, slavery, republicanism, heroism, and death. Among the authors discussed are Lydia Maria Child, Harriet Beecher Stowe, Sara Willis Parton (Fanny Fern), Frances Ellen Watkins Harper, Mrs. E. D. E. N. Southworth, Mary Abigail Dodge (Gail Hamilton), Louisa May Alcott, Rebecca Harding Davis, and Elizabeth Stuart Phelps. Although direct political or partisan power was denied to women, these writers actively participated in discussions of national issues through their sentimental novels, short stories, essays, poetry, and letters to the editor. Sizer pays close attention to how these mostly middle-class women attempted to create a "rhetoric of unity," giving common purpose to women despite differences in class, race, and politics. This theme of unity was ultimately deployed to establish a white middle-class standard of womanhood, meant to exclude as well as include.