Wolframs Willehalm
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Author | : Martin H. Jones |
Publisher | : Camden House |
Total Pages | : 378 |
Release | : 2002 |
Genre | : Literary Criticism |
ISBN | : 9781571132116 |
Wolfram von Eschenbach's Willehalm (c. 1210-20) is one of the great epic creations of the Middle Ages. Its account of conflict between Christian and Muslim cultures, centering on the warrior-saint Willehalm and his wife Gyburc, a convert from Islam, challenges the ideology of the Crusades. It celebrates the heroism, faith, and family solidarity of the Christians, but also displays the suffering of both sides in the war and questions the justification of all killing. Gyburc, whose abandonment of her Muslim family and conversion to Christianity are the immediate cause of the war, bears a double burden of sorrow, and it is from her that springs a vision of humanity transcending religious differences that is truly remarkable for its time. In Gyburc's heathen brother Rennewart and his love for the French king's daughter, Wolfram also develops a richly comic strand in the narrative, with the outcome left tantalizingly open by the work's probably unfinished conclusion. Long overshadowed by his earlier Parzival, Wolfram's Willehalm is increasingly receiving the recognition it deserves. The fifteen essays in this volume present new interpretations of a wide range of aspects of Willehalm. They place the work in its historical and literary context, promote understanding of its leading figures and themes, and highlight Wolfram's supreme qualities as a story-teller. Martin H. Jones is Senior Lecturer in German at King's College, London. Timothy McFarland is retired as Senior Lecturer in German at University College London.
Author | : Carl Lofmark |
Publisher | : Cambridge University Press |
Total Pages | : 269 |
Release | : 1972-08-24 |
Genre | : Literary Criticism |
ISBN | : 052108444X |
Wolfram von Eschenbach's Willehalm and the Old French chanson de geste, La Bataille d'Aliscans, on which it was based, recount the tale of how Guillaume de'Orange eventually defeated the Saracens at the battle of Aliscans. This 1972 book examines Wolfram's use of his source material, concentrating on the episodes in which Rennewart figures. He discusses the theories about the original source of Rainouart in the French chansons de geste, and suggests that the figure sprang from traditional fairy tales, and was incorporated into the courtly cycle, in which he assorts rather oddly with the other characters, threatening to take over centre stage from the primary hero, Guillaume. He indicates the ways in which Wolfram made his poem a more consistent narrative by relegating Rennewart to his proper place, and giving him some of the courtly virtues expected of a hero by his audience. Finally, he considers whether Willehalm is a fragment.
Author | : Susan E. Farrier |
Publisher | : Taylor & Francis |
Total Pages | : 402 |
Release | : 2024-01-26 |
Genre | : Literary Criticism |
ISBN | : 1135736618 |
Originally published in 1993, The Medieval Charlemagne Legend is a selective bibliography for the literary scholar, of historical and literary material relating to Charlemagne. The book provides a chronological listing of sources on the legend and man is split into three distinct sections, covering the history of Charlemagne, the literature of Charlemagne and the medieval biography and chronicle of Charlemagne.
Author | : Marion Elizabeth Gibbs |
Publisher | : |
Total Pages | : 298 |
Release | : 1976 |
Genre | : Narration (Rhetoric) |
ISBN | : |
Author | : Gillian Mary Humphreys |
Publisher | : |
Total Pages | : 212 |
Release | : 1999 |
Genre | : Poetry |
ISBN | : |
Author | : Jeannine Bischoff |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 320 |
Release | : 2023-07-03 |
Genre | : History |
ISBN | : 3111210545 |
An examination of the terms used in specific historical contexts to refer to those people in a society who can be categorized as being in a position of 'strong asymmetrical dependency' (including slavery) provides insights into the social categories and distinctions that informed asymmetrical social interactions. In a similar vein, an analysis of historical narratives that either justify or challenge dependency is conducive to revealing how dependency may be embedded in (historical) discourses and ways of thinking. The eleven contributions in the volume approach these issues from various disciplinary vantage points, including theology, global history, Ottoman history, literary studies, and legal history. The authors address a wide range of different textual sources and historical contexts - from medieval Scandinavia and the Fatimid Empire to the history of abolition in Martinique and human rights violations in contemporary society. While the authors contribute innovative insights to ongoing discussions within their disciplines, the articles were also written with a view to the endeavor of furthering Dependency Studies as a transdisciplinary approach to the study of human societies past and present.
Author | : J. Frakes |
Publisher | : Springer |
Total Pages | : 321 |
Release | : 2011-10-27 |
Genre | : Literary Criticism |
ISBN | : 0230370519 |
Broadens the perspective of recent work on the discourse of the Muslim Other in medieval Christendom by investigating pertinent texts, art, and artefacts, situating these local discourses of the Muslim Other in the larger cultural context of proto-Eurocentric discourse.
Author | : Sebastian Coxon |
Publisher | : UCL Press |
Total Pages | : 234 |
Release | : 2021-09-08 |
Genre | : Literary Criticism |
ISBN | : 1787352218 |
Beards and Texts explores the literary portrayal of beards in medieval German texts from the mid-twelfth to the early sixteenth centuries. It argues that as the pre-eminent symbol for masculinity the beard played a distinctive role throughout the Middle Ages in literary discussions of such major themes as majesty and humanity. At the same time beards served as an important point of reference in didactic poetry concerned with wisdom, teaching and learning, and in comedic texts that were designed to make their audiences laugh, not least by submitting various figure-types to the indignity of having their beards manhandled. Four main chapters each offer a reading of a work or poetic tradition of particular significance (Pfaffe Konrad’s Rolandslied; Wolfram von Eschenbach’s Willehalm; ‘Sangspruchdichtung’; Heinrich Wittenwiler’s Ring), before examining cognate material of various kinds, including sources or later versions of the same story, manuscript variants and miniatures and further relevant beard-motifs from the same period. The book concludes by reviewing the portrayal of Jesus in vernacular German literature, which represents a special test-case in the literary history of beards. As the first study of its kind in medieval German studies, this investigation submits beard-motifs to sustained and detailed analysis in order to shed light both on medieval poetic techniques and the normative construction of masculinity in a wide range of literary genres.
Author | : Hugh Sacker |
Publisher | : Cambridge University Press |
Total Pages | : 232 |
Release | : 2011-04-14 |
Genre | : Literary Criticism |
ISBN | : 9780521169226 |
This book provides a series of introductory essays relating to Wolfram von Eschenbach's Parzival.
Author | : Karina Marie Ash |
Publisher | : Routledge |
Total Pages | : 259 |
Release | : 2016-05-23 |
Genre | : Literary Criticism |
ISBN | : 1317162137 |
Drastic changes in lay religiosity during the High Middle Ages spurred anxiety about women forsaking their secular roles as wives and mothers for religious ones as nuns and beguines. This anxiety and the subsequent need to model an ideal of feminine behavior for the laity is particularly expressed in the German versions of Latin and French narratives. Using thirteenth-century penitentials, monastic exempla, and sermons, Karina Marie Ash clarifies how secular wifehood was recast as a quasi-religious role and, in German epics and romances from the late twelfth and early thirteenth centuries, how female characters are adapted to promote the salvific nature of worldly love in ways that echo the pastoral reevaluation of women at that time. Then she argues that mid and late thirteenth-century German literature not only reflects this impulse to idealize women's roles in lay society but also to promote an alternative model of femininity that deploys ways of privileging secular roles for women over religious ones. These continuously evolving readaptations of female protagonists across cultures and across centuries reflect fictive solutions for real historical concerns about women that not only complement contemporary pastoral and legal reforms but are also unique to medieval German literature.