Wittgensteins Artillery
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Author | : James C. Klagge |
Publisher | : MIT Press |
Total Pages | : 271 |
Release | : 2021-08-03 |
Genre | : Philosophy |
ISBN | : 0262045834 |
How Wittgenstein sought a more effective way of reaching his audience by a poetic style of doing philosophy. Ludwig Wittgenstein once said, "Really one should write philosophy only as one writes poetry." In Wittgenstein's Artillery, James Klagge shows how, in search of ways to reach his audience, Wittgenstein tried a more poetic style of doing philosophy. Klagge argues that, deploying this new philosophical "artillery"--Klagge's term for Wittgenstein's methods of influencing his readers and students--Wittgenstein moved from an esoteric mode to an evangelical mode, aiming for an effect on his audience that was noncognitive, appealing to the temperament in addition to the intellect. Wittgenstein was an artillery spotter--directing artillery fire to targets--in the Austrian army during World War I, and Klagge argues that, years later, he became a philosophical spotter, struggling to find the right artillery to accomplish his philosophical purpose. Klagge shows how Wittgenstein's work with his students influenced his style of writing philosophy and motivated him to care about the effect of his ideas on his audience. To illustrate Wittgenstein's evolving approach, Klagge draws on not only Wittgenstein's best-known works but also such lesser-known material as notebooks, dictations, lectures, and recollections of students. Klagge then goes beyond Wittgenstein to present a range of literature--biblical parables and children's stories, Dostoevsky and Tolstoy, Kierkegaard and Nietzsche--as other examples of the poetic approach. He concludes by offering his own attempts at a poetic approach to addressing philosophical issues.
Author | : James C. Klagge |
Publisher | : Cambridge University Press |
Total Pages | : 292 |
Release | : 2001-08-13 |
Genre | : Biography & Autobiography |
ISBN | : 9780521008686 |
A collection of essays exploring the relationship between Wittgenstein's life and his philosophy.
Author | : Alois Pichler |
Publisher | : Elements in the Philosophy of Ludwig Wittgenstein |
Total Pages | : 85 |
Release | : 2023-10-12 |
Genre | : Philosophy |
ISBN | : 1009462792 |
This Element explains why for Wittgenstein philosophy meets with poetry.
Author | : Marjorie Perloff |
Publisher | : University of Chicago Press |
Total Pages | : 316 |
Release | : 1996 |
Genre | : Literary Criticism |
ISBN | : 9780226660608 |
Austere and uncompromising, the philosopher Ludwig Wittgenstein had no use for the avant-garde art works of his own time. He refused to formulate an aesthetic, declaring that one can no more define the "beautiful" than determine "what sort of coffee tastes good". And yet many of the writers of our time have understood, as academic theorists generally have not, that Wittgenstein is "their" philosopher. How do we resolve this paradox? Marjorie Perloff, our foremost critic of twentieth-century poetry, argues that Wittgenstein has provided writers with a radical new aesthetic, a key to recognizing the inescapable strangeness of ordinary language. Wittgenstein's ladder is an apt figure for this radical aesthetic, and not just in its ordinariness as an object. The movement "up" this ladder can never be more than what Wittgenstein's contemporary, Gertrude Stein, called "Beginning again and again". Wittgenstein shows us, too, that we cannot climb the same ladder twice: the use of language, the context in which words and sentences appear, defines their meaning, which changes with every repetition. Wittgenstein's aesthetic brooks no theory, no essentialism, no metalanguage - only a practice, a mode of operation, fragmentary and elliptical.
Author | : Roy E. Lemoine |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 216 |
Release | : 2019-03-18 |
Genre | : Philosophy |
ISBN | : 3110867869 |
No detailed description available for "The Anagogic Theory of Wittgenstein's "Tractatus"".
Author | : Nil Santiáñez |
Publisher | : Wilfrid Laurier Univ. Press |
Total Pages | : 173 |
Release | : 2018-10-03 |
Genre | : Philosophy |
ISBN | : 1771123842 |
This original and insightful book establishes a reciprocal relationship between Ludwig Wittgenstein’s notion of ethics and the experience of war. It puts forth an interpretation of Wittgenstein’s early moral philosophy that relates it to the philosopher’s own war experience and applies Wittgenstein’s ethics of silence to analyze the ethical dimension of literary and artistic representations of the Great War. In a compelling book-length essay, the author contends that the emphasis on “unsayability” in Wittgenstein’s concept of ethics is a valuable tool for studying the ethical silences embedded in key cultural works reflecting on the Great War produced by Mary Borden, Ellen N. La Motte, Georges Duhamel, Leonhard Frank, Ernst Friedrich, and Joe Sacco. Exploring their works through the lens of Wittgenstein’s moral philosophy, this book pays particular attention to their suggestion of an ethics of war and peace by indirect means, such as prose poetry, spatial form, collage, symbolism, and expressionism. This cultural study reveals new connections between Wittgenstein’s philosophy, his experience during the First World War, and the cultural artifacts produced in its aftermath. By intertwining ethical reflection and textual analysis, Wittgenstein’s Ethics and Modern Warfare aspires to place Wittgenstein’s moral philosophy at the centre of discussions on war, literature, and the arts.
Author | : Herbert Hrachovec |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 516 |
Release | : 2024-07-01 |
Genre | : Philosophy |
ISBN | : 3111386295 |
The clean separation between manifold phenomena and a systematic order that prevails in them is a basic feature of the rational-scientific orientation system. The first authoritative formulation of this premise is found in Plato. His discussion of constitutive forms of world events has initiated a broad development in the history of philosophy, which is also effective today in the preference for reason-guided analyses of often confusing circumstances. The authors of this volume address the lasting relevance of this idea within two interrelated areas of research, namely Plato scholarship and contemporary Platonism. Of particular interest is the relationship between Plato and Wittgenstein. Following this overall idea, this volume is divided into three sections: Plato scholarship, Platonism, and Plato and Wittgenstein. As the contributions show, Platonism proves to be not only a purely historical-exegetical field of research but rather a fruitful stimulus for contemporary discussions on logical, linguistic, and social topics.
Author | : James C. Klagge |
Publisher | : Routledge |
Total Pages | : 382 |
Release | : 2021-10-01 |
Genre | : Philosophy |
ISBN | : 100045522X |
Ludwig Wittgenstein’s brief Tractatus Logico-Philosophicus (1922) is one of the most important philosophical works of the twentieth century, yet it offers little orientation for the reader. The first-time reader is left wondering what it could be about, and the scholar is left with little guidance for interpretation. In Tractatus in Context, James C. Klagge presents the vital background necessary for appreciating Wittgenstein’s gnomic masterpiece. Tractatus in Context contains the early reactions to the Tractatus, including the initial reviews written in 1922-1924. And while we can’t talk with Wittgenstein, we can do the next best thing—hear what he had to say about the Tractatus. Klagge thus presents what Wittgenstein thought about germane issues leading up to his writing the book, in discussions and correspondence with others about his ideas, and what he had to say about the Tractatus after it was written—in letters, lectures and conversations. It offers, you might say, Wittgenstein’s own commentary on the book. Key Features: Illuminates what is at stake in the Tractatus, by providing the views of others that engaged Wittgenstein as he was writing it. Includes Wittgenstein’s earlier thoughts on ideas in the book as recorded in his notebooks, letters, and conversations as well as his later, retrospective comments on those ideas. Draws on new or little-known sources, such as Wittgenstein’s coded notebooks, Hermine’s notes, Frege’s letters, Hänsel’s diary, Ramsey’s notes, and Skinner’s dictations. Draws connections between the background context and specific passages in the Tractatus, using a proposition-by-proposition commentary.
Author | : Jean-Baptiste-Antoine-Marcelin baron de Marbot |
Publisher | : |
Total Pages | : 720 |
Release | : 1903 |
Genre | : |
ISBN | : |
Author | : Béla Szabados |
Publisher | : Lexington Books |
Total Pages | : 169 |
Release | : 2011-03-24 |
Genre | : Philosophy |
ISBN | : 0739148877 |
Ludwig Wittgenstein loved movies, and based on his remarks on watching them, there is a strong connection between his experience of watching films and his thoughts on aesthetics. Furthermore, however, Wittgenstein himself has been invoked in recent cinema. Wittgenstein at the Movies is centered on in-depth explorations of two intriguing experimental films on Wittgenstein: Derek Jarman's Wittgenstein and PZter ForgOcs' Wittgenstein Tractatus. The featured essays look at cinematic interpretations of Wittgenstein's life and philosophy in a manner bound to provoke the lively interest of Wittgenstein scholars, film theorists, and students of film aesthetics. As well, the book engages a broader audience concerned with philosophical issues about film and Wittgenstein's cultural significance, with the world of fin-de-si_cle Vienna, of Cambridge in the first half of the twentieth century, of artistic modernism.