Witchblade 173
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Author | : Ron Marz |
Publisher | : Image Comics |
Total Pages | : 32 |
Release | : 2014-03-12 |
Genre | : Comics & Graphic Novels |
ISBN | : |
BORNE AGAIN Even without the Witchblade secured to her wrist, Sara Pezzini cannot escape the corrupting influence of the gauntlet.
Author | : Ron Marz |
Publisher | : Image Comics |
Total Pages | : 129 |
Release | : 2014-07-02 |
Genre | : Comics & Graphic Novels |
ISBN | : 1632151561 |
Collects WITCHBLADE #170-174. This first volume in a new series of WITCHBLADE collections provides a perfect jumping-on point! Sara Pezzini has given up the Witchblade and taken up the life of a small-town Sheriff, but her past comes back haunt her in deadly fashion. Acclaimed writer RON MARZ returns to the series, working with gifted artist LAURA BRAGA to tell the next chapter in the life of Sara Pezzini and the Witchblade!
Author | : |
Publisher | : Image Comics |
Total Pages | : 100 |
Release | : 2015-10-28 |
Genre | : Comics & Graphic Novels |
ISBN | : 1632156687 |
Celebrating 20 years of Witchblade with a veritable who's who of comic artists.
Author | : Alisa Perren |
Publisher | : Bloomsbury Publishing |
Total Pages | : 265 |
Release | : 2021-05-20 |
Genre | : Performing Arts |
ISBN | : 1844579433 |
The American Comic Book Industry and Hollywood traces the evolving relationship between the American comic book industry and Hollywood from the launch of X-Men, Spider-Man, and Smallville in the early 2000s through the ascent of the Marvel Cinematic Universe, the Arrowverse, and the Walking Dead Universe in the 2010s. Perren and Steirer illustrate how the American comic book industry simultaneously has functioned throughout the first two decades of the twenty-first century as a relatively self-contained business characterized by its own organizational structures, business models, managerial discourses, production cultures, and professional identities even as it has remained dependent on Hollywood for revenue from IP licensing. The authors' expansive view of the industry includes not only a discussion of the “Big Two,” Marvel/Disney and DC Comics/Time Warner, but also a survey of the larger comics ecosystem. Other key industry players, including independent publishers BOOM! Studios, IDW, and Image, digital distributor ComiXology, and management-production company Circle of Confusion, all receive attention. Drawing from interviews, fieldwork, archival research, and trade analysis, The American Comic Book Industry and Hollywood provides a road map to understanding the operations of the comic book industry while also offering new models for undertaking trans- and inter-industrial analysis.
Author | : Ron Marz |
Publisher | : Image Comics |
Total Pages | : 0 |
Release | : 2008-06-17 |
Genre | : Comics & Graphic Novels |
ISBN | : 9781582408989 |
A new era of Witchblade begins in this series-changing volume as Sara Pezzini, the Witchblade bearer for 100 issues, gives up the mystical gauntlet to a new bearer in Dani Baptiste! The Witchblade is a mysterious gauntlet which bonds with a female bearer and serves as the Balance between the forces of Light and Dark. Detective Sara Pezzini, the current bearer has discovered she is pregnant and in order to safeguard her baby has given up the artifact to young dancer Dani Baptiste. Written by Ron Marz (Ion, Samurai: Heaven & Earth) and featuring art by Adriana Melo (Star Wars), Stjepan Sejic (First Born), and Sami Basri (Anita Blake) this volume introduces readers to Dani Baptiste and serves as a prologue for First Born. Collecting Witchblade #101-109, plus cover gallery for a massive nine-issue trade paperback.
Author | : Hope Nicholson |
Publisher | : Quirk Books |
Total Pages | : 241 |
Release | : 2017-05-02 |
Genre | : Comics & Graphic Novels |
ISBN | : 1594749493 |
Meet more than one hundred of the most heroic female characters in comics history, complete with backstories, vintage art, and colorful commentary. This spectacular sisterhood includes costumed crimebusters like Miss Fury, super-spies like Tiffany Sinn, sci-fi pioneers like Gale Allen, and even kid troublemakers like Little Lulu. With vintage art, publication details, a decade-by-decade survey of industry trends and women’s roles in comics, and spotlights on iconic favorites like Wonder Woman and Ms. Marvel, The Spectacular Sisterhood of Superwomen proves that not only do strong female protagonists belong in comics, they’ve always been there.
Author | : Jeffrey A. Brown |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 278 |
Release | : 2011-04-18 |
Genre | : Social Science |
ISBN | : 1604737158 |
Dangerous Curves: Action Heroines, Gender, Fetishism, and Popular Culture addresses the conflicted meanings associated with the figure of the action heroine as she has evolved in various media forms since the late 1980s. Jeffrey A. Brown discusses this immensely popular character type, the action heroine, as an example of, and challenge to, existing theories about gender as a performance identity. Her assumption of heroic masculine traits combined with her sexualized physical depiction demonstrates the ambiguous nature of traditional gender expectations and indicates a growing awareness of more aggressive and violent roles for women. The excessive sexual fetishization of action heroines is a central theme throughout. The topic is analyzed as an insight into the transgressive image of the dominatrix, as a reflection of the shift in popular feminism from second-wave politics to third-wave and postfeminist pleasures, and as a form of patriarchal backlash that facilitates a masculine fantasy of controlling strong female characters. Brown interprets the action heroine as a representation of changing gender dynamics that balances the sexual objectification of women with progressive models of female strength. While the primary focus of this study is the action heroine as represented in Hollywood film and television, the book also includes the action heroine's emergence in contemporary popular literature, comic books, cartoons, and video games.
Author | : Amanda D. Lotz |
Publisher | : University of Illinois Press |
Total Pages | : 242 |
Release | : 2010-10-01 |
Genre | : Social Science |
ISBN | : 0252091760 |
In the 1990s, American televison audiences witnessed an unprecedented rise in programming devoted explicitly to women. Cable networks such as Oxygen Media, Women's Entertainment Network, and Lifetime targeted a female audience, and prime-time dramatic series such as Buffy the Vampire Slayer, Judging Amy, Gilmore Girls, Sex and the City, and Ally McBeal empowered heroines, single career women, and professionals struggling with family commitments and occupational demands. After establishing this phenomenon's significance, Amanda D. Lotz explores the audience profile, the types of narrative and characters that recur, and changes to the industry landscape in the wake of media consolidation and a profusion of channels. Employing a cultural studies framework, Lotz examines whether the multiplicity of female-centric networks and narratives renders certain gender stereotypes uninhabitable, and how new dramatic portrayals of women have redefined narrative conventions. Redesigning Women also reveals how these changes led to narrowcasting, or the targeting of a niche segment of the overall audience, and the ways in which the new, sophisticated portrayals of women inspire sympathetic identification while also commodifying viewers into a marketable demographic for advertisers.
Author | : Geoff Klock |
Publisher | : A&C Black |
Total Pages | : 220 |
Release | : 2002-01-01 |
Genre | : Literary Criticism |
ISBN | : 9780826414182 |
Superhero comic books are traditionally thought to have two distinct periods, two major waves of creativity: the Golden Age and the Silver Age. In simple terms, the Golden Age was the birth of the superhero proper out of the pulp novel characters of the early 1930s, and was primarily associated with the DC Comics Group. Superman, Batman, Green Lantern, and Wonder Woman are the most famous creations of this period. In the early 1960s, Marvel Comics launched a completely new line of heroes, the primary figures of the Silver Age: the Fantastic Four, Spider-Man, the Incredible Hulk, the X-Men, the Avengers, Iron Man, and Daredevil. In this book, Geoff Klock presents a study of the Third Movement of superhero comic books. He avoids, at all costs, the temptation to refer to this movement as "Postmodern," "Deconstructionist," or something equally tedious. Analyzing the works of Frank Miller, Alan Moore, Warren Ellis, and Grant Morrison among others, and taking his cue from Harold Bloom, Klock unearths the birth of self-consciousness in the superhero narrative and guides us through an intricate world of traditions, influences, nostalgia and innovations - a world where comic books do indeed become literature.
Author | : B. Brabon |
Publisher | : Springer |
Total Pages | : 200 |
Release | : 2007-01-31 |
Genre | : Literary Criticism |
ISBN | : 0230801307 |
This book explores new critical ground by addressing the intersection of two contentious concepts, postfeminism and Gothic. This collection of original and exciting essays examines a number of Gothic texts, from Anne Radcliffe's romances to modern horror films, in conjunction with diverse postfeminist theories, from backlash to postmodern feminism.