William Henry Brown Collection

William Henry Brown Collection
Author: William Henry Brown
Publisher:
Total Pages:
Release:
Genre: Artists
ISBN:

Clipping, 19 July 1931 (unattributed photocopy); and undated pages from art-dealer catalogs re biographical information about Brown and prices asked, ca. mid-twentieth century, for sales of silhouettes appearing in Brown's original 1845 publication, Portrait Gallery of Distinguished American Citizens with Biographical Sketches.

Narrative of the Life of Henry Box Brown, Written by Himself

Narrative of the Life of Henry Box Brown, Written by Himself
Author: John Ernest
Publisher: Univ of North Carolina Press
Total Pages: 222
Release: 2009-11-30
Genre: Social Science
ISBN: 0807888850

It is the most celebrated escape in the history of American slavery. Henry Brown had himself sealed in a three-foot-by-two-foot box and shipped from Richmond, Virginia, to Philadelphia, a twenty-seven-hour journey to freedom. In Narrative of the Life of Henry Box Brown, Written by Himself, Brown not only tells the story of his famed escape, but also recounts his later life as a black man making his way through white American and British culture. Most important, he paints a revealing portrait of the reality of slavery, of the wife and children sold away from him, the home to which he could not return, and his rejection of the slaveholders' religion--painful episodes that fueled his desire for freedom. This edition comprises the most complete and faithful representation of Brown's life, fully annotated for the first time. John Ernest also provides an insightful introduction that places Brown's life in its historical setting and illuminates the challenges Brown faced in an often threatening world, both before and after his legendary escape.

BOX: Henry Brown Mails Himself to Freedom

BOX: Henry Brown Mails Himself to Freedom
Author: Carole Boston Weatherford
Publisher: Candlewick Press
Total Pages: 59
Release: 2021-02-23
Genre: Juvenile Nonfiction
ISBN: 153622166X

In a moving, lyrical tale about the cost and fragility of freedom, a New York Times best-selling author and an acclaimed artist follow the life of a man who courageously shipped himself out of slavery. What have I to fear? My master broke every promise to me. I lost my beloved wife and our dear children. All, sold South. Neither my time nor my body is mine. The breath of life is all I have to lose. And bondage is suffocating me. Henry Brown wrote that, long before he came to be known as Box, he “entered the world a slave.” He was put to work as a child and passed down from one generation to the next — as property. When he was an adult, his wife and children were sold away from him out of spite. Henry Brown watched as his family left bound in chains, headed to the deeper South. What more could be taken from him? But then hope — and help — came in the form of the Underground Railroad. Escape! In stanzas of six lines each, each line representing one side of a box, celebrated poet Carole Boston Weatherford powerfully narrates Henry Brown’s story of how he came to send himself in a box from slavery to freedom. Strikingly illustrated in rich hues and patterns by artist Michele Wood, Box is augmented with historical records and an introductory excerpt from Henry’s own writing as well as a time line, notes from the author, and a bibliography.

Pioneer Photographers from the Mississippi to the Continental Divide

Pioneer Photographers from the Mississippi to the Continental Divide
Author: Peter E. Palmquist
Publisher: Stanford University Press
Total Pages: 784
Release: 2005
Genre: Photography
ISBN: 9780804740579

This biographical dictionary of some 3,000 photographers (and workers in related trades), active in a vast area of North America before 1866, is based on extensive research and enhanced by some 240 illustrations, most of which are published here for the first time. The territory covered extends from central Canada through Mexico and includes the United States from the Mississippi River west to, but not including, the Rocky Mountain states. Together, this volume and its predecessor, Pioneer Photographers of the Far West: A Biographical Dictionary, 1840-1865, comprise an exhaustive survey of early photographers in North America and Central America, excluding the eastern United States and eastern Canada. This work is distinguished by the large number of entries, by the appealing narratives that cover both professional and private lives of the subjects, and by the painstaking documentation. It will be an essential reference work for historians, libraries, and museums, as well as for collectors of and dealers in early American photography. In addition to photographers, the book includes photographic printers, retouchers, and colorists, and manufacturers and sellers of photographic apparatus and stock. Because creators of moving panoramas and optical amusements such as dioramas and magic lantern performances often fashioned their works after photographs, the people behind those exhibitions are also discussed.

Picturing Victorian America

Picturing Victorian America
Author: Nancy Finlay
Publisher: Wesleyan University Press
Total Pages: 252
Release: 2012-01-01
Genre: Art
ISBN: 9780819571250

Winner of the Ewell L. Newman Award from the American Historical Print Collectors Society (2009) Winner of the Betty M. Linsley Award from the Association for the Study of Connecticut History (2010) This is the first book-length account of the pioneering and prolific Kellogg family of lithographers, active in Connecticut for over four decades. Daniel Wright Kellogg opened his print shop on Main Street in Hartford five years before Nathaniel Currier went into a similar business in New York and more than twenty-five years before Currier founded his partnership with James M. Ives, yet Daniel and his brothers Elijah and Edmund Kellogg have long been overshadowed by the Currier & Ives printmaking firm. Editor Nancy Finlay has gathered together eight essays that explore the complexity of the relationships between artists, lithographers, and print, map, and book publishers. Presenting a complete visual overview of the Kelloggs' production between 1830 and 1880, Picturing Victorian America also provides museums, libraries, and private collectors with the information needed to document the Kellogg prints in their own collections. The first comprehensive study of the Kellogg prints, this book demands reconsideration of this Connecticut family's place in the history of American graphic and visual arts. CONTRIBUTORS: Georgia B. Barnhill, Lynne Zacek Bassett, Candice C. Brashears, Nancy Finlay, Elisabeth Hodermarsky, Richard C. Malley, Sally Pierce, Michael Shortell, Kate Steinway.