William Grant Still and the Fusion of Cultures in American Music
Author | : Judith Anne Still |
Publisher | : Master Player Library |
Total Pages | : 360 |
Release | : 1995 |
Genre | : Music |
ISBN | : 9781877873010 |
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Author | : Judith Anne Still |
Publisher | : Master Player Library |
Total Pages | : 360 |
Release | : 1995 |
Genre | : Music |
ISBN | : 9781877873010 |
Author | : Robert Bartlett Haas |
Publisher | : |
Total Pages | : 240 |
Release | : 1972 |
Genre | : Biography & Autobiography |
ISBN | : |
Author | : Paul Harold Slattery |
Publisher | : |
Total Pages | : 242 |
Release | : 1975 |
Genre | : Biography & Autobiography |
ISBN | : |
Author | : Catherine Parsons Smith |
Publisher | : University of Illinois Press |
Total Pages | : 138 |
Release | : 2008 |
Genre | : African American composers |
ISBN | : 0252033221 |
In this compact introduction to the life and work of eminent African American composer William Grant Still (1895-1978), Catherine Parsons Smith tracks the composer's interrelated careers in popular and concert music. Still merged both musical traditions in his work, studying composition with George W. Chadwick at the New England Conservatory, collaborating with Langston Hughes on "Troubled Island," and working as a commercial arranger and composer on Broadway and radio during the Harlem Renaissance. Still also played in the pit band for "Shuffle Along," served as recording director for the first black-owned record label, Black Swan, and arranged music for artists such as Sophie Tucker, Paul Whiteman, and Artie Shaw. Best known for his "Afro-American Symphony" and other works that drew heavily on black American musical heritage, Still struggled against financial hardship and declining attention to his work, which he attributed to political and racist conspiracies. This "dean of Afro-American composers" created his own, unique version of musical modernism, influencing commercial music, symphonic music, and opera in the process."
Author | : Michael J. Dabrishus |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 350 |
Release | : 1996-08-20 |
Genre | : Music |
ISBN | : 0313036446 |
Presenting the life and professional career of The Dean of Afro-American Composers, this is the first comprehensive book on the writings by and about Still, the compositions with manuscript sources, the performances of Still's works, and the reviews of those performances. It includes a touching personal reminiscence by his daughter Judith Anne. The full resources of the extensive collection known as The William Grant Still and Verna Arvey Papers at the University of Arkansas Libraries, Fayetteville, give this book the distinction of being the first one about Still that utilizes diaries, letters, scrapbooks, and family papers to provide information on his works and performances. Still performed, composed, and arranged in the commercial music field before he began to write orchestral works and opera. He is called the Dean of Afro-American Composers because of his pioneering efforts on behalf of American music and his achievements as an African American. Still was the first African American to write a symphony that was performed by a major symphony orchestra in the United States, the first to conduct a major symphony orchestra, the first to conduct a major symphony in the Deep South, the first to direct a white radio orchestra, the first to have an opera produced by a major company, and the first to have an opera televised over a national network. His career tells an important story about the development of an American style of music.
Author | : Charles Reagan Wilson |
Publisher | : Univ of North Carolina Press |
Total Pages | : 276 |
Release | : 2006 |
Genre | : History |
ISBN | : |
New Encyclopedia of Southern Culture: Volume 1: Religion
Author | : Jon Michael Spencer |
Publisher | : Univ. of Tennessee Press |
Total Pages | : 204 |
Release | : 1997 |
Genre | : History |
ISBN | : 9780870499678 |
Spencer's discussion encompasses the music and writings of a wide range of important figures, including James Weldon Johnson, Harry T. Burleigh, Roland Hayes, Marian Anderson, Alain Locke, William Grant Still, R. Nathaniel Dett, and Dorothy Maynor. He argues that the singular accomplishment of the Harlem Renaissance composers and musicians was to achieve a "two-tiered mastery" promoted by Johnson, Locke, the Harmon award, and Crisis and Opportunity magazines.
Author | : Michael Saffle |
Publisher | : Routledge |
Total Pages | : 423 |
Release | : 2012-10-12 |
Genre | : Music |
ISBN | : 1136519793 |
The essays in this collection reflect the range and depth of musical life in the United States during the first half of the twentieth century. Contributions consider the rise and triumph of popular forms such as jazz, swing, and blues, as well as the contributions to art music of composers such as Ives, Cage, and Copland, among others. American contributions to music technology and dissemination, and the role of these forms in extending the audience for music, is also a focus.
Author | : Alex Stewart |
Publisher | : Univ of California Press |
Total Pages | : 419 |
Release | : 2007-08-02 |
Genre | : Art |
ISBN | : 0520249542 |
Challenges conventional jazz historiography by demonstrating the role of big bands in the development of jazz. This book describes how jazz musicians found big bands valuable. It explores the rehearsal band scene in New York and rise of orchestras. It combines historical research, ethnography, and participant observation with musical analysis.
Author | : Mellonee V. Burnim |
Publisher | : Routledge |
Total Pages | : 544 |
Release | : 2014-11-13 |
Genre | : Music |
ISBN | : 1317934423 |
American Music: An Introduction, Second Edition is a collection of seventeen essays surveying major African American musical genres, both sacred and secular, from slavery to the present. With contributions by leading scholars in the field, the work brings together analyses of African American music based on ethnographic fieldwork, which privileges the voices of the music-makers themselves, woven into a richly textured mosaic of history and culture. At the same time, it incorporates musical treatments that bring clarity to the structural, melodic, and rhythmic characteristics that both distinguish and unify African American music. The second edition has been substantially revised and updated, and includes new essays on African and African American musical continuities, African-derived instrument construction and performance practice, techno, and quartet traditions. Musical transcriptions, photographs, illustrations, and a new audio CD bring the music to life.