William Gager: The Shrovetide plays

William Gager: The Shrovetide plays
Author: William Gager
Publisher: Taylor & Francis
Total Pages: 290
Release: 1994
Genre: Drama
ISBN: 9780815316930

Contains the full literary work of William Gager, one of the best Latin playwrights of the Tudor period.

William Gager

William Gager
Author: William Gager
Publisher: Routledge
Total Pages: 263
Release: 2019-06-04
Genre: Drama
ISBN: 0429515685

Published in 1994: This book represents the Latin Playwright’s work of the Tudor period.

A Companion to Renaissance Drama

A Companion to Renaissance Drama
Author: Arthur F. Kinney
Publisher: John Wiley & Sons
Total Pages: 648
Release: 2008-04-15
Genre: Literary Criticism
ISBN: 0470998911

This expansive, inter-disciplinary guide to Renaissance plays and the world they played to gives readers a colorful overview of England's great dramatic age. Provides an expansive and inter-disciplinary approach to Renaissance plays and the world they played to. Offers a colourful and comprehensive overview of the material conditions of England's most important dramatic period. Gives readers facts and data along with up-to-date interpretation of the plays. Looks at the drama in terms of its cultural agency, its collaborative nature, and its ideological complexity.

The Culture of Translation in Early Modern England and France, 1500-1660

The Culture of Translation in Early Modern England and France, 1500-1660
Author: T. Demtriou
Publisher: Springer
Total Pages: 194
Release: 2015-03-18
Genre: Literary Criticism
ISBN: 1137401494

This book explores modalities and cultural interventions of translation in the early modern period, focusing on the shared parameters of these two translation cultures. Translation emerges as a powerful tool for thinking about community and citizenship, literary tradition and the classical past, certitude and doubt, language and the imagination.

British Drama 1533-1642: A Catalogue

British Drama 1533-1642: A Catalogue
Author: Martin Wiggins
Publisher: Oxford University Press, USA
Total Pages: 537
Release: 2012-09-13
Genre: Drama
ISBN: 0199265720

Volume 3 covers the years 1590-1597 and sees the start of Shakespeare's career as a dramatist.

Festive Enterprise

Festive Enterprise
Author: Jill P. Ingram
Publisher: University of Notre Dame Pess
Total Pages: 319
Release: 2021-03-15
Genre: History
ISBN: 0268109109

Festive Enterprise reveals marketplace pressures at the heart of dramatic form in medieval and Renaissance drama. In Festive Enterprise, Jill P. Ingram merges the history of economic thought with studies of theatricality and spectatorship to examine how English Renaissance plays employed forms and practices from medieval and traditional entertainments to signal the expectation of giving from their audiences. Resisting the conventional divide between medieval and Renaissance, Festive Enterprise takes a trans-Reformation view of dramaturgical strategies, which reflected the need to generate both income and audience assent. By analyzing a wide range of genres (such as civic ceremonial, mummings, interludes, scripted plays, and university drama) and a diverse range of venues (including great halls, city streets, the Inns of Court, and public playhouses), Ingram demonstrates how early moderns borrowed medieval money-gatherers’ techniques to signal communal obligations and rewards for charitable support of theatrical endeavors. Ingram shows that economics and drama cannot be considered as separate enterprises in the medieval and Renaissance periods. Rather, marketplace pressures were at the heart of dramatic form in medieval and Renaissance drama alike. Festive Enterprise is an original study that traces how economic forces drove creativity in drama from medieval civic processions and guild cycle plays to the early Renaissance. It will appeal to scholars of medieval and early modern drama, theater historians, religious historians, scholars of Renaissance drama, and students in English literature, drama, and theater.

The Masters of the Revels and Elizabeth I's Court Theatre

The Masters of the Revels and Elizabeth I's Court Theatre
Author: W. R. Streitberger
Publisher: Oxford University Press
Total Pages: 333
Release: 2017-08-17
Genre: Literary Criticism
ISBN: 0192552287

The Masters of the Revels and Elizabeth I's Court Theatre places the Revels Office and Elizabeth I's court theatre in a pre-modern, patronage and gift-exchange driven-world of centralized power in which hospitality, liberality, and conspicuous display were fundamental aspects of social life. W.R. Streitberger reconsiders the relationship between the biographies of the Masters and the conduct of their duties, rethinking the organization and development of the Office, re-examining its productions, and exploring its impact on the development of the commercial theatre. The nascent capitalist economy that developed alongside and interpenetrated the gift-driven system that was in place during Elizabeth's reign became the vehicle through which the Revels Office along with the commercial theatre was transformed. Beginning in the early 1570s and stretching over a period of twenty years, this change was brought about by a small group of influential Privy Councillors. When this project began in the early 1570s the Queen's revels were principally in-house productions, devised by the Master of the Revels and funded by the Crown. When the project was completed in the late 1590s, the Revels Office had been made responsible for plays only and put on a budget so small that it was incapable of producing them. That job was left to the companies performing at court. Between 1594 and 1600, the revels consisted almost entirely of plays brought in by professional companies in the commercial theatres in London. These companies were patronized by the queen's relatives and friends and their theatres were protected by the Privy Council. Between 1594 and 1600, for example, all the plays in the revels were supplied by the Admiral's and Chamberlain's Players which included writers such as Shakespeare, and legendary actors such as Edward Alleyn, Richard Burbage, and Will Kempe. The queen's revels essentially became a commercial enterprise, paid for by the ordinary Londoners who came to see these companies perform in selected London theatres which were protected by the Council.