William Edmondstoune Aytoun and the Spasmodic Controversy
Author | : Mark A. Weinstein |
Publisher | : New Haven : Yale University Press |
Total Pages | : 264 |
Release | : 1968 |
Genre | : English poetry |
ISBN | : |
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Author | : Mark A. Weinstein |
Publisher | : New Haven : Yale University Press |
Total Pages | : 264 |
Release | : 1968 |
Genre | : English poetry |
ISBN | : |
Author | : Lori A. Paige |
Publisher | : McFarland |
Total Pages | : 217 |
Release | : 2022-10-14 |
Genre | : Literary Criticism |
ISBN | : 1476682968 |
Few stories capture the unique interplay of critical theory, mass media and public taste better than the story of the Spasmodics. These earnest, youthful and largely self-educated neo-Romantics hoped to become prophets who would influence literary society on a grand scale. From about 1850 to 1860, the Spasmodics successfully cast a long shadow over virtually every serious discussion of Victorian poetry. Many mid-nineteenth-century writers, including Tennyson, both Brownings and Matthew Arnold, were either adherents or outspoken detractors of the Spasmodic School. This work documents, in appropriate social contexts, the trajectory of the Spasmodic School in both its original incarnation and subsequent appraisals. Examining the various personalities and aesthetic principles that fashioned the movement, the author does not champion any particular critical stance or verdict. The scholarly apparatus cites a number of competing Victorianist interpretations, approaches and judgments with varying degrees of expertise.
Author | : Clinton Machann |
Publisher | : Routledge |
Total Pages | : 172 |
Release | : 2016-05-06 |
Genre | : Literary Criticism |
ISBN | : 1317099796 |
Offering provocative readings of Tennyson's Idylls of the King, Barrett Browning's Aurora Leigh, Clough's Amours de Voyage, and Browning's The Ring and the Book, Clinton Machann brings to bear the ideas and methods of literary Darwinism to shed light on the central issue of masculinity in the Victorian epic. This critical approach enables Machann to take advantage of important research in evolutionary psychology, cognitive science, anthropology, among other scientific fields, and to bring the concept of human nature into his discussions of the poems. The importance of the Victorian long poem as a literary genre is reviewed in the introduction, followed by transformative close readings of the poems that engage with questions of gender, particularly representations of masculinity and the prevalence of male violence. Machann contextualizes his reading within the poets' views on social, philosophical, and religious issues, arguing that the impulses, drives, and tendencies of human nature, as well as the historical and cultural context, influenced the writing and thus must inform the interpretation of the Victorian epic.
Author | : Chris Beyers |
Publisher | : University of Arkansas Press |
Total Pages | : 300 |
Release | : 2001-01-01 |
Genre | : Poetry |
ISBN | : 9781557287021 |
This book examines the most salient and misunderstood aspect of twentieth-century poetry, free verse. Although the form is generally approached as if it were one indissoluble lump, it is actually a group of differing poetic genres proceeding from much different assumptions. Separate chapters on T.S. Eliot, Wallace Stevens, H.D., and William Carlos Williams elucidate many of these assumptions and procedures, while other chapters address more general theoretical questions and trace the continuity of Modern poetics in contemporary poetry. Taking a historical and aesthetic approach, this study demonstrates that many of the forms considered to have been invented in the Modern period actually extend underappreciated traditions. Not only does this book examine the classical influence on Modern poetry, it also features discussions of the poetics of John Milton, Abraham Cowley, Matthew Arnold, and a host of lesser-known poets. Throughout it is an investigation of the prosodic issues that free verse foregrounds, particularly those focusing on the reader's part in interpreting poetic rhythm.
Author | : Heather O'Donoghue |
Publisher | : |
Total Pages | : 257 |
Release | : 2014 |
Genre | : Literary Criticism |
ISBN | : 0199562180 |
English Poetry and Old Norse Myth: A History traces the influence of Old Norse myth - stories and poems about the familiar gods and goddesses of the pagan North, such as Odin, Thor, Baldr and Freyja - on poetry in English from Anglo-Saxon times to the present day. Especial care is taken to determine the precise form in which these poets encountered the mythic material, so that the book traces a parallel history of the gradual dissemination of Old Norse mythic texts. Very many major poets were inspired by Old Norse myth. Some, for instance the Anglo-Saxon poet of Beowulf, or much later, Sir Walter Scott, used Old Norse mythic references to lend dramatic colour and apparent authenticity to their presentation of a distant Northern past. Others, like Thomas Gray, or Matthew Arnold, adapted Old Norse mythological poems and stories in ways which both responded to and helped to form the literary tastes of their own times. Still others, such as William Blake, or David Jones, reworked and incorporated celebrated elements of Norse myth - valkyries weaving the fates of men, or the great World Tree Yggdrasill on which Odin sacrificed himself - as personal symbols in their own poetry. This book also considers less familiar literary figures, showing how a surprisingly large number of poets in English engaged in individual ways with Old Norse myth. English Poetry and Old Norse Myth: A History demonstrates how attitudes towards the pagan mythology of the north change over time, but reveals that poets have always recognized Old Norse myth as a vital part of the literary, political and historical legacy of the English-speaking world.
Author | : T. McLean |
Publisher | : Springer |
Total Pages | : 215 |
Release | : 2011-11-30 |
Genre | : Literary Criticism |
ISBN | : 0230355218 |
The Polish exile and the Russian villain were familiar figures in nineteenth-century British culture. This book restores the significance of Eastern Europe to nineteenth-century British literature, offering new readings of Blake's Europe , Byron's Mazeppa , and Eliot's Middlemarch , and recovering influential works by Thomas Campbell and Jane Porter.
Author | : Richard S. Kennedy |
Publisher | : University of Missouri Press |
Total Pages | : 509 |
Release | : 2007 |
Genre | : Literary Criticism |
ISBN | : 0826265529 |
Author | : Andrew Elfenbein |
Publisher | : Cambridge University Press |
Total Pages | : 310 |
Release | : 1995-03-30 |
Genre | : Literary Criticism |
ISBN | : 9780521454520 |
"This is the first full-length study of Byron's influence on Victorian writers, concentrating on Carlyle, Emily Bronte, Tennyson, Bulwer Lytton, Disraeli, and Wilde. Rather than treating influence in terms of source study or of intersubjective struggle, it demonstrates how institutions of cultural production mediate the access that later writers have to earlier ones."--BOOK JACKET.
Author | : Martha Westwater |
Publisher | : |
Total Pages | : 194 |
Release | : 1992 |
Genre | : Biography & Autobiography |
ISBN | : |
The Smasmodic Career of Sydney Dobell opens up a tantalizing but neglected twenty-year period of British literary history in the mid-Victorian era. Dobell, one of the few poetic theorists of his day, fell victim to a literary hoax that robbed him of his rightful place as an important transition figure between Romantic and Victorian poetry. Contents: A Footnote in Literary History; Mother Church and Child Bride; Father and Master; Liberty and Power: The Roman; Balder: Power and Horror; Downfall at Edinburgh; Last Attempts: Sonnets on the WaróEngland in Time of War; Dobell's Theory of Poetry: In Defense of Spasmodism; A Matter of Influence.