William Coupon Portraits
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Author | : Walter Isaacson |
Publisher | : Damiani Limited |
Total Pages | : 216 |
Release | : 2018-09-25 |
Genre | : |
ISBN | : 9788862086035 |
This long overdue monograph presents a panorama of portraits from the photographer William Coupon. Coupon was given wide access to artists, musicians, politicians, authors, and the world's indigenous people on assignment from major publications like Time , Rolling Stone , The New York Times , Esquire , and The Washington Post . He photographed his subjects against a mottled backdrop of hand-painted Belgian linen, often in a classically lit medium shot format, inspired by Dutch masters such as Rembrandt and Holbein. Coupon has remained true to this method, whether working in the Oval Office in Washington D. C. or a tribal hut amongst the Pygmy in the Central African Republic, or the Caraja in the Brazilian Amazon. Environmental images compliment the more formal portraits. Portraits includes iconic images of Mick Jagger, Miles Davis, Elie Wiesel, David Byrne, Presidents Nixon, Carter, Bush, Trump, George Steinbrenner, Jean Michel Basquiat, Andy Warhol, and Prince Philip among many others from Haiti, Panama, Holland, Northern Scandinavia, Australia, Malaysia, Turkey, Italy, Peru, Mexico and other places. Coupon has created a collection that documents his times but also captured his generation in all its vibrancy. In his work, he seeks to present a truly egalitarian portrait of humanity integrating common people with the wealthy, powerful, and famous.
Author | : Tim Chambers |
Publisher | : Walter Foster |
Total Pages | : 146 |
Release | : 2012-09 |
Genre | : Art |
ISBN | : 1600582672 |
This all-inclusive book covers everything about portraiture in the most popular drawing and painting media.
Author | : Daniel W. Coburn |
Publisher | : Kehrer Verlag |
Total Pages | : 0 |
Release | : 2014 |
Genre | : Families |
ISBN | : 9783868285376 |
The Hereditary Estate functions as a ten-year retrospective and as a conceptual work of art in its own right. Coburn's work investigates the medium of the family photo album. Frustrated by the lack of images that document the true and sometimes troubling nature of his own familial history, the photographer set out to create a new archive, a potent reminder of the falsity of most family photo albums. Using photographs taken over the last decade and altered Coburn creates a family narrative that is simultaneously beautiful and terrifying.
Author | : Peter Menzel |
Publisher | : Univ of California Press |
Total Pages | : 274 |
Release | : 1994 |
Genre | : Photography |
ISBN | : 9780871564306 |
A photo-journey through the homes and lives of 30 families, revealing culture and economic levels around the world.
Author | : Louis Armand |
Publisher | : Anti-Oedipus Press |
Total Pages | : 554 |
Release | : 2018-04 |
Genre | : |
ISBN | : 9780999153529 |
An anthology of personal documentaries of place and time by key figures in the art world from the 1970s to the present.
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Total Pages | : 130 |
Release | : 1991-11 |
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Total Pages | : 138 |
Release | : 1991 |
Genre | : Commercial art |
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Total Pages | : 92 |
Release | : 1989-11 |
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Total Pages | : 70 |
Release | : 2005 |
Genre | : Arts administrators |
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Author | : Frances E. Mascia-Lees |
Publisher | : State University of New York Press |
Total Pages | : 258 |
Release | : 2012-02-01 |
Genre | : Social Science |
ISBN | : 0791491870 |
Taking a Stand in a Postfeminist World offers an engaged cultural criticism in a postfeminist context. At the end of the twentieth century, an increasingly globalized world has given rise to a cultural complexity characterized by a rapid increase in competing discourses, fragmented subjectivities, and irreconcilable claims over cultural representation and who has the right to speak for, or about, "others." While feminism has traditionally been a potent site for debates over questions that have arisen out of this context, recently, it has become so splintered and suspect that its insights are often dismissed as predictable, seriously reducing its capacity to offer powerful cultural criticism. In this postfeminist context, the authors argue for a cultural criticism that is strategic, not programmatic, and that preserves the multiple commitments, ideas, and positions required of interactions and identifications across lines of cultural, racial, and gender difference. Selecting sites where such interactions are highlighted and under current scrutiny—film, consumer culture, tourism, anthropology, and the academy—the authors theorize and demonstrate the struggles and maneuvers required to "take a stand" on a wide range of issues of significance to the contemporary cultural moment.