Wie Georg von Frundsberg von sich selber sang (Aus Des Knaben Wunderhorn)
Author | : Arnold Schoenberg |
Publisher | : |
Total Pages | : 10 |
Release | : 1974 |
Genre | : Songs (Medium voice) with piano |
ISBN | : |
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Author | : Arnold Schoenberg |
Publisher | : |
Total Pages | : 10 |
Release | : 1974 |
Genre | : Songs (Medium voice) with piano |
ISBN | : |
Author | : Malcolm MacDonald |
Publisher | : Oxford University Press |
Total Pages | : 401 |
Release | : 2008-09-26 |
Genre | : Music |
ISBN | : 0198038402 |
In this completely rewritten and updated edition of his long-indispensable study, Malcolm MacDonald takes advantage of 30 years of recent scholarship, new biographical information, and deeper understanding of Schoenberg's aims and significance to produce a superb guide to Schoenberg's life and work. MacDonald demonstrates the indissoluble links among Schoenberg's musical language (particularly the enigmatic and influential twelve-tone method), his personal character, and his creative ideas, as well as the deep connection between his genius as a teacher and as a revolutionary composer. Exploring newly considered influences on the composer's early life, MacDonald offers a fresh perspective on Schoenberg's creative process and the emotional content of his music. For example, as a previously unsuspected source of childhood trauma, the author points to the Vienna Ringtheater disaster of 1881, in which hundreds of people were burned to death, including Schoenberg's uncle and aunt-whose orphaned children were then adopted by Schoenberg's parents. MacDonald brings such experiences to bear on the music itself, examining virtually every work in the oeuvre to demonstrate its vitality and many-sidedness. A chronology of Schoenberg's life, a work-list, an updated bibliography, and a greatly expanded list of personal allusions and references round out the study, and enhance this new edition.
Author | : Ethan Haimo |
Publisher | : Cambridge University Press |
Total Pages | : 357 |
Release | : 2006-11-09 |
Genre | : Music |
ISBN | : 0521865425 |
A study of the innovative music of the twentieth-century composer, Arnold Schoenberg.
Author | : Harvey Sachs |
Publisher | : Liveright Publishing |
Total Pages | : 287 |
Release | : 2023-08-15 |
Genre | : Music |
ISBN | : 1631497588 |
A NEW YORK TIMES NOTABLE BOOK OF 2023 A New Yorker Best Book of the Year “[A]n immensely valuable source for anyone desiring an accessible overview of this endlessly controversial and chronically misunderstood giant of 20th-century music.” —John Adams, New York Times Book Review, cover review An astonishingly lyrical biography that rescues Schoenberg from notoriety, restoring him to his rightful place in the pantheon of twentieth-century composers. In his time, the Austrian American composer Arnold Schoenberg (1874–1951) was an international icon. His twelve-tone system was considered the future of music itself. Today, however, leading orchestras rarely play his works, and his name is met with apathy, if not antipathy. With this interpretative account, the acclaimed biographer of Toscanini finally restores Schoenberg to his rightful place in the canon, revealing him as one of the twentieth century’s most influential composers and teachers. Sachs shows how Schoenberg, a thorny character who composed thorny works, raged against the “Procrustean bed” of tradition. Defying his critics—among them the Nazis, who described his music as “degenerate”—he constantly battled the anti-Semitism that eventually precipitated his flight from Europe to Los Angeles. Yet Schoenberg, synthesizing Wagnerian excess with Brahmsian restraint, created a shock wave that never quite subsided, and, as Sachs powerfully argues, his compositions must be confronted by anyone interested in the past, present, or future of Western music.
Author | : Charles Osborne |
Publisher | : Springer Science & Business Media |
Total Pages | : 278 |
Release | : 2012-12-06 |
Genre | : Music |
ISBN | : 1475700490 |
W HAT I H A V E attempted in this book is a survey of song; the kind of song which one finds variously described as 'concert', 'art', or sometimes even 'classical song'. 'Concert song' seems the most useful, certainly the least inexact or misleading, of some descriptions, especially since 'art song' sounds primly off putting, and 'classical song' really ought to be used only to refer to songs written during the classical period, i. e. the 18th century. Concert song clearly means the kind of songs one hears sung at concerts or recitals. Addressing myself to the general music-lover who, though he possesses no special knowledge of the song literature, is never theless interested enough in songs and their singers to attend recitals of Lieder or of songs in various languages, I have naturally confined myself to that period of time in which the vast majority of these songs was composed, though not necessarily only to those composers whose songs have survived to be remembered in recital programmes today. I suppose this to be roughly the three centuries covered by the years 1650-1950, though most of the songs we, as audiences, know and love were composed in the middle of this period, in other words in the 19th century.
Author | : Carol June Bradley |
Publisher | : Routledge |
Total Pages | : 1418 |
Release | : 2014-03-18 |
Genre | : Music |
ISBN | : 1135381275 |
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Author | : Arnold Schoenberg |
Publisher | : |
Total Pages | : 16 |
Release | : |
Genre | : Songs (Medium voice) with piano |
ISBN | : |
Author | : Oliver Wray Neighbour |
Publisher | : W. W. Norton & Company |
Total Pages | : 224 |
Release | : 1997-07 |
Genre | : Biography & Autobiography |
ISBN | : 9780393315875 |
The New Grove Dictionary of Music and Musicians is the most up-to-date body of musical knowledge ever gathered together. The New Grove composer biographies have been selected from the dictionary to bring the finest of the biographies to a wider audience. Each has been expanded and updated for book publication and contains a comprehensive work-list, index, and fully revised bibliography, in addition to the definitive view of the subject's life and works. Arnold Schoenberg, Anton Webern, and Alban Berg comprise what is known as the 'Second Viennese School.' Their early 20th-century atonal and 12-tone composition marked the abolition of the traditional tonal functions and heralded an entirely new treatment of dissonance. These three biographies by Paul Griffiths (Webern), Oliver Neighbour (Schoenberg), and George Perle (Berg) provide insight into these developments and offer succinct and illuminating discussions of the composers' lives and works.
Author | : Arnold Schoenberg |
Publisher | : |
Total Pages | : 10 |
Release | : |
Genre | : Songs (Medium voice) with piano |
ISBN | : |
Author | : Arnold Schoenberg |
Publisher | : |
Total Pages | : 14 |
Release | : |
Genre | : Songs (Medium voice) with piano |
ISBN | : |