Whitney Biennial 2022
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| Author | : David Breslin |
| Publisher | : Whitney Museum of American Art |
| Total Pages | : 264 |
| Release | : 2022-04-26 |
| Genre | : |
| ISBN | : 9780300263893 |
Presenting the latest iteration of this crucial exhibition, always a barometer of contemporary American art The 2022 Whitney Biennial is accompanied by this landmark volume. Each of the Biennial's participants is represented by a selected exhibition history, a bibliography, and imagery complemented by a personal statement or interview that foregrounds the artist's own voice. Essays by the curators and other contributors elucidate themes of the exhibition and discuss the participants. The 2022 Biennial's two curators, David Breslin and Adrienne Edwards, are known for their close collaboration with living artists. Coming after several years of seismic upheaval in and beyond the cultural, social, and political landscapes, this catalogue will offer a new take on the storied institution of the Biennial while continuing to serve--as previous editions have--as an invaluable resource on present-day trends in contemporary art in the United States.
| Author | : Jane Panetta |
| Publisher | : Yale University Press |
| Total Pages | : 321 |
| Release | : 2019-01-01 |
| Genre | : Art |
| ISBN | : 0300242751 |
Showcasing the work of an exciting group of contemporary artists, this book reflects the trends shaping art in the United States today.
| Author | : |
| Publisher | : Walther Konig Verlag |
| Total Pages | : 172 |
| Release | : 2021-06 |
| Genre | : |
| ISBN | : 9783960989035 |
"Friendship, loss and the everyday populate Packer's canvases, full of disquieting detail." -Adrian Searle, The Guardian Through a uniquely textural style of oil painting that evokes the fluidity of watercolors, Jennifer Packer recasts classical genres in a fresh political and contemporary light while keeping them rooted in a deeply personal context. Combining observation, improvisation and memory, Packer's intimate portraits of friends and family members and flower paintings insist on the particularity of the Black lives she depicts. The title of this volume refers to an ecclesiastical description of the insatiable human quest for divine knowledge; with this in mind, Packer's work urges viewers to understand and appreciate the unique dimensions of Black lives beyond just the physical. Richly illustrated, this volume includes texts by fellow painters Dona Nelson and Lynette Yiadom-Boakye, professors Rizvana Bradley and Christina Sharpe, and an interview between the artist and Serpentine Artistic Director Hans Ulrich Obrist. American painter Jennifer Packer(born 1984) grew up in Philadelphia and received her MFA from Yale University in 2012. She was formerly the Artist-in-Residence at the Studio Museum in Harlem (2012-13) and a Visual Arts Fellow at the Fine Arts Work Center in Provincetown, MA (2014-16). She currently works as an assistant professor of painting at the Rhode Island School of Design. Packer is represented by Sikkema Jenkins & Co in New York City, where the artist lives.
| Author | : Francesco Bonami |
| Publisher | : |
| Total Pages | : 268 |
| Release | : 2010 |
| Genre | : Art |
| ISBN | : |
Since its inauguration in 1932, the Whitney Biennial has showcased contemporary artistic innovation, becoming a highly anticipated event in the art world. The 2010 Biennial is curated by Francesco Bonami and Gary Carrion-Murayari and features works by approximately 55 artists working in a variety of media and practices. Uniquely, this catalogue serves as both a handsome accompaniment to the 2010 exhibition and an insightful exploration of the significance of this acclaimed and often controversial event throughout its history. In addition to presenting full-color reproductions of the selected artists’ recent work, the curators have prepared a joint essay on the 2010 exhibition, and a group of writers contributed brief entries on the represented artists’ techniques, influences, and recent work. A detailed appendix features a short text on the significance of the museum’s annual and biennial exhibitions in the context of the museum’s history and broader collection, as well as photographs of previous installations, facsimiles of historical reviews, and a chronological list of artists included in past annuals and biennials. Thumbnails of all previous catalogue covers are also included, positioning each Biennial as a snapshot of artistic practice at a particular moment. Participating artists: David Adamo Richard Aldrich Michael Asher Tauba Auerbach Nina Berman Huma Bhabha Josh Brand The Bruce High Quality Foundation James Casebere Edgar Cleijne and Ellen Gallagher Dawn Clements George Condo Sarah Crowner Verne Dawson Julia Fish Roland Flexner Suzan Frecon Maureen Gallace Theaster Gates Kate Gilmore Hannah Greely Jesse Aron Green Robert Grosvenor Sharon Hayes Thomas Houseago Alex Hubbard Jessica Jackson Hutchins Jeffrey Inaba Martin Kersels Jim Lutes Babette Mangolte Curtis Mann Ari Marcopoulos Daniel McDonald Josephine Meckseper Rashaad Newsome Kelly Nipper Lorraine O’Grady R.H. Quaytman Charles Ray Emily Roysdon Aki Sasamoto Aurel Schmidt Scott Short Stephanie Sinclair Ania Soliman Storm Tharp Tam Tran Kerry Tribe Piotr Uklanski Lesley Vance Marianne Vitale Erika Vogt Pae White Robert Williams
| Author | : Avis Berman |
| Publisher | : Pomegranate Communications |
| Total Pages | : 112 |
| Release | : 2005 |
| Genre | : Art |
| ISBN | : 0764931547 |
Illustrated by over 50 of Edward Hopper's most powerful evocations of New York, Avis Berman's essay explores how Hopper and his work illuminate each other by analyzing what his New York is - and is not. Ever the contrarian, he offers an alternative to what other American artists seized on - the new, the gigantic, the technologically exciting. Hopper stayed away from tourist attractions or landmarks of the city's glamorous skyline. His preference for nondescript vernacular buildings is emblematic of the larger Hopper paradox: he makes emptiness full, silence articulate, banality intense, plainness mysterious, and tawdriness noble.
| Author | : Adrienne Edwards |
| Publisher | : Whitney Museum of American Art |
| Total Pages | : 168 |
| Release | : 2022-01-11 |
| Genre | : Art |
| ISBN | : 9780300260120 |
An unprecedented look at the contemporary collective's theatrical art, charting their performances and exploring their social and creative commitments The first monographic publication on the art collective My Barbarian (Malik Gaines, Jade Gordon, and Alexandro Segade) offers new insights into the work of this singular group of performers. My Barbarian has used performance to theatricalize social issues, adapting narratives from modern plays, historical texts, and mass media; this volume accompanies a major retrospective celebrating the group's twentieth anniversary. An overview essay relates their work's formal qualities to several historical moments over this span: the club era following September 11, 2001; postcolonial theater after the 2008 financial collapse; and political theater responding to the pressing issues of today. Other contributions read the collective's output through a lens of queer and other critical theory, and contextualize it within the twenty-first-century experimental performance scene. A richly illustrated visual chronology features texts on each of My Barbarian's past works written by the artists. Performances and video works are re-created using stills alongside photos, drawings, scripts, and personal materials drawn from the artists' archives, many never previously published.
| Author | : Scott Rothkopf |
| Publisher | : Yale University Press |
| Total Pages | : 306 |
| Release | : 2014-07-08 |
| Genre | : Art |
| ISBN | : 0300195877 |
With over 200 illustrations of iconic works as well as preparatory studies and historic photographs, this book offers fresh insight into Koons’s polarizing and influential career.
| Author | : Carlos Basualdo |
| Publisher | : Whitney Museum of American Art |
| Total Pages | : 348 |
| Release | : 2021 |
| Genre | : Art |
| ISBN | : 9780300254259 |
"This lavishly illustrated retrospective of Jasper Johns's work offers a new perspective on the artist's work based on his own enduring fascination with mirroring and doubles"--
| Author | : Jed Perl |
| Publisher | : Knopf |
| Total Pages | : 689 |
| Release | : 2020-04-14 |
| Genre | : Art |
| ISBN | : 0451494121 |
The concluding volume to the first biography of one of the most important, influential, and beloved twentieth-century sculptors, and one of the greatest artists in the cultural history of America--is a vividly written, illuminating account of his triumphant later years. The second and final volume of this magnificent biography begins during World War II, when Calder--known to all as Sandy--and his wife, Louisa, opened their home to a stream of artists and writers in exile from Europe. In the postwar decades, they divided their time between the United States and France, as Calder made his first monumental public sculptures and received blockbuster commissions that included Expo '67 in Montreal and the 1968 Olympics in Mexico City. Jed Perl makes clear how Calder's radical sculptural imagination shaped the minimalist and kinetic art movements that emerged in the 1960s. And we see, as well, that through everything--their ever-expanding friendships with artists and writers of all stripes; working to end the war in Vietnam; hosting riotous dance parties at their Connecticut home; seeing the "mobile," Calder's essential artistic invention, find its way into Webster's dictionary--Calder and Louisa remained the risk-taking, singularly bohemian couple they had been since first meeting at the end of the Roaring Twenties. The biography ends with Calder's death in 1976 at the age of seventy-eight--only weeks after an encyclopedic retrospective of his work opened at the Whitney Museum in New York--but leaves us with a new, clearer understanding of his legacy, both as an artist and a man.
| Author | : Maya Stovall |
| Publisher | : Duke University Press |
| Total Pages | : 211 |
| Release | : 2020-10-09 |
| Genre | : Social Science |
| ISBN | : 1478012676 |
For six years Maya Stovall staged Liquor Store Theatre, a conceptual art and anthropology video project---included in the Whitney Biennial in 2017---in which she danced near the liquor stores in her Detroit neighborhood as a way to start conversations with her neighbors. In this book of the same name, Stovall uses the project as a point of departure for understanding everyday life in Detroit and the possibilities for ethnographic research, art, and knowledge creation. Her conversations with her neighbors—which touch on everything from economics, aesthetics, and sex to the political and economic racism that undergirds Detroit's history—bring to light rarely acknowledged experiences of longtime Detroiters. In these exchanges, Stovall enacts an innovative form of ethnographic engagement that offers new modes of integrating the social sciences with the arts in ways that exceed what either approach can achieve alone.
