White Walls Designer Dresses
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Author | : Mark Wigley |
Publisher | : MIT Press (MA) |
Total Pages | : 464 |
Release | : 1995 |
Genre | : Architecture, Modern |
ISBN | : |
This work attempts to provide a new understanding of the historical avant-garde by analyzing the "clothing" of modern architecture. The author examines the relationships between architectural surfaces and clothing fashions and colour.
Author | : Judy Batalion |
Publisher | : Berkley |
Total Pages | : 354 |
Release | : 2016 |
Genre | : Biography & Autobiography |
ISBN | : 0451473116 |
Judy Batalion grew up in a house filled with endless piles of junk, obsessively gathered and stored by her hoarder mother. The first chance she had, she escaped the clutter to create a new identity - one made of order, regimen and clean white walls. Until, one day, she found herself enmeshed in life's biggest chaos: motherhood. Told with heartbreaking honesty and humour, this is Judy's poignant account of her trials negotiating the messiness of motherhood and the indelible marks that mothers and daughters make on each other's lives.
Author | : Mona Mahall |
Publisher | : igmade.edition |
Total Pages | : 247 |
Release | : 2009 |
Genre | : Architecture |
ISBN | : 3000298762 |
For the first time, the speculative in architecture becomes a topic of critical research. It is investigated not as idealistic but as strategic acting within endless modernity. This modernity implies that speculation, as strategic acting, is not only applied to economic but also to political and aesthetic values. Values become mobile, valuations become a play with highs and lows, authors (architects) become winners or losers, and culture becomes fashion. Includes projects by NL Architects, MVRDV, Aristide Antonas, FAT, Ralf Schreiber, Pascual Sisto, Ant Farm, Caspar Stracke, OMA, JODI, Kevin Bauman and others. [From publisher's website].
Author | : Mark Wigley |
Publisher | : MIT Press |
Total Pages | : 300 |
Release | : 1993 |
Genre | : Architecture |
ISBN | : 9780262731140 |
By locatingthe architecture already hidden within deconstructive discourse, Wigley opens up more radical possibilities for both architectureand deconstruction.
Author | : Natasha Lester |
Publisher | : Hachette UK |
Total Pages | : 496 |
Release | : 2020-09-15 |
Genre | : Fiction |
ISBN | : 1538717271 |
From the New York Times bestselling author of The Paris Orphan comes an unforgettable historical novel about a secret collection of Dior gowns that ties back to the first female pilots of WWII and a heartbreaking story of love and sacrifice. England, 1939: The Penrose sisters couldn't be more different. Skye is a daring and brash pilot, and Liberty the one to defy her at every turn. Even if women aren't allowed in the Royal Air Force, Skye is determined to help the war effort. She's thrilled when it reunites her with her childhood soulmate, Nicholas. She's less thrilled to learn Nicholas is now engaged to an enigmatic Frenchwoman named Margaux Jourdan. Paris, 1947: Designer Christian Dior unveils his glamorous first collection to a world weary of war and grief. He names his debut fragrance Miss Dior in tribute to his beloved sister Catherine, who forged a friendship with Skye and Margaux through her work with the French Resistance. Present Day: Fashion conservator Kat Jourdan discovers a priceless collection of Dior gowns in her grandmother's vacant cottage. As she delves into the mystery of their origin, Kat begins to doubt everything she thought she knew about her beloved grandmother.
Author | : Christine Baldacchino |
Publisher | : Groundwood Books Ltd |
Total Pages | : 34 |
Release | : 2020-07-10 |
Genre | : Juvenile Fiction |
ISBN | : 1773065610 |
Morris is a little boy who loves using his imagination. But most of all, Morris loves his classroom’s dress-up center and its tangerine dress. Morris is a little boy who loves using his imagination. He dreams about having space adventures, paints beautiful pictures and sings the loudest during circle time. But most of all, Morris loves his classroom’s dress-up center — he loves wearing the tangerine dress. But the children in Morris’s class don’t understand. Dresses, they say, are for girls. And Morris certainly isn’t welcome in the spaceship some of his classmates are building. Astronauts, they say, don’t wear dresses. One day when Morris feels all alone, and sick from the taunts of his classmates, his mother lets him stay home from school. Morris reads about elephants, and puts together a puzzle, and dreams of a fantastic space adventure with his cat, Moo. Inspired by his dream, Morris paints the incredible scene he saw, and brings it with him to school. He builds his own spaceship, hangs his painting on the front of it and takes two of his classmates on an outer space adventure. With warm, dreamy illustrations Isabelle Malenfant perfectly captures Morris’s vulnerability and the vibrancy of his imagination. This is a sweetly told story about the courage and creativity it takes to be different. Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.1.3 Describe characters, settings, and major events in a story, using key details. CCSS.ELA-LITERACY.RL.1.4 Identify words and phrases in stories or poems that suggest feelings or appeal to the senses.
Author | : Eleanor Estes |
Publisher | : Houghton Mifflin Harcourt |
Total Pages | : 100 |
Release | : 2004 |
Genre | : Juvenile Fiction |
ISBN | : 9780152052607 |
Eleanor Estes's The Hundred Dresses won a Newbery Honor in 1945 and has never been out of print since. At the heart of the story is Wanda Petronski, a Polish girl in a Connecticut school who is ridiculed by her classmates for wearing the same faded blue dress every day. Wanda claims she has one hundred dresses at home, but everyone knows she doesn't and bullies her mercilessly. The class feels terrible when Wanda is pulled out of the school, but by that time it's too late for apologies. Maddie, one of Wanda's classmates, ultimately decides that she is "never going to stand by and say nothing again." This powerful, timeless story has been reissued with a new letter from the author's daughter Helena Estes, and with the Caldecott artist Louis Slobodkin's original artwork in beautifully restored color.
Author | : Brenda Janowitz |
Publisher | : Harlequin |
Total Pages | : 351 |
Release | : 2020-03-03 |
Genre | : Fiction |
ISBN | : 1488056404 |
“Exactly the type of book I love: charming, smart, and brimming with heart.”—EMILY GIFFIN, #1 New York Times bestselling author of All We Ever Wanted “Fast paced and entertaining from beginning to end.”—KRISTIN HANNAH, #1 New York Times bestselling author of The Nightingale Two years after Grace Kelly’s royal wedding, her iconic dress is still all the rage in Paris—and one replica, and the secrets it carries, will inspire three generations of women to forge their own paths in life and in love. Paris, 1958: Rose, a seamstress at a fashionable atelier, has been entrusted with sewing a Grace Kelly—look-alike gown for a wealthy bride-to-be. But when, against better judgment, she finds herself falling in love with the bride’s handsome brother, Rose must make an impossible choice, one that could put all she’s worked for at risk: love, security and of course, the dress. Sixty years later, tech CEO Rachel, who goes by the childhood nickname “Rocky,” has inherited the dress for her upcoming wedding in New York City. But there’s just one problem: Rocky doesn’t want to wear it. A family heirloom dating back to the 1950s, the dress just isn’t her. Rocky knows this admission will break her mother Joan’s heart. But what she doesn’t know is why Joan insists on the dress—or the heartbreaking secret that changed her mother’s life decades before, as she herself prepared to wear it. As the lives of these three women come together in surprising ways, the revelation of the dress’s history collides with long-buried family heartaches. And in the lead-up to Rocky’s wedding, they’ll have to confront the past before they can embrace the beautiful possibilities of the future. *Don't miss The Liz Taylor Ring, Brenda Janowitz's next novel. Available now!
Author | : Mark Wigley |
Publisher | : National Geographic Books |
Total Pages | : 0 |
Release | : 2021-02-02 |
Genre | : Architecture |
ISBN | : 3956795350 |
A novel reading of the work of one of the most influential designers of the twentieth century. In this provocative intellectual biography, architectural historian Mark Wigley makes the surprising claim that the thinking behind modernist architect Konrad Wachsmann's legendary projects was dominated by the idea of television. Investigating the archives of one of the most influential designers of the twentieth century, Wigley scrutinizes Wachsmann's design, research, and teaching, closely reading a succession of unseen drawings, models, photographs, correspondence, publications, syllabi, reports, and manuscripts to argue that Wachsmann is an anti-architect—a student of some of the most influential designers of the 1920s who dedicated thirty-five post–Second World War years to the disappearance of architecture. Wachsmann turned architecture against itself. His hypnotic projects for a new kind of space were organized around the thought that television enables a different way of living together. While architecture is typically embarrassed by television, preferring to act as if it never happened, Wachsmann fully embraced it. He dissolved buildings into pulsating mirages that influenced the experimental avant-gardes of the 1960s and 1970s; but Wigley demonstrates that this work was even more extreme than the experiments it inspired. Wigley's forensic analysis of a career shows that Wachsmann developed one of the most compelling manifestos of what architecture would need to become in the age of ubiquitous electronics.
Author | : Mark Wigley |
Publisher | : Lars Muller Publishers |
Total Pages | : 527 |
Release | : 2018 |
Genre | : Architecture |
ISBN | : 9783037784273 |
Of the many shows at the fabled 112 Greene Street gallery - an artistic epicenter of New York's downtown scene in the 1970s - the Anarchitecture group show of March 1974 has been the subject of the most enduring discussion, despite a complete lack of documentation about it. Anarchitecture has become a foundational myth, but one that remains to be properly understood. Stemming from a series of meetings organised by Gordon Matta-Clark and refl ecting his long-standing interest in architecture, the Anarchitecture exhibition was conceived as an anonymous group statement in photographs about the intersection of art and building. But did it actually happen? It exists only through oblique archival traces and the memories of the participants. Cutting Matta-Clark investigates the Anarchitecture group as a kind of collective research seminar, through extensive interviews with the protagonists and a dossier of all the available evidence. The dossier includes a collection of Matta-Clark's aphoristic "art cards," the 96 photographs that were produced by the various participants for possible inclusion in the exhibition, and images from a recently unearthed video of Matta-Clark's now famous bus trip to see Splitting in Englewood, New Jersey. 150 illustrations