White Collar Fictions
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| Author | : Christopher P. Wilson |
| Publisher | : University of Georgia Press |
| Total Pages | : 342 |
| Release | : 2010-08-01 |
| Genre | : Literary Criticism |
| ISBN | : 0820336971 |
In White Collar Fictions Christopher P. Wilson explores how turn-of-the-century literary representations of "white collar" Americans--the "middle" social strata H.L. Mencken dismissed as boobus Americanus--were actually part and parcel of a new social class coming to terms with its own power, authority, and contradictions. An innovative study that integrates literary analysis with social-history research, the book reexamines the life and work of Sherwood Anderson and Sinclair Lewis--as well as such nearly forgotten authors as O. Henry, Edna Ferber, Robert Grant, and Elmer Rice. Between 1885 and 1925 America underwent fundamental social changes. The family business faded with the rise of the modern corporation; mid-level clerical work grew rapidly; the "white collar" ranks--sales clerks, accountants, lawyers, advertisers, "middle managers, and professionals--expanded between capital and labor. During this same period, Wilson shows, white collar characters took on greater prominence within American literature and popular culture. Magazines like the Saturday Evening Post idolized "average Americans," while writers such as Sherwood Anderson and Sinclair Lewis produced portraits of "middle America" in Winesburg, Ohio and Babbitt. By investigating the material experience and social vocabularies within white collar life itself, Wilson uncovers the ways in which writers helped create a new cultural vocabulary--"Babbittry," the "little people," the "Average American"--That served to redefine power, authority, and commonality in American society.
| Author | : Peter Stoneley |
| Publisher | : John Wiley & Sons |
| Total Pages | : 328 |
| Release | : 2008-04-15 |
| Genre | : Literary Criticism |
| ISBN | : 0470693290 |
An authoritative guide to American literature, this Companion examines the experimental forms, socio-cultural changes, literary movements, and major authors of the early 20th century. This Companion provides authoritative and wide-ranging guidance on early twentieth-century American fiction. Considers commonly studied authors such as Faulkner, Fitzgerald, and Hemingway, alongside key texts of the period by Richard Wright, Charles Chesnutt, Zora Neale Hurston, and Anzia Yezierska Examines how the works of these diverse writers have been interpreted in their own day and how current readings have expanded our understanding of their cultural and literary significance Covers a broad range of topics, including the First and Second World Wars, literary language differences, author celebrity, the urban landscape, modernism, the Jazz Age, the Great Depression, regionalism, and African-American fiction Gives students the contextual information necessary for formulating their own critiques of classic American fiction
| Author | : Ralph Clare |
| Publisher | : Rutgers University Press |
| Total Pages | : 334 |
| Release | : 2014-09-11 |
| Genre | : Literary Criticism |
| ISBN | : 0813573637 |
Fictions Inc. explores how depictions of the corporation in American literature, film, and popular culture have changed over time. Beginning with perhaps the most famous depiction of a corporation—Frank Norris’s The Octopus—Ralph Clare traces this figure as it shifts from monster to man, from force to “individual,” and from American industry to multinational “Other.” Clare examines a variety of texts that span the second half of the twentieth century and beyond, including novels by Thomas Pynchon, William Gaddis, Don DeLillo, Richard Powers, and Joshua Ferris; films such as Network, Ghostbusters, Gung Ho, Office Space, and Michael Clayton; and assorted artifacts of contemporary media such as television’s The Office and the comic strips Life Is Hell and Dilbert. Paying particular attention to the rise of neoliberalism, the emergence of biopolitics, and the legal status of “corporate bodies,” Fictions Inc. shows that representations of corporations have come to serve, whether directly or indirectly, as symbols for larger economic concerns often too vast or complex to comprehend. Whether demonized or lionized, the corporation embodies American anxieties about these current conditions and ongoing fears about the viability of a capitalist system.
| Author | : Masaomi Kobayashi |
| Publisher | : Springer Nature |
| Total Pages | : 234 |
| Release | : 2022-11-15 |
| Genre | : Literary Criticism |
| ISBN | : 3031126882 |
The Multiverse of Office Fiction liberates Herman Melville’s 1853 classic, “Bartleby, the Scrivener,” from a microcosm of Melville studies, namely the so-called Bartleby Industry. This book aims to illuminate office fiction—fiction featuring office workers such as clerks, civil servants, and company employees—as an underexplored genre of fiction, by addressing relevant issues such as evolution of office work, integration of work and life, exploitation of women office workers, and representation of the Post Office. In achieving this goal, Bartleby plays an essential role not as one of the most eccentric characters in literary fiction, but rather as one of the most generic characters in office fiction. Overall, this book demonstrates that Bartleby is a generative figure, by incorporating a wide diversity of his cousins as Bartlebys. It offers fresh contexts in which to place these characters so that it can ultimately contribute to an ever-evolving poetics of the office.
| Author | : David Smit |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 169 |
| Release | : 2020-07-02 |
| Genre | : Literary Criticism |
| ISBN | : 1793615330 |
The Political Fiction of Ward Just: Class, Theories of Representation, and Imagining a Ruling Elite uses three theoretical frameworks of representation—literary, political, and diplomatic—to demonstrate how the upper-class status of the ruling elites in Ward Just’s political fiction influences the way they govern. He illustrates how Just’s ruling elites develop a coherent “upper class” form of consciousness that limits their ability as elected officials to adequately represent the interests of all the nation’s citizens domestically—especially the poor and working class—and their ability as diplomats to adequately represent the interests of the nation as a whole internationally. In his conclusion, the author offers suggestions for ways to make our ruling elites more representative of the interests of the working class and underprivileged groups at home and more sensitive to the cultures of the countries in which they serve abroad.
| Author | : Ben Hickman |
| Publisher | : Springer Nature |
| Total Pages | : 298 |
| Release | : 2023-10-21 |
| Genre | : Social Science |
| ISBN | : 303141490X |
This book examines labour in the age of US hegemony through the art that has grappled with it; and, vice versa, developments in American culture as they have been shaped by work’s transformations over the last century. Describing the complex relations between cultural forms and the work practices, Art, Labour and American Life explores everything from Fordism to feminization, from white-collar ascendency to zero hours precarity, as these things have manifested in painting, performance art, poetry, fiction, philosophy and music. Labour, all but invisible in cultural histories of the period, despite the fact most Americans have spent most of their lives doing it, here receives an urgent re-emphasis, as we witness work’s radical redefinition across the world.
| Author | : Carol J. Batker |
| Publisher | : Columbia University Press |
| Total Pages | : 236 |
| Release | : 2000 |
| Genre | : Education |
| ISBN | : 9780231118514 |
A fresh, multicultural reading of the work of women writers of the Progressive era that places their fiction in the context of their reform journalism and political activism.
| Author | : Bryan M. Santin |
| Publisher | : Cambridge University Press |
| Total Pages | : 307 |
| Release | : 2021-03-11 |
| Genre | : Literary Criticism |
| ISBN | : 1108974236 |
Bryan M. Santin examines over a half-century of intersection between American fiction and postwar conservatism. He traces the shifting racial politics of movement conservatism to argue that contemporary perceptions of literary form and aesthetic value are intrinsically connected to the rise of the American Right. Instead of casting postwar conservatives as cynical hustlers or ideological fanatics, Santin shows how the long-term rhetorical shift in conservative notions of literary value and prestige reveal an aesthetic antinomy between high culture and low culture. This shift, he argues, registered and mediated the deeper foundational antinomy structuring postwar conservatism itself: the stable social order of traditionalism and the creative destruction of free-market capitalism. Postwar conservatives produced, in effect, an ambivalent double register in the discourse of conservative literary taste that sought to celebrate neo-aristocratic manifestations of cultural capital while condemning newer, more progressive manifestations revolving around racial and ethnic diversity.
| Author | : Lucy Evans |
| Publisher | : Oxford University Press |
| Total Pages | : 225 |
| Release | : 2024-09-18 |
| Genre | : Literary Criticism |
| ISBN | : 0198919905 |
Crime Fiction in the Caribbean: Reframing Crime and Justice is the first academic book to focus on crime fiction by anglophone Caribbean writers. It explores how contemporary writers experiment with the crime genre in order to convey, contextualize, and comment on crime and justice in Caribbean countries. Lucy Evans reads crime fiction as a versatile mode of writing that can be politically engaged, and that-in a Caribbean context-can expose power structures embedded in the region's multi-layered history of colonial conquest, genocide of Indigenous populations, plantation agriculture, transatlantic slavery, and indentured labour. This book covers fiction set in Trinidad and Tobago, Jamaica, Guyana, Barbados, Grenada, and Haiti, discussing novels by Elizabeth Nunez, Jacob Ross, Marlon James, Harischandra Khemraj, Esther Figueroa, Edwidge Danticat, Cherie Jones, and several others. Evans considers how fiction by anglophone Caribbean writers not only reflects upon the social realities of crime and crime control in the Caribbean, but also at times contests or complicates scholarly, popular, and legal perspectives. She argues that through their engagement with the crime genre, these writers raise pressing questions about what constitutes crime and justice in a Caribbean context, and about accountability. Looking beyond the traditional focus of crime fiction and criminology on individual acts of wrongdoing, their fiction highlights systemic social harms rooted in the region's colonial past. Reading crime fiction through the lens of criminological research, Crime Fiction in the Caribbean brings the study of literary writing into scholarly debate on crime in the Caribbean. At the same time, it extends the global turn in crime fiction studies, focusing on a region that has been sidelined even in studies which examine the genre's international dimensions.
| Author | : Nader Elhefnawy |
| Publisher | : Nader Elhefnawy |
| Total Pages | : 211 |
| Release | : 2023-11-24 |
| Genre | : Literary Criticism |
| ISBN | : |
A CENTURY OF SPY FICTION: REFLECTIONS ON THE GENRE brings together Nader Elhefnawy's writings on that subject. From the birth of the spy story in the marriage of detective fiction with the invasion story to the genre's post-Cold War travails, from the forgotten but hugely important adventures of the original "international man of mystery" Duckworth Drew to the age of Jack Ryan, this revised and updated second edition of the book trace the broader history of the field while peering at many a keyhole to see just what has been going on all the while in this often mysterious genre about mystery.
