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| Author | : Bernie Marsden |
| Publisher | : HarperCollins UK |
| Total Pages | : 254 |
| Release | : 2019-11-28 |
| Genre | : Biography & Autobiography |
| ISBN | : 0008356572 |
‘A page turner...and then some!’ Chris Evans ‘An absorbing memoir.’ Classic Rock Magazine ‘A very enjoyable rock-n-roll memoir that is not just for fans, but for anyone interested in this classic era of the British rock scene’ The Afterword
| Author | : Michael Walker |
| Publisher | : Macmillan + ORM |
| Total Pages | : 324 |
| Release | : 2010-05-01 |
| Genre | : Music |
| ISBN | : 1429932937 |
A “richly anecdotal” account of the secluded LA neighborhood’s legendary music scene, a tale of groupies, cocaine, and California dreaming (Salon). Finalist, SCBA Book Award for Nonfiction A Los Angeles Times Bestseller In the late sixties and early seventies, an impromptu collection of musicians colonized a eucalyptus-scented canyon deep in the Hollywood Hills of Los Angeles and melded folk, rock, and savvy American pop into a sound that conquered the world as thoroughly as the songs of the Beatles and the Rolling Stones had before them. Decades later, the music made in Laurel Canyon continues to pour from radios, earbuds, and concert stages around the world. In Laurel Canyon, veteran journalist Michael Walker draws on interviews with those who were there to tell the inside story of this unprecedented gathering of some of the era’s leading musical lights—including Joni Mitchell; Jim Morrison; Crosby, Stills, and Nash; John Mayall; the Mamas and the Papas; Carole King; the Eagles; and Frank Zappa, to name just a few—who turned Los Angeles into the music capital of the world and forever changed the way popular music is recorded, marketed, and consumed. “An exhaustively researched and richly anecdotal book that will fascinate both rock aficionados and cultural historians.” —Salon “Captures all the magic and lyricism of an almost mythological geographical spot in the history of pop music . . . the story of a more melodious time in rock and roll where the great talents of the ‘60s and ‘70s cloistered together in a sort of enchanted valley populated by an all-star cast of characters.” —Steven Gaines, author of Philistines at the Hedgerow
| Author | : Micky Moody |
| Publisher | : Bonnier Zaffre |
| Total Pages | : 308 |
| Release | : 2016-11-03 |
| Genre | : Biography & Autobiography |
| ISBN | : 1786063484 |
WHEN THE WORLD WAS BITTEN BY THE HARD-ROCKING, HARD-TOURING AND HARDDRINKING WHITESNAKE, IT WAS MICKY MOODY’S GRITTY RIFFS AND SIGNATURE BLUESY SLIDE-GUITAR THAT HELPED PROPEL THEM TO INTERNATIONAL STARDOM, AS THEY SHOULDERED ASIDE CONTEMPORARY RIVALS, GOING ON TO SELL MILLIONS OF ALBUMS WORLDWIDE. But before Whitesnake—and life on the road with former Deep Purple singer David Coverdale—became a chaotic reality, Moody had already formed a teenaged band with Free’s Paul Rodgers, played with Juicy Lucy, been a founder member of Snafu and worked as an in-demand session musician. This saw him play with performers whose egos, neuroses—and, in some cases, supreme talent—led to some memorable encounters, giving him the opportunity to contribute, with some gusto, to the hedonism of the Seventies. His musical footprint has been nothing short of epic. But how did such a party-loving, excess-fueled outfit as Whitesnake conquer the mighty world of hard rock—and at what cost? Outrageous stories about catastrophic narcotic mix-ups and infamous groupies come as thick and fast as the band’s musical output itself. However, with success comes a price, and as global domination, commercial success and late-night carousing began to give way to suspicion, greed and the repercussions of excess on the road, serious fallout was inevitable. In his memoir Snakes and Ladders, Micky relates his musical odyssey with fondness and a wry sense of humour. From, guitar lessons to guitar hero, this is his story of climbing the ladder—and surviving the ’Snake.
| Author | : John Illsley |
| Publisher | : Diversion Books |
| Total Pages | : 365 |
| Release | : 2021-11-09 |
| Genre | : Biography & Autobiography |
| ISBN | : 1635769167 |
The bass player and founding member Dire Straits shares a behind-the-scenes history of the British rock band. One of the most successful music acts of all time, Dire Straits filled stadiums around the world. Their albums sold hundreds of millions of copies and their music—classics like “Sultans of Swing,” “Romeo and Juliet,” “Money for Nothing,” and “Brothers in Arms” —is still played on every continent today. There was, quite simply, no bigger band on the planet throughout the eighties. In this powerful and entertaining memoir, founding member John Illsley gives the inside track on the most successful rock band of their time. From playing gigs in the spit-and-sawdust pubs of south London, to hanging out with Bob Dylan in LA, Illsley tells the story of the band with searching honesty, soulful reflection, and wry humor. Starting with his own unlikely beginnings in Middle England, he recounts the band’s rise from humble origins to the best-known venues in the world, the working man’s clubs to Madison Square Garden, sharing gigs with wild punk bands to rocking the Live Aid stage at Wembley. And woven throughout is an intimate portrait and tribute to his great friend Mark Knopfler, the band’s lead singer, songwriter, and remarkable guitarist. Tracing an idea that created a phenomenal musical legacy, an extraordinary journey of joy and pain, companionship and surprises, this is John Illsley’s life in Dire Straits. Praise for My Life in Dire Straits “A forensic and uplifting journey through the sheer hard work, pitfalls, and thrills of navigating a great rock and roll band to the pinnacle of success. I so enjoyed the ride! Onwards, John!” —Roger Taylor, drummer, songwriter, and founding member of Queen “Reading John Illsley’s book, I relived so many moments. He captures the early days of the “English bands” and their story—the ups and downs, relationships, craziness, and fun. Of course, the music was key. This really happened!” —Mike Rutherford of Genesis “Fascinating. . . . Illsley is brutally frank about the toll that the band’s fame had on his relationships, most notably his marriage (“a victim,” he writes, “of my life on the road”). Fans will be mesmerized.” —Publishers Weekly (starred review)
| Author | : Stephen Tow |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 225 |
| Release | : 2020-02-15 |
| Genre | : Music |
| ISBN | : 1538127180 |
It all started in London. More than fifty years ago, a generation of teens created something that would change the face of music forever. London, Reign Over Me immerses us in the backroom clubs, basement record shops, and late-night faint radio signals of 1960s Britain, where young hopefuls like Peter Frampton, Dave Davies, and Mick Jagger built off American blues and jazz to form a whole new sound. Author Stephen Tow weaves together original interviews with over ninety musicians and movers-and-shakers of the time to uncover the uniquely British story of classic rock’s birth. Capturing the stark contrast of bursting artistic energy with the blitzkrieg landscape leftover from World War II, London, Reign Over Me reveals why classic rock ‘n’ roll could only have been born in London. A new sound from a new generation, this music helped spark the most important cultural transformation of the twentieth century. Key interviews include: •Jon Anderson (Yes) •Ian Anderson (Jethro Tull) •Rod Argent (The Zombies) •Chris Barber (Chris Barber Jazz Band) •Joe Boyd (Producer/manager) •Arthur Brown (Crazy World of Arthur Brown) •David Cousins (The Strawbs) •Dave Davies (The Kinks) •Spencer Davis (Spencer Davis Group) •Judy Dyble (Fairport Convention) •Ramblin’ Jack Elliott (Solo folk/blues artist) •Peter Frampton (Humble Pie, solo artist) •Roger Glover (Deep Purple) •Steve Howe (Yes) •Neil Innes (Bonzo Dog Band; Monty Python) •Kenney Jones (The Small Faces; The Who) •Greg Lake (King Crimson; Emerson, Lake & Palmer) •Manfred Mann (Manfred Mann) •Terry Marshall (Marshall Amplification) •Dave Mason (Traffic) •Phil May (The Pretty Things) •John Mayall (The Bluesbreakers) •Jim McCarty (The Yardbirds) •Ian McLagan (The Small Faces) •Jacqui McShee (The Pentangle) •Peter Noone (Herman’s Hermits) •Carl Palmer (Atomic Rooster; Emerson, Lake & Palmer) •Jan Roberts (Eel Pie Island Documentary Project) •Paul Rodgers (Free) •Peggy Seeger (Solo folk artist) •Hylda Sims (Club owner) •Keith Skues (DJ: Radio Caroline, Radio London, Radio One) •Jeremy Spencer (Fleetwood Mac) •John Steel (The Animals) •Al Stewart (Solo folk artist) •Dick Taylor (The Pretty Things) •Ray Thomas (The Moody Blues) •Richard Thompson (Fairport Convention) •Rick Wakeman (The Strawbs, Yes) •Barrie Wentzell (Photographer: Melody Maker)
| Author | : Ian S. Port |
| Publisher | : Simon and Schuster |
| Total Pages | : 352 |
| Release | : 2019-01-15 |
| Genre | : Music |
| ISBN | : 1501141767 |
“A hot-rod joy ride through mid-20th-century American history” (The New York Times Book Review), this one-of-a-kind narrative masterfully recreates the rivalry between the two men who innovated the electric guitar’s amplified sound—Leo Fender and Les Paul—and their intense competition to convince rock stars like the Beatles, Jimi Hendrix, and Eric Clapton to play the instruments they built. In the years after World War II, music was evolving from big-band jazz into rock ’n’ roll—and these louder styles demanded revolutionary instruments. When Leo Fender’s tiny firm marketed the first solid-body electric guitar, the Esquire, musicians immediately saw its appeal. Not to be out-maneuvered, Gibson, the largest guitar manufacturer, raced to build a competitive product. The company designed an “axe” that would make Fender’s Esquire look cheap and convinced Les Paul—whose endorsement Leo Fender had sought—to put his name on it. Thus was born the guitar world’s most heated rivalry: Gibson versus Fender, Les versus Leo. While Fender was a quiet, half-blind, self-taught radio repairman, Paul was a brilliant but headstrong pop star and guitarist who spent years toying with new musical technologies. Their contest turned into an arms race as the most inventive musicians of the 1950s and 1960s—including bluesman Muddy Waters, rocker Buddy Holly, the Beatles, Bob Dylan, and Eric Clapton—adopted one maker’s guitar or another. By 1969 it was clear that these new electric instruments had launched music into a radical new age, empowering artists with a vibrancy and volume never before attainable. In “an excellent dual portrait” (The Wall Street Journal), Ian S. Port tells the full story in The Birth of Loud, offering “spot-on human characterizations, and erotic paeans to the bodies of guitars” (The Atlantic). “The story of these instruments is the story of America in the postwar era: loud, cocky, brash, aggressively new” (The Washington Post).
| Author | : Kent Hartman |
| Publisher | : Macmillan |
| Total Pages | : 305 |
| Release | : 2012-02-14 |
| Genre | : Music |
| ISBN | : 1429941375 |
Winner of the Oregon Book Award for General Nonfiction and Los Angeles Times bestseller "It makes good music sound better."-Janet Maslin in The New York Times "A fascinating look into the West Coast recording studio scene of the '60s and the inside story of the music you heard on the radio. If you always assumed the musicians you listened to were the same people you saw onstage, you are in for a big surprise!"-Dusty Street, host of Classic Vinyl on Sirius XM Satellite Radio If you were a fan of popular music in the 1960s and early '70s, you were a fan of the Wrecking Crew-whether you knew it or not. On hit record after hit record by everyone from the Byrds, the Beach Boys, and the Monkees to the Grass Roots, the 5th Dimension, Sonny & Cher, and Simon & Garfunkel, this collection of West Coast studio musicians from diverse backgrounds established themselves in Los Angeles, California as the driving sound of pop music-sometimes over the objection of actual band members forced to make way for Wrecking Crew members. Industry insider Kent Hartman tells the dramatic, definitive story of the musicians who forged a reputation throughout the business as the secret weapons behind the top recording stars. Mining invaluable interviews, the author follows the careers of such session masters as drummer Hal Blaine and keyboardist Larry Knechtel, as well as trailblazing bassist Carol Kaye-the only female in the bunch-who went on to play in thousands of recording sessions in this rock history. Readers will discover the Wrecking Crew members who would forge careers in their own right, including Glen Campbell and Leon Russell, and learn of the relationship between the Crew and such legends as Phil Spector and Jimmy Webb. Hartman also takes us inside the studio for the legendary sessions that gave us Pet Sounds, Bridge Over Troubled Water, and the rock classic "Layla," which Wrecking Crew drummer Jim Gordon cowrote with Eric Clapton for Derek and the Dominos. And the author recounts priceless scenes such as Mike Nesmith of the Monkees facing off with studio head Don Kirshner, Grass Roots lead guitarist (and future star of The Office) Creed Bratton getting fired from the group, and Michel Rubini unseating Frank Sinatra's pianist for the session in which the iconic singer improvised the hit-making ending to "Strangers in the Night." The Wrecking Crew tells the collective, behind-the-scenes stories of the artists who dominated Top 40 radio during the most exciting time in American popular culture.
| Author | : Andy Summers |
| Publisher | : Macmillan |
| Total Pages | : 374 |
| Release | : 2007-04-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 1429909293 |
"The train jerks to a halt, and as I get out at Oxford Circus, Stewart gets out with me. We look at each other, laugh, and make the standard remark about it being a small world. But this is the brilliant collision, one train later and it might all have turned out differently." In this extraordinary memoir, world-renowned guitarist Andy Summers provides a revealing and passionate account of a life dedicated to music. From his first guitar at age thirteen and his early days on the English music scene to the ascendancy of his band, the Police, Summers recounts his relationships and encounters with the Big Roll Band, Jimi Hendrix, Eric Clapton, the Animals, John Belushi, and others, all the while proving himself a master of telling detail and dramatic anecdote. But, of course, the early work is only part of the story, and Andy's account of his role as guitarist for the Police---a gig that was only confirmed by a chance encounter with drummer Stewart Copeland on a London train---has been long-awaited by music fans worldwide. The heights of fame that the Police achieved have rarely been duplicated, and the band's triumphs were rivaled only by the personal chaos that such success brought about, an insight never lost on Summers in the telling. Complete with never-before-published photos from Summers's personal collection, One Train Later is a constantly surprising and poignant memoir, and the work of a world-class musician and a first-class writer.
| Author | : Graham Nash |
| Publisher | : Crown Archetype |
| Total Pages | : 394 |
| Release | : 2013-09-17 |
| Genre | : Biography & Autobiography |
| ISBN | : 0385347553 |
From Graham Nash—the legendary musician and founding member of the iconic bands Crosby, Stills & Nash and The Hollies—comes a candid and riveting autobiography that belongs on the reading list of every classic rock fan. Graham Nash's songs defined a generation and helped shape the history of rock and roll—he’s written over 200 songs, including such classic hits as "Carrie Anne," “On A Carousel,” "Simple Man," "Our House," “Marrakesh Express,” and "Teach Your Children." From the opening salvos of the British Rock Revolution to the last shudders of Woodstock, he has rocked and rolled wherever music mattered. Now Graham is ready to tell his story: his lower-class childhood in post-war England, his early days in the British Invasion group The Hollies; becoming the lover and muse of Joni Mitchell during the halcyon years, when both produced their most introspective and important work; meeting Stephen Stills and David Crosby and reaching superstardom with Crosby, Stills, Nash & Young; and his enduring career as a solo musician and political activist. Nash has valuable insights into a world and time many think they know from the outside but few have experienced at its epicenter, and equally wonderful anecdotes about the people around him: the Beatles, the Stones, Hendrix, Cass Elliot, Dylan, and other rock luminaries. From London to Laurel Canyon and beyond, Wild Tales is a revealing look back at an extraordinary life—with all the highs and the lows; the love, the sex, and the jealousy; the politics; the drugs; the insanity—and the sanity—of a magical era of music.
