Where Memory Dwells
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| Author | : Macarena Gomez-Barris |
| Publisher | : Univ of California Press |
| Total Pages | : 233 |
| Release | : 2009 |
| Genre | : Art |
| ISBN | : 0520255844 |
"Where Memory Dwells is a crucial contribution to the current debate on political violence. Macarena Gómez-Barris has researched exhaustively on the Chilean post-dictatorship to find the deep relationship between what happened in Chile on September 11, 1973 and what is going on today, in Chile and in the world."—Sergio Villalobos-Ruminott, University of Arkansas "This book offers intriguing insights on the symbolic, aesthetic, and personal aspects of memory-making by activists, survivors, and artists during the afterlife of the Pinochet dictatorship. The author shows how specific cultural actors wrestle creatively with the dilemma of how to represent experiences of atrocity that defy our ability to know, narrate, and depict them, yet prove crucial to the building of a democratic culture."—Steve Stern, Alberto Flores Galindo Professor, University of Wisconsin "Macarena Gomez-Barris takes the reader on an often personal journey through the 'memoryscape of terror' of the Chilean dictatorship in Chile and Chilean culture in exile. This book makes a poignant and compelling contribution to the study of traumatic memory in Latin America."—Marita Sturken, Professor of Media, Culture and Communication studies, New York University "Where Memory Dwells offers an immensely luminous rearticulation of the 1990s 'politics of memory' theme for the twenty-first century. Illustrating the profound relevance of memory studies to political theory, Gómez-Barris shows with great lucidity how the remembering and forgetting of state terror are entwined with global and local forces of the neoliberal economy, nationalism, and universal human rights discourse. Where Memory Dwells exemplifies the best efforts of a sociological approach to memory as cultural mediation of power. It should be read by anyone interested in the critical work that collective memory may perform for our societies in transition.”—Lisa Yoneyama, Author of Hiroshima Traces: Time, Space, and the Dialectics of Memory "Where Memory Dwells is a creatively researched and exquisitely thoughtful study of the memory of state terror as it lives and hides in complex and politically activated cultural practices. Gómez-Barris's exploration of how authoritarianism and social injustice are remembered, forgotten, and redressed by nations, citizens, and exiles is a beautiful achievement, one with an immediate relevance for us today."—Avery F. Gordon, author of Ghostly Matters
| Author | : |
| Publisher | : |
| Total Pages | : 460 |
| Release | : 1896 |
| Genre | : |
| ISBN | : |
| Author | : Berenike Jung |
| Publisher | : Edinburgh University Press |
| Total Pages | : 248 |
| Release | : 2020-07-06 |
| Genre | : Electronic books |
| ISBN | : 147443701X |
Examines the ways in which moving images can help us better understand factual political tortureExamines role of images and film in (mis)understanding of tortureOffers synergised knowledge through comparative angle, exploring differences and continuities of torture cases which were documented to vastly different extentsIncludes key popular movies, independent films as well as serial televisionCombines serious film analysis with ethical-political questions and historically and theoretically informed researchExpands on the latest developments of comparative media scholarship, and integrates the nostalgic, material and affective "e;turn."e; Academic work on the subject of torture tends to mirror public debates on its presumed utility, to focus on its historically 'correct' representation or on profilmic structures of identification. This book moves beyond these ideologically charged questions to explore how contemporary films have responded to a growing popular distrust in visual evidence when referencing factual cases of torture. Two cases studies - the United States around 2004 and Chile from 1973 until the end of the dictatorship - provide either an abundance or lack of such visual evidence. Drawing on films and television series such as Zero Dark Thirty (2012), NO (2012), Homeland (2011-) and Los 80 (2008-14), amongst many others, this book analyses the visible components of torture but also its invisibilities. By casting a wider net on the definition of torture, the author promotes a radical, theoretical reframing of our concept of torture and suggests that audiovisual products can help broaden our comprehension of torture as an event which includes collective and emotional dimensions and long-term social effects.
| Author | : George F. Flaherty |
| Publisher | : Univ of California Press |
| Total Pages | : 332 |
| Release | : 2016-08-16 |
| Genre | : Architecture |
| ISBN | : 0520291077 |
In 1968, Mexico prepared to host the Olympic games amid growing civil unrest. The spectacular sports facilities and urban redevelopment projects built by the government in Mexico City mirrored the country’s rapid but uneven modernization. In the same year, a street-savvy democratization movement led by students emerged in the city. Throughout the summer, the ‘68 Movement staged protests underscoring a widespread sense of political disenfranchisement. Just ten days before the Olympics began, nearly three hundred student protestors were massacred by the military in a plaza at the core of a new public housing complex. In spite of institutional denial and censorship, the 1968 massacre remains a touchstone in contemporary Mexican culture thanks to the public memory work of survivors and Mexico’s leftist intelligentsia. In this highly original study of the afterlives of the ’68 Movement, George F. Flaherty explores how urban spaces—material but also literary, photographic, and cinematic—became an archive of 1968, providing a framework for de facto modes of justice for years to come.
| Author | : Erik Ching |
| Publisher | : UNC Press Books |
| Total Pages | : 363 |
| Release | : 2016-08-26 |
| Genre | : History |
| ISBN | : 1469628678 |
El Salvador's civil war began in 1980 and ended twelve bloody years later. It saw extreme violence on both sides, including the terrorizing and targeting of civilians by death squads, recruitment of child soldiers, and the death and disappearance of more than 75,000 people. Examining El Salvador's vibrant life-story literature written in the aftermath of this terrible conflict--including memoirs and testimonials--Erik Ching seeks to understand how the war has come to be remembered and rebattled by Salvadorans and what that means for their society today. Ching identifies four memory communities that dominate national postwar views: civilian elites, military officers, guerrilla commanders, and working class and poor testimonialists. Pushing distinct and divergent stories, these groups are today engaged in what Ching terms a "narrative battle" for control over the memory of the war. Their ongoing publications in the marketplace of ideas tend to direct Salvadorans' attempts to negotiate the war's meaning and legacy, and Ching suggests that a more open, coordinated reconciliation process is needed in this postconflict society. In the meantime, El Salvador, fractured by conflicting interpretations of its national trauma, is hindered in dealing with the immediate problems posed by the nexus of neoliberalism, gang violence, and outmigration.
| Author | : Joseph Florez |
| Publisher | : BRILL |
| Total Pages | : 279 |
| Release | : 2021-05-25 |
| Genre | : Religion |
| ISBN | : 9004454012 |
In Giving Life to the Faith, Joseph Florez offers an account of Pentecostal activism and the search for a new interpretation of Christian social responsibility during the extraordinary circumstances of everyday life during the Chilean dictatorship.
| Author | : Jennifer Ponce de León |
| Publisher | : Duke University Press |
| Total Pages | : 225 |
| Release | : 2021-02-08 |
| Genre | : Art |
| ISBN | : 1478012781 |
In Another Aesthetics Is Possible Jennifer Ponce de León examines the roles that art can play in the collective labor of creating and defending another social reality. Focusing on artists and art collectives in Argentina, Mexico, and the United States, Ponce de León shows how experimental practices in the visual, literary, and performing arts have been influenced by and articulated with leftist movements and popular uprisings that have repudiated neoliberal capitalism and its violence. Whether enacting solidarity with Zapatista communities through an alternate reality game or using surrealist street theater to amplify the more radical strands of Argentina's human rights movement, these artists fuse their praxis with forms of political mobilization from direct-action tactics to economic resistance. Advancing an innovative transnational and transdisciplinary framework of analysis, Ponce de León proposes a materialist understanding of art and politics that brings to the fore the power of aesthetics to both compose and make visible a world beyond capitalism.
| Author | : Dalia Báthory |
| Publisher | : Zeta Books |
| Total Pages | : 178 |
| Release | : |
| Genre | : |
| ISBN | : 6068266699 |
| Author | : Mohan Jyoti Dutta |
| Publisher | : Springer |
| Total Pages | : 413 |
| Release | : 2018-12-05 |
| Genre | : Political Science |
| ISBN | : 9811320055 |
The book covers the trajectories and trends in social change communication, engaging the key theoretical debates on communication and social change. Attending to the concepts of communication and social change that emerge from and across the global margins, the book works toward offering theoretical and methodological lessons that de-center the dominant constructions of communication and social change. The chapters in the book delve into the interplays of academic-activist-community negotiations in communication for social change, and the ways in which these negotiations offer entry points into transformative communication processes of social change. Moreover, a number of chapters in the book attend to the ways in which Asian articulations of social change are situated at the intersections of culture, structure, and agency. Chapters in the book are extended versions of research presented at the conference on Communicating Social Change: Intersections of Theory and Praxis held at the National University of Singapore in 2016, organized under the umbrella of the Center for Culture-Centered Approach to Research and Evaluation (CARE).
| Author | : Berber Bevernage |
| Publisher | : Springer |
| Total Pages | : 868 |
| Release | : 2018-02-03 |
| Genre | : History |
| ISBN | : 1349953067 |
This handbook provides the first systematic integrated analysis of the role that states or state actors play in the construction of history and public memory after 1945. The book focuses on many different forms of state-sponsored history, including memory laws, monuments and memorials, state-archives, science policies, history in schools, truth commissions, historical expert commissions, the use of history in courts and tribunals etc. The handbook contributes to the study of history and public memory by combining elements of state-focused research in separate fields of study. By looking at the state’s memorialising capacities the book introduces an analytical perspective that is not often found in classical studies of the state. The handbook has a broad geographical focus and analyses cases from different regions around the world. The volume mainly tackles democratic contexts, although dictatorial regimes are not excluded.
